Rumi Cantata (Saral, Ali Riza)

Movements/SectionsMov'ts/Sec's 6
Composition Year 2015-2016
Genre Categories Secular cantatas; Cantatas; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; English language; Turkish language

Sheet Music

Scores

 Foreword, introduction and 1st segment
#406527 - 12.52MB, 26 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 212×⇩ - Arsaral

PDF typeset by composer
Arsaral (2016/1/9)

 2nd segment
#406528 - 10.54MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 93×⇩ - Arsaral

PDF typeset by composer
Arsaral (2016/1/9)

 3rd segment
#406529 - 10.63MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 74×⇩ - Arsaral

PDF typeset by composer
Arsaral (2016/1/9)

 Peformance notes, sketches, short article etc.
#406530 - 8.02MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 97×⇩ - Arsaral

PDF typeset by composer
Arsaral (2016/1/9)

Publisher. Info. Ali Riza Saral. Holograph manuscript, 2015-16.
Copyright
Performance Restricted Attribution-NonCommercial-NoDerivs 3.0 [tag/del/mrg]
Misc. Notes Please send a digital recording of your performance to the composer
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General Information

Work Title Mevlana İlahisi
Alternative. Title Rumi Cantata
Composer Saral, Ali Riza
Internal Reference NumberInternal Ref. No. IAS 17
Movements/SectionsMov'ts/Sec's 6
Year/Date of CompositionY/D of Comp. 2015-2016
Librettist Jalāl ad-Dīn Muhammad Rūmī (1207–1273)
Talât Sait Halman (1931–2014), Turkish translation (used by permission)
Ali Rıza Saral, English translation
Language English and Turkish
Average DurationAvg. Duration 14 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Voices: soprano, alto, tenor, bass; mixed choir (SATB)
Orchestra: flute, oboes, string orchestra, basso continuo/guitar

Navigation etc.

Texts by Rūmī, or just dedicated to? Assuming the former, so putting in the librettist field. (Poetry by him also used in Szymanowski's Symphony No.3, Op.27...) - ES

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