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7 sections:
- I. Introduction to Singing
- An Introduction to Singing ~ Of Notes and their Lengths ~ Of Time ~ Of other Characters used in Musick ~ Of Keeping Time ~ Of tuning the Voice &c. ~ Of the Keys used in Musick ~ Flat Keys ~ Sharp Keys ~ Of Syncompation or driving Notes ~ The chief Graces in Singing &c.
- Songs (all with figured bass)
- 1. Anonymous: Clorinda hear my moan (A New Song) [p.12]
- 2. Anonymous: The Artifice ("When Cloe we ply, we swear we shall die") (a favourite Song) [p.15]
- 3. ????: Poor Aminta sigh no more (A New favourite Song by an eminent Master) [p.14]
- 4. Anonymous: O hear my last complaint (A New Song) [p.16]
- 5. Anonymous: As I lay in a cooling shade (A Favourite New Song) [p.18]
- 6. Vanbrughe [Sir John Vanbrugh?]: The Defiance ("I smile at love and all his arts") (A New Song) [p.20]
- 7. Handel: Lamenting complaining of Coelias (AFAO - Julius Caesar) [V'adoro, pupille] [p.22]
- 8. Anonymous: Tis thee I love, I'll constant prove (A Favourite Song) [p.24]
- 9. Anonymous: False Strephon ("Strephon be gone you've me undone") [p.25]
- 10. Handel: O Cupid, gentle Cupid in pity ease my pain (AFSO - Theseus) [Amarti si vorrei] [p.26]
- 11. Anonymous: Cupid may lay aside his dart (A Favourite Song) [p.28]
- 12. Anonymous: The Lovers Treasure ("My diamond, my Queen, my treasure") [p.29]
- 13. Handel: My Life, my only treasure (AFSO - Julius Caesar) [Non ha più che temere] [p.30]
- 14. Anonymous: Kind fate now guard me from all harms (A New Song) [p.33]
- 15. Rowl Kellegren: Love and wine are pleasures beyond all (AFNS; Music Master at Paris) [p.34]
- 16. Munro: A Message from Mars to Venus by Cupid ("Thou little blind deceiver go") [p.36]
- 17. Handel: Love gives war or peace at pleasure (AFSO - Tamerlane) [Amor da guerra e pace] [p.38]
- 18. Anonymous: Dear charming beauty, you're my pleasure (A New Song) [p.41] "Charming Phillis"]
- 19. Purcell: And in each track of glory (3 voices) [p.42] ["second treble was never printed before"]
- 20. Handel: Come to my arms my treasure (AFAO - Otho; words by Leveridge) [Nò, non temere] [p.46]
- II. Directions for Playing on the Flute - with A Scale for Transposing any Piece of Musick to the properest Keys for that Instrument.
- Directions for Playing on the Flute ~ Examples of all the Notes both Flat and Sharp ~ Of Time ~ The Marks and Rules for gracing ~ Of Transposition &c.
- A Fine Collection of Minuets, Rigadoons, Marches and Opera Airs by Judicious Masters
- 1. March, C major [p.9]
- 2. Minuet, C major [p.9]
- 3. Handel: Minuet, C major [p.10]
- 4. Minuet, C major [p.10]
- 5. Minuet, F major [p.11]
- 6. Minuet, C major [p.11]
- 7. Handel: Air in Julius Caesar, C major [p.12]
- 8. Minuet, C major [p.12]
- 9. A March, F major [p.13]
- 10. Minuet, C major [p.13]
- 11. Handel: Chi puo mirare, in the Opera of Flavius, C minor [p.14]
- 12. Bononcini: No oh Dio, [in] Calphurnia, Lento, G minor [p.16]
- 13. Haym: [Too lovely cruel] An Air in Pyrrhus and Demetrius, F major [p.17]
- 14. Handel: A Favourite Minuet in Floridante, Allegro, C major [p.18]
- 15. Handel: Morrai si, AFAO - Rodelinda, F major [p.20]
- 16. Handel: Temo che lusinghiero, AFAO - Scipio, G minor [p.22]
- 17. Handel: Lusinghie pito care, AFAO - Alexander, C major [p.24]
