This work is likely not in the public domain in the US (due to first publication with the required notice after 1926, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Hong Kong, New Zealand) where the copyright term is life+50 years. |
Movements/SectionsMov'ts/Sec's | 3 movements |
---|---|
Composition Year | 1951 |
Genre Categories | Suites; For viola, piano; Scores featuring the viola; |
Contents |
Complete Score (CA)
*#447663 - 37.55MB, 14 pp. - -) (- V/49/30 - ViolaRules
PDF scanned by Unknown
ViolaRules (2016/11/15)
Complete Score (compressed and resized) (CA)
*#765451 - 3.50MB, 14 pp. - -) (- V/49/30 - Unnamed boi
PDF scanned by Unknown
Unnamed boi (2022/2/22)
Viola Part (CA)
*#447664 - 2.39MB, 1 pp. - -) (- V/49/30 - ViolaRules
PDF scanned by Unknown
ViolaRules (2016/11/15)
Violin Part (alternate) (CA)
*#447665 - 13.52MB, 5 pp. - -) (- V/49/30 - ViolaRules
PDF scanned by Unknown
ViolaRules (2016/11/15)
|
Complete Score (CA)
*#581728 - 19.00MB, 43 pp. - -) (- V/49/30 - Flipendo123
PDF scanned by Unknown
Flipendo123 (2019/7/18)
|
Work Title | Suite Hébraïque |
---|---|
Alternative. Title | |
Composer | Bloch, Ernest |
Opus/Catalogue NumberOp./Cat. No. | B.83 |
I-Catalogue NumberI-Cat. No. | IEB 28 |
Movements/SectionsMov'ts/Sec's | 3 movements:
|
Year/Date of CompositionY/D of Comp. | 1951 |
First Publication. | 1953 |
Dedication | to The Covenant Club of Illinois |
Average DurationAvg. Duration | 13 minutes |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | Version A: viola (or violin), piano Version B: viola (or violin), orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, timpani, percussion (side drum, cymbals, tamtam), harp, strings) |
External Links | American Viola Society Ernest Bloch Legacy |
Several entries on WorldCat treat the piano part as a reduction, thus making the orchestral version the primary one, but a manuscript of sketches in the Library of Congress treats them both equally.