School of Interpretation for the Violin, Op.16 (Ševčík, Otakar)

Since this work was first published after 1927 with the prescribed copyright notice, it is unlikely that this work is public domain in the USA. However, it is in the public domain in Canada (where IMSLP is hosted), the EU, and in those countries where the copyright term is life+70 years or less.

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Movements/SectionsMov'ts/Sec's 45 pieces in 2 parts, with technical studies
Composition Year 1929-32
Genre Categories Methods; Pieces; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players

Sheet Music

Scores and Parts

No.31 a. Serenade in A major (Vieuxtemps) and b. Andante Op. 10/4 (Ševčík)

 Piano score, violin with 2nd violin, and exercises (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 531.
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No.32 a. Melody from Concerto No. 9-I (Bériot) and b. Larghetto from Violin Sonata "Devil's Trill" (Tartini)

 Piano score, violin with 2nd violin, and exercises (EU)
#93565 - 5.36MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - V/27/V - 4380×⇩ - Bartmeijer

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 532.
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No.33 a. Theme in Octaves op.10/4 (Ševčík) and b. Secondary Subject from Concerto No.2-II (Paganini)

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 533.
Copyright
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No.34 a.Adagio from Concerto No.7 (Bériot) and b.Melody and Octaves from the Polonaise in Virtuoso Form (Laub)

 Piano score, violin with 2nd violin, and exercises (EU)
#93567 - 7.85MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - V/27/V - 2231×⇩ - Bartmeijer

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 534.
Copyright
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No.35 Largo and Allegro from Violin Sonata in G minor (Tartini)

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 535.
Copyright
Public Domain - Non-PD US [tag/del]
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No.36 Air varié No.1 (Bériot)

 Piano score, violin with 2nd violin, and exercises (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 536.
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No.37 a. Gigue for Solo Violin (Rust) and b. Courante from D Minor Sonata (Rust)

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 537.
Copyright
Public Domain - Non-PD US [tag/del]
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No.38 Larghetto from Concerto No.22 II (Spohr)

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 538.
Copyright
Public Domain - Non-PD US [tag/del]
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No.39 Andante sostenuto from Concerto No.2 (Vieuxtemps)

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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 539.
Copyright
Public Domain - Non-PD US [tag/del]
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No.40 Scherzo - Tarantelle (Wieniawski)

 Piano score, violin with 2nd violin, and exercises
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 540.
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No.42 Hungarian Melodies (Ernst)

 Solo violin part (EU)
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 Exercises (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 542.
Copyright
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No.43 Dance of the Gnomes (Bazzini)

 Exercises (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1931. Plate O.P. 543.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes For copyright reasons, violin part and piano score were not published together with the exercises.
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No.44 Moses-Fantasy (Paganini)

 Violin Part (monochrome) (EU)
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⇒ 4 more: Violin Part (color) • Exercises • Piano Score (C minor) • Piano Score (E♭ minor)

 Violin Part (color) (EU)
#92611 - 2.63MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/28/V - 1945×⇩ - Bartmeijer

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 Exercises (EU)
#92612 - 3.67MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/28/V - 3453×⇩ - Bartmeijer

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 Piano Score (C minor) (EU)
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 Piano Score (E♭ minor) (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1932. Plate O.P. 544.
Copyright
Public Domain - Non-PD US [tag/del/mrg]
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No.45 Le Streghe (Paganini)

 Violin part (EU)
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 Exercises (EU)
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Editor First edition
Publisher. Info. Brno: Ol. Pazdírek, 1932. Plate O.P. 545.
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General Information

