The Triumphes of Oriana (Morley, Thomas)

Movements/SectionsMov'ts/Sec's	25 madrigals
Composition Year	1601 or before
Genre Categories	Madrigals; For 5 voices; For unaccompanied voices; Scores featuring the voice; For 6 voices; English language

Performances

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Altus, Sextus
*#278905 - 4.79MB, 26 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 343×⇩ - Feduol

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Feduol (2013/4/27)

Complete Parts
*#278906 - 40.82MB, 90 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 989×⇩ - Feduol

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Feduol (2013/4/27)

Complete Parts (alternate)
*#278907 - 13.06MB, 89 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 525×⇩ - Feduol

PDF scanned by Unknown
Feduol (2013/4/27)

Editor	Thomas Morley (1557-1602)
Publisher. Info.	London: Thomas East, 1601.
Copyright	Public Domain [tag/del/mrg]
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Work Title	The Triumphes of Oriana
Alternative. Title	Madrigales
Composer	Morley, Thomas
I-Catalogue NumberI-Cat. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	25* madrigals Songs of 5 voices 1. East: Hence stars 2. Norcombe: With angel's face 3. Mundy: Lightly she whipped 4. E. Gibbons: Long live fair Oriana 5. Bennet: All creatures now 6. Hilton the elder: Fair Oriana beauty's queen 7. Marson: The nymphs and shepherds 8. Carlton: Calm was the air 9. Holmes: Thus bonny boots 10. Nicholson: Sing shepherds all 11. Tomkins: The fauns and satyrs tripping 12. Cavendish: Come gentle swains 13. Cobbold: With wreaths of rose 14. Morley: Arise awake you silly shepherds Songs of 6 voices 15. Farmer: Fair nymphs I heard one telling 16. Wilbye: The Lady Oriana 17. Hunt: Hark did ye ever hear 18. Weelkes: As Vesta Was, from Latmos Hill Descending 19. Milton: Fair Oriana on the morn 20. E. Gibbons: Round about her chariot 21. Kirbye: With angel's face 22. Jones: Fair Oriana 23. Lisley: Fair Cytharea 24. Morley: Hard by a Crystal Fountain 25. Johnson: Come blessed bird
Year/Date of CompositionY/D of Comp.	1601 or before
First Publication.	1601 - London: Thomas East
Language	English
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	5-6 voices
Extra Information	*The first madrigal (by East) was not numbered, but served as a prologue.