- 18. Handel: No che sei, AFAO - Tamerlane, G major [p.26]
- 19. Woodcock: Minuet, C major [p.27]
- 20. Handel: Pregrison d'un alma, AFAO - Alexander, D minor [p.28]
- 21. Handel: La cervetta nei lacci, AFAO - Alexander, D minor [p.30]
- 22. Handel: La forte mia, AFAO - Admetus, Allegro, C major [p.32]
- 23. Handel: Vadoro o luci, AFAO - King Richard the First, F major [p.34]
- 24. Handel: Se il caro figlio, AFAO - Siroe, C major [p.36]
- 25. Handel: Mi volgo ad ogni, AFAO - Ptolomi, Allegro, C major [p.38]
- 26. Handel: Chorus in Lotharius, C major [p.40]
- 27. Handel: Care mura, in the Opera of Parthenope, Largo, C major [p.41]
- 28. Handel: Dimmi pietoso, AFAO - Parthenope, Allegro, D minor [p.42]
- 29. Handel: Voglio dire, in the Opera of Parthenope, Andante, D minor [p.44]
- 30. Handel: La spemeti consoli, AFAO - Parthenope, Andante, C major [p.46]
- 31. Handel: La speranza lusinghiera - Air in the Opera of Ormisda, F major [p.48]
- III. The Newest Method for Learners on the German Flute
- Of the Situation of the Body ~ The first Scale ~ Of Shakes or Cadences ~ A Further Explanation of the Shakes or Cadences ~ Remarks on some Semitones, & on some Cadences ~ Of the double Cadences, Accents, Ports-de-voix and tongueing the German Flute and other wind Instruments ~ Of Sliding or Slurring ~ Of Time ~ Of other Characters used in Musick ~ A Scale of all the Notes and Half Notes of the German Flute Musically and Tabularly ~ A Scale of all the Beats or Shakes
- A Collection of the finest Minuets, Rigadoons, and Opera Airs extant
- 1. Minuet, G minor [p.13]
- 2. Minuet, D major [p.13]
- 3. Rigadoon, D major [p.13]
- 4. Trumpet Minuet, D major [p.14]
- 5. Minuet, D minor [p.14]
- 6. Minuet, G major [p.15]
- 7. Minuet, G major [p.15]
- 8. Minuet, D major [p.15]
- 9. Minuet, G major [p.16]
- 10. Bononcini: Minuet, G minor [p.16]
- 11. Minuet, G major [p.17]
- 12. Rigadoon, G major [p.17]
- 13. Minuet, D major [p.17]
- 14. Minuet, D major [p.18]
- 15. Grano: Trumpet Minuet, D major [p.18]
- 16. Minuet, D major [p.19]
- 17. Minuet, F major [p.20]
- 18. Minuet, D minor [p.20]
- 19. Handel: Dove sei, [in] Rodelinda, G major [p.21]
- 20. Bononcini: [Non mi sequir], AFAO - Astarte, G minor [p.22]
- 21. Handel: La sorte il Ciel, &c. in the Opera of Radamistus, Bb major [p.24]
- 22. Handel: Alla fama dimmi, AFSO - Otho, Allegro, D major [p.26]
- 23. Handel: Spero placare, AFAO - Rhadamistus, D minor [p.28]
- 24. Handel: Caro vieni, AFAO - Richard 1st, G major [p.30]
- 25. Handel: Non sara quest alma, in the Opera of Radamistus, G minor [p.32]
- 26. Handel: Non vi piacque, AFAO - Siroe, Larghetta, G major [p.34]
- 27. Handel: Orgogliosetto, AFAO - Lotharius, E minor [p.36]
- 28. Handel: Se il Cor, a Duet in Ptolomy (2 flutes), Larghetto, G minor [p.38]
- 29. Handel: Se non te sai, AFAO - Parthenope, G major [p.40]
- 30. Handel: Sei mia gioia, AFAO - Parthenope, Bb major [p.42]
- 31. Handel: Gigue in Parthenope, D minor [p.44]
- 32. Sarro: Amico il Fato in Ormisda, G major [p.45]
- 33. Hasse: Se quel cor con nobil vanto, AFAO - Ormisda, Allegro, G major [p.46]
- 34. Hasse(?): Tacero tacero setulo (Tacero se tu lo brami), AFAO - Ormisda, G major [p.48]
- IV. Instructions Upon the Hautboy