Work Title School of Interpretation for the Violin
Alternative. Title School of Performing on a Melodical Basis; School of Interpretation for the violin on a Melodic Basis in 2 Parts
Composer Ševčík, Otakar
Opus/Catalogue NumberOp./Cat. No. Op.16
I-Catalogue NumberI-Cat. No. IOS 10
Movements/SectionsMov'ts/Sec's 45 pieces in 2 parts, with technical studies
  • Part 1: Introduction to solo Playing
1. Rode: Melody, Concerto No.6, 1st Movement. (Styles of bowings on eighths)
2. Rode: Introduction to Rondo Concerto No.6. (Styles of bowing on eighths in 6/8 time)
3. Fiorillo: Andante, Etude No.13. (Shifting of position in various forms)
4. Wieniawsky-Warlamoff: Romance from Souvenir de Moscou. (Bowing styles on triplets)
5. Ševčík: Andante on the G string, Op.10/5. (Rhythmic studies)
6. Leclair: Sarabande. (Introduction into 3/2 measure. Bowings for legato, martelé and staccato)
7. Paganini: Theme from Non piú mesta. (Repeated raising of the bow at the up-stroke)
8. Mendelssohn: Melody in G, Concerto E-minor I. (Shading and nuance of the tone)
9. Rode: Adagio, Concerto No.7. (Studies on the G String)
10. Rust: Gigue. (Bowing style Spiccato)
11. Beethoven: Melody G-minor, Concerto in D-major III. (Rhythmical exercices in 6/8 time)
12. Rode: Adagio, Concerto No.6.
13. Wieniawski: Theme original from Op.15. (Drawn and sharp notes by turns)
14. Ševčík: Introduction to the natural and artificial harmonic tones.
15. Spohr: Introduction to I. Movement, Concerto No.2.
16. Ernst: Melodic Scene in A-major from the III. Concerto in F-sharp minor.
17. Rode: Introduction and Melody to the Concerto No.7-III. (on the dotted rhythm)
18. Molique: F-major Melody, Concerto No.5-I. (Bowing styles accompanied by 2nd violin)
19. Beethoven: Rondo theme from the Violin Concerto.
20. Spohr: Marchscene, Concerto No.8-III.
21. Viotti: Melody with Double-Stop Passages, Concerto No.18-I.
22. Wieniawski: Cantabile A-major Concerto 1-I. (Rhythmical exercices in triplets)
23. Vieuxtemps: Theme from the Fantasia Appassionata. (Softness of the tone)
24. Paganini: Theme from I Palpiti. (Shading of the tone)
25. Viotti: Rondo with Double-Stop Passage, Concerto No.28.
26. Wieniawski: Theme form Carneval Russe.
27. Molique: Ricochet-Scene from the Concerto No.5-III.
28. Ernst: Andante from the Hung. Melodies. (Graded Studies of tone)
29. Wieniawski: Melody with Octaves from the Concerto No.1-III.
30. Paganini: 7 Variations from the Carneval of Venice. (Rhythmical Studies)
  • Part 2: Introduction to Virtuoso Playing
31. Vieuxtemps: Serenade A-major on the G-string, Concerto No.1-III.
Ševčík: Andante, Op.10/4. (Changing of tempo moderato and quick)
32. Beriot: Melody in Octaves, Concerto No.9-I. (Independence of the fingers)
Tartini: Larghetto from the Devil's Sonata. (Independence of the fingers)
33. Ševčík: Theme in Octaves Op.10/4. (Preparation for the sautillé and glissando)
Paganini: Secondary Subject form the Concerto No.2-II.
34. Beriot: Adagio from the Concerto No.7. (Chain-trills)
Laub: Melody and Octaves from the Polonaise in virtuoso form. (Study of Nimbleness)
35. Tartini: Largo and Allegro from the G-minor Sonata. (Double-stops and suppleness of the wrist)
36. Beriot: Air varié No.1. (Double-stops and Chords in virtuoso form)
37. Rust: Gigue for Solo Violin. (Pizzicato with the left hand)
Rust: Courante. (Suppleness of wrist in crossing two and three strings)
38. Spohr: Larghetto in Double-Stops. (Third double-stops in virtuoso form)
39. Vieuxtemps: Andante sostenuto from the Concerto No.2 (Pliancy of Bowing)
40. Wieniawski: Scherzo -Tarantelle
41. Sarasate: Gipsy-Melodies
42. Ernst: Hungarian Melodies
43. Bazzini: Dance of Gnomes
44. Paganini: Moses-Fantasy
45. Paganini: Witches Dance
Year/Date of CompositionY/D of Comp. 1929-32
First Publication. 1932
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin, (piano)
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