Tarantella (Albano da Conceição, Levino)

Genre Categories	Tarantellas; Dances; Works with undetermined instrumentation; For guitar (arr); Scores featuring the guitar (arr); For 1 player (arr)

Performances

Complete Recording (EU)
*#823584 - 5.37MB - 2:52 - 0.0/10 2 4 6 8 10 (-) - V/30/V - 67×⇩ - MP3 - Kennedy Violão

Publisher Info.	Tarantella, 1929.
Performers	Agustín Barrios
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Second known recording of this piece. Here, we see the virtuosity of Agustín Barrios Mangoré.
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Complete Recording
*#823583 - 4.49MB - 2:23 - 0.0/10 2 4 6 8 10 (-) - V/V/V - 52×⇩ - MP3 - Kennedy Violão

Publisher Info.	Tarantella, 1921.
Performers	Agustín Barrios
Copyright	Public Domain [tag/del]
Misc. Notes	First known recording of this piece. Here, we see the virtuosity of Agustín Barrios Mangoré.
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Complete Score
*#603500 - 0.12MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 662×⇩ - Stefan Apke

PDF typeset by arranger
Stefan Apke (2019/12/31)

Arranger	Agustín Barrios Mangoré (1885–1944)
Editor	Stefan Apke (b. 1963)
Publisher. Info.	Vlotho: Stefan Apke, 2019.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Complete Score
*#1003679 - 0.54MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - An Jeong-Won

PDF typeset by arranger
An Jeong-Won (2025/11/28)

Arranger	Agustín Barrios Mangoré (1885–1944)
Editor	Jeong-Won An (b. 2007)
Publisher. Info.	Jeong-Won An, 2025.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	Revised and Fingered by An Jeong-Won Catalogue: JW 4
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Work Title	Tarantella
Alternative. Title	Recuerdos de Nápoles
Composer	Albano da Conceição, Levino
Internal Reference NumberInternal Ref. No.	ILA 1
First Performance.	1916
Composer Time PeriodComp. Period	Early 20th century
Piece Style	Early 20th century
Instrumentation	unknown for the original
Extra Information	This work exists just in 2 audio recordings from Barrios, no score is available. It is unsure in how far it is an original work from Conceição or a derived work from Barrios. First mentioned as a work from Conceição in 1916 (according to Cyro Delvizio). And first mentioned as an arrangement by Barrios in 1918; later, until 1921, Barrios featured it as his own work (infos according to Rico Stover’s researches, Compl. works, Vol.2, p.252). Presumably Barrios changed a lot.