- First observe the manner of holding your Hautboy ~ A Scale of the plain Notes on the Hoboy ~ A Scale of all the Notes both flat and sharp on the Hautboy ~ Example of the Time or length of the Notes ~ An Example of the Graces ~ A Scale of all the Graces
- A Curious Collection of Marches, Minuets, Rigadoons and Opera Airs
- 1. Minuet, F major [p.9]
- 2. Minuet, G minor [p.9]
- 3. Rigadoon, G minor [p.9]
- 4. Minuet, G minor [p.10]
- 5. March, D major [p.10]
- 6. March, D major [p.11]
- 7. Minuet, D minor [p.11]
- 8. Minuet, D minor [p.11]
- 9. Minuet, D minor [p.12]
- 10. Minuet, D minor [p.12]
- 11. Trumpet Minuet, D major [p.13]
- 12. Minuet, G major [p.13]
- 13. A March, D major [p.14]
- 14. A March, D major [p.14]
- 15. A March, D major [p.14]
- 16. A March, D major [p.15]
- 17. A March, C major [p.15]
- 18. March, D major [p.16]
- 19. Trumpet Minuet, D major [p.16]
- 20. Minuet, F major [p.17]
- 21. Rigadoon, D minor [p.17]
- 22. Minuet, A major [p.17]
- 23. Minuet, F major [p.18]
- 24. Minuet, D major [p.18]
- 25. Minuet, Bb major [p.19]
- 26. Minuet, C minor [p.19]
- 27. Minuet, C minor [p.19]
- 28. Eccho Minuet, A major [p.20]
- 29. Handel: Fals'imagine - [in] Otho, Largo, A major [p.21]
- 30. Handel: Benche povera, AFAO - Flavius, D minor [p.22]
- 31. Handel: Straggi morti, AFAO - Radamistus, D major [p.24]
- 32. Handel: Son contenta, AFAO - Radamistus, Presto, C minor [p.26]
- 33. Handel: Vanne sorella, AFAO - Radamistus, Allegro, C minor [p.28]
- 34. Handel: Tu sei il cor, AFAO - Julius Caesar, D minor [p.30]
- 35. Handel: Sueglia tevi, AFAO - Julius Caesar, C minor [p.32]
- 36. Handel: Deh piange te - [in] Julius Caesar, Largo, D minor [p.33]
- 37. Handel: Piu d’una Tygre, AFAO - Tamerlane, Allegro, F major [p.34]
- 38. Handel: Non e piu tempo, AFAO - Tamerlane, Allegro, A major [p.36]
- 39. Handel: Faro cosi - [in] Admetus, Larghetto, E minor [p.37]
- 40. Handel: Laura non sempre spira, in Siroe, Allegro, Bb major [p.38]
- 41. Handel: Senza il suo bene, AFAO - Ptolomy, Andante, D minor [p.40]
- 42. Handel: Gia mi sembra, AFAO - Lotharius, Allegro, A minor [p.42]
- 43. Handel: Un altra volta, AFAO - Parthenope, Allegro, A minor [p.44]
- 44. Handel: Si scherza si, AFAO - Parthenope, Allegro, G major [p.46]
- 45. Handel: Arsace oh Dio, Air in Parthenope, Larghetto, A minor [p.48]
- 46. Handel: Chorus in Parthenope, F major [p.48]
- V. The Art of Playing on the Violin
- The first Thing to be learnt is the scale of the Gamut ~ The method of tuning the Violin ~ Of Flats & Sharps ~ Example of the Time ~ Of the usual Graces ~ The Method of Bowing in Common Time ~ The Method of Bowing in Triple Time
- A Collection of the finest Rigadoons, Almands, Sarabands, Courants, & Opera Airs extant
- 1. Minuet, G minor [p.10]
- 2. Rigadoon, G minor [p.10]
- 3. Minuet, G major [p.11]
- 4. Rigadoon, G major [p.11]
- 5. Minuet, G major [p.11]
- 6. Handel: Minuet in Rodelinda, C major [p.12]
- The following Minuets by the most Eminent Masters
- 7. Minuet, Bb major [p.12]
- 8. Minuet, E minor [p.13]
- 9. Minuet, G minor [p.13]
- 10. Minuet, Bb major [p.13]
- 11. Minuet, Bb major [p.14]
- 12. Minuet, G minor [p.14]
- 13. Minuet, C minor [p.15]
- 14. Minuet, D minor [p.15]
- 15. Minuet, D minor [p.16]
- 16. Rigadoon, D minor [p.16]
- 17. Albinoni: Saraband, G minor [p.17]
