Tsure Goes to the Beach, O.108 (Verotta, Davide)

Contents

Performances

Recordings

Three Movement Version

MP3 file (audio)
Davide Verotta (2023/5/14)

MP3 file (audio)
Davide Verotta (2023/5/14)

Publisher Info. Davide Verotta, 2023.
Performers Haruka Fujii
Copyright
Purchase
Javascript is required for this feature.

Synthesized/MIDI

Three Movements Version

MP3 file (audio)
Davide Verotta (2022/12/24)

MP3 file (audio)
Davide Verotta (2022/12/24)

MP3 file (audio)
Davide Verotta (2022/12/24)

Publisher Info. Davide Verotta, 2022.
Performers GPO5 Istruments
Copyright
Purchase
Javascript is required for this feature.

Sheet Music

Scores

Three Movements Version

PDF typeset by composer
Davide Verotta (2023/6/16)

Publisher. Info. Davide Verotta, 2023.
Copyright
Purchase
Javascript is required for this feature.

Tsure Goes to the Beach (No.1)

PDF typeset by composer
Davide Verotta (2022/12/24)

Publisher. Info. Davide Verotta, 2022.
Copyright
Purchase
Javascript is required for this feature.

Free Recordings

Javascript is required to submit files.

General Information

Work Title Tsure Goes to the Beach
Alternative. Title
Composer Verotta, Davide
Opus/Catalogue NumberOp./Cat. No. O.108
I-Catalogue NumberI-Cat. No. IDV 55
Movements/SectionsMov'ts/Sec's 3 movements:
1. Tsure Goes to the Beach
2. The Alien Sea
3. Changed?
Year/Date of CompositionY/D of Comp. 2022
First Performance. 2023/05/06
First Publication. 2022
Dedication Haruka Fujii
Average DurationAvg. Duration 13 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation marimba
Extra Information Tsure Goes to the Beach is a set of three pieces for marimba that originated as a sort of lighthearted companion to another composition of mine, Tsure. Where Tsure is a rather complex piece inspired by an ancient morality tale, Tsure Goes to the Beach is just about a young woman going to the beach. In the first movement she excitedly anticipates a visit to the beach, and then when she gets there, she stands on top of a sand dune and marvels, marvels at the majesty of the open waters. In the second movement, “The Alien Sea,” the sea surprises her, “talking back” in its mysterious way. And then, in the last movement, “Changed?”, Tsure goes back home, perhaps changed a bit by the experience. The first movement can also be played as an individual concert piece.