Requiem, Op.48 (Fauré, Gabriel)

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Version d'église, N 97a (1887-93)

Publisher. Info. Holograph manuscript, 1888-93.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): Conservatoire, Ms.410-413
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Editor Philip Legge (b. 1972*)
Publisher. Info. Copyright © 2000, 2005, 2007 Philip Legge.
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Misc. Notes Reconstruction of Fauré’s 1888 and 1893 versions, edited from the original (1900) full score published by J. Hamelle, with additions by Philip Legge. See also CPDL.
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Version de concert, N 97b (1899-1900)

Editor First edition (reprint)
Engraver J. Guidez
Publisher. Info. Paris: J. Hamelle, n.d.[1901]. Plate J. 4650 H.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018).
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Feduol (2024/8/16)

Editor Jean-Michel Nectoux (b. 1946)
Publisher. Info. Paris: Alphonse Leduc, n.d. Plate 1998.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Misc. Notes Scan is of extremely poor quality.
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Parts

Version de concert, N 97b (1899-1900)

13 more: Clarinet 1/2 (B♭) • Bassoon 1/2 • Horn 1/2, 3/4 (F) • Trumpet 1/2 (F, plus B♭ transposed) • Trombone 1/2, 3 (tenor clef, bass clef) • Timpani • Harp • Organ • Violins I / II • Violas I, II • Cellos I • Cellos II • Basses

Editor First edition (reprint)
Engraver J. Guidez
Publisher. Info. Paris: J. Hamelle, n.d.[1901]. Plate J. 4651 H.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Misc. Notes These files are part of the Orchestra Parts Project. Roger-Ducasse is not listed as co-orchestrator by J.M. Nectoux in the Catalog of Works.
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Vocal Scores

Version d'église, N 97a (1887-93)

PDF scanned by Unknown
Feduol (2024/12/4)

Arranger Gabriel Fauré (1845-1924), piano reduction
Editor Jean-Michel Nectoux (b. 1946)
Roger Delage (1922–2001)
Publisher. Info. Paris: Alphonse Leduc, 1994. Plate AL 28 943.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Version de concert, N 97b (1899-1900)

Arranger Jean Roger-Ducasse (1873–1954), piano reduction
Editor First edition (later print + reprint)
Engraver J. Guidez
Language Latin
Publisher. Info. Paris: J. Hamelle, n.d.[1900]. Plate J. 4531 H.
Reprinted New York: Edwin F. Kalmus, 1965. (#464445)
Copyright
Misc. Notes Added English text on Kalmus reprint removed.
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PDF scanned by Unknown
Feduol (2024/8/16)

Editor Jean-Michel Nectoux (b. 1946)
Publisher. Info. Paris: Alphonse Leduc, 1998. Plate AL 28 960.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Pawel Jura
Publisher. Info. Choral Public Domain Library, 2000
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Misc. Notes Numerous errors have been reported. See the CPDL page for more information.
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Arranger Edgar Girtain IV (b. 1988)
Publisher. Info. Edgar Girtain IV, 2022.
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Pie Jesu (No.4)

Arranger Jean Roger-Ducasse (1873–1954), piano reduction
Publisher. Info. Paris: J. Hamelle, n.d.[1900]. Plate J. 4531 H.
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Misc. Notes (Excerpt from vocal score)
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Arranger Pierre Gouin - Contact, organ reduction
Publisher. Info. Montréal: Les Éditions Outremontaises, 2006
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Complete

For Voices, Chorus, String Quintet and Harmonium (Girtain IV)
Arranger Edgar Girtain IV (b. 1988)
Publisher. Info. Edgar Girtain IV, 2018.
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Pie Jesu (No.4)

For Soprano and Wind Band (Lauf)
Arranger Melvin Lauf
Publisher. Info. Zaxston Press, 2013.
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For 4 Flutes, Alto Flute and Bass Flute (Kamioka)
Arranger Hideo Kamioka
Publisher. Info. Hideo Kamioka
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Misc. Notes For Solo flute with 3 flutes, alto flute, bass flute
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For Voice, Cello and Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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For Flute and Organ (Kamioka)
Arranger Hideo Kamioka (b. 1958)
Publisher. Info. Hideo Kamioka
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For Saxophone and Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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For Treble Instrument and Organ (Brunet)
For Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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In Paradisum (No.7)

For Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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Free Recordings

Version d'église, N 97a (1887-93)
Version de concert, N 97b (1899-1900)

General Information

Work Title Requiem in D minor
Alternative. Title Messe de Requiem
Name Translations Requiem; レクイエム; Réquiem; Rèquiem; Реквієм; [10 more...]Реквием; רקוויאם; 安魂曲 (福萊); 安魂曲 (福莱); 安魂曲; Реквием (Форе); Reekviem; Requiem (Fauré); 레퀴엠; Missa Defunctoris
Name Aliases Requiem Faure; Requiem de Fauré; Rèquiem de Fauré; Rèquiem en re menor; Requiem en re menor; [6 more...]Requiem, Op. 48; Fauren Requiem; Faurén Requiem; Requiem (Faure); Requiema re minorrean; Requiem in re minore
Authorities WorldCat; Wikipedia; VIAF: 302634014; LCCN: n81022487; GND: 300051751; [2 more...]SELIBR: 136950; BNF: 139120522
Composer Fauré, Gabriel
Opus/Catalogue NumberOp./Cat. No. Op.48 ; N 97
Internal Reference NumberInternal Ref. No. IGF 81
Key D minor
Movements/SectionsMov'ts/Sec's 7 movements:
  1. Introït et Kyrie
    Molto largo (D minor, 91 bars)
  2. Offertoire
    Allegro molto (B minor, 94 bars)
  3. Sanctus
    Andante moderato (E-flat major, 62 bars)
  4. Pie Jesu
    Adagio (B-flat major, 38 bars)
  5. Agnus Dei
    Andante (F major to D major, 94 bars)
  6. Libera me
    Moderato (D minor, 136 bars)
  7. In paradisum
    Andante moderato (D major, 61 bars)
Year/Date of CompositionY/D of Comp. 1877, 1887–93
First Performance. 1900-07-12 in Paris, Trocadéro* (Société des concerts du Conservatoire)
Amélie Thoures (soprano), Henri Vallier (bass), Eugène Gigout (organ)
Chorus, Orchestra, Paul Taffanel (conductor)
First Publication. 1900-01 - Paris: Hamelle
Language Latin
Average DurationAvg. Duration 35-40 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation soprano, baritone, mixed chorus (SATB), orchestra
InstrDetail 2, 0, 2, 2 - 4, 2, 3, 0, timp, org, hp, strs [more...]
2 flutes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones
timpani, organ, harp, strings
Discography MusicBrainz
External Links Wikipedia article
All Music Guide
Extra Information Composition, Performance and Publication history
*Version de concert (N 97b)