String Quartet (Fine, Vivian)

Movements/SectionsMov'ts/Sec's 4 movements:
  1. Allegro appassionato
  2. Allegro di bravura
  3. Lento
  4. Allegretto a la danza
Composition Year 1957
Genre Categories Quartets; For 2 violins, viola, cello; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; For 4 players

Sheet Music

Scores and Parts

 Complete Score
#195328 - 7.14MB, 41 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 419×⇩ - rhymesandchymes

PDF scanned by Paul Hawkins
rhymesandchymes (2012/3/30)

 Complete Parts
#195329 - 8.52MB, 56 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 226×⇩ - rhymesandchymes

PDF scanned by Paul Hawkins
rhymesandchymes (2012/3/30)

Publisher. Info. Vivian Fine Estate
Copyright
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del/mrg]
© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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General Information

Work Title String Quartet
Alternative. Title
Composer Fine, Vivian
I-Catalogue NumberI-Cat. No. IVF 71
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Allegro appassionato
  2. Allegro di bravura
  3. Lento
  4. Allegretto a la danza
Year/Date of CompositionY/D of Comp. 1957
First Performance. 1957-11-21, Skinner Recital Hall, Vassar College, Poughkeepsie, New York, Claremont String Quartet: Marc Goetlieb and Vladimir Weisman, violins, William Schoen, viola, and Irving Klein, cello
Average DurationAvg. Duration 19 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 2 violins, viola, cello

Navigation etc.

With A Guide to the Life Expectancy of a Rose and the String Quartet Fine seems to have advanced to a more mature level of composition. The angular lines of her early music are replaced by longer and more graceful curves. She is comfortable with large-scale designs, and although the Quartet has no text, the music has a dramatic quality that was such an important aspect of A Guide. Its humor is replaced with a seriousness and intensity that changes from movement to movement while maintaining an overall expressiveness.

—Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999

Review

The Claremont Quartet…gave a splendid reading of Miss Fine’s lyrical and spontaneous String Quartet.

—The New York Times, February 9, 1959
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