- 18. Albinoni: Gavot, G minor [p.17]
- 19. Masciti: Air, Presto, F major [p.18]
- 20. St. Helene, Allegro, B minor [p.20]
- 21. Anonymous: Minuet, Bb major [p.21]
- 22. Anonymous: Rigadoon, Bb major [p.21]
- 23. Anonymous: Rigadoon, C minor [p.21]
- 24. Handel: Sgombra del, AFAO - Siroe, Allegro, A minor [p.22]
- 25. Handel: Non e si vago, Air in Julius Ceasar, D major [p.23]
- 26. Handel: Un lampo e la speranza, in the Opera of Admetus, Allegro, G minor [p.24]
- 27. Handel: Si caro caro si, in Admetus, G major [p.25]
- 28. Handel: Scacciata dal suo, AFAO - Rodelinda, Allegro, G minor [p.26]
- 29. Anonymous: Minuet, G minor [p.27]
- 30. Anonymous: Rigadoon, G minor [p.27]
- 31. Handel: Aure portate, in Ptolomy, Allegro, A minor [p.28]
- 32. Bononcini: Air in Astyanax, G major [p.29]
- 33. Bononcini: Air in Astyanax, G minor [p.29]
- 34. Handel: Deh fuggi, AFAO - Radamistus, Allegro, G major [p.30]
- 35. Handel: Mi caro bene, AFAO - Rodelinda, G major [p.32]
- 36. Handel: Sen vola lo, AFAO - Admetus, A major [p.34]
- 37. Handel: Amor e un Tiranno, AFAO - Admetus, Allegro, G minor [p.36]
- 38. Handel: Ciel e terra, AFAO - Tamerlane, D major [p.38]
- 39. Handel: Chie pui sedele, AFAO - Siroe, A major [p.40]
- 40. Handel: Mi lagnero tacendo, AFAO - Siroe, D minor [p.42]
- 41. Anonymous: Minuet, G minor [p.44]
- 42. Anonymous: Rigadoon, G minor [p.44]
- 43. Anonymous: Minuet, F major [p.44]
- 44. Anonymous: Minuet, Bb major [p.45]
- 45. Anonymous: Minuet, G minor [p.45]
- 46. Handel: Furibondo, in the Opera Parthenope, Allegro, E minor [p.46]
- VI. The Harpsichord Illustrated and Improved; Wherein is shewn The Italian Manner of Fingering; with Suits of Lessons for Beginners & those who are already Proficients on the Instrument and the Organ, with Rules for Attaining to Play a Thorough Bass, also with Rules for Tuning the Harpsichord or Spinnet
- The Harpsichord Illustrated and Improv'd ~ Of Notes and their Lengths ~ Of Time ~ Of the Graces
- ~ Of Fingering
- 1. Prelleur: Prelude, C major (for fingering) [p.5]
- 2. Prelude, C major [p.6]
- 3. Handel: Gavot in Otho [p.6]
- 4. Minuet, D minor [p.8]
- 5. Lully (actually by Loeillet): Minuet, D major [p.8]
- 6. Babell: Prelude, F major [p.10]
- 7. Lully: Minuet, A minor [p.12]
- 8. Ariosti: T'amo tanto, in Artaxerxes, G major [p.13]
- 9. Handel: Jig in Siroe, G minor [p.14]
- 10. Mattheson: Courant, D minor [p.16]
- 11. Mattheson: Suite, E minor (Symphony; Quick; Allemand; Courant; Saraband; Gigg) [p.18]
- 11. Handel: [Vanne, segu'il mio desio], AFAO - Floridant, Bb major [p.25]
- 12. Handel: Dimmi cara, AFSO - Scipio, G major [p.26]
- 13. Ariosti: Con forza ascoza, AFAO - Vespasian [p.28]
- Rules for attaining to play a Thorough Bass [p.29]
- Musick consists of Concords & Discords ~ There are three sorts of Cadences, or Ways of preparing for a Close ~ Of Discords and how many Ways they are prepared and resolved ~ Example in a flat Key ~ Example in a sharp Key ~ Some Examples shewing what may be done when the Bass descends by Degrees ~ For the better remembring all sorts of Cords & what Cords they make to any other Note ~ Of Transposition ~ I shall add some few more Lessons to make the work compleat ~ Rules for tuning the Harpsichord or Spinnett
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