| Work Title
|
Undina
|
| Alternative. Title
|
Ундина ; Undine ; Ondine
|
| Name Translations
|
Ondine; Ундина; Ундіна; ウンディーナ; Undina (Tchaikovski); 溫蒂妮
|
| Name Aliases
|
Oundina; Undine
|
| Authorities
|
WorldCat; Wikipedia; VIAF: 180297705; LCCN: n90649385; GND: 113496952X
|
| Composer
|
Tchaikovsky, Pyotr
|
| Opus/Catalogue NumberOp./Cat. No.
|
TH 2
|
| Internal Reference NumberInternal Ref. No.
|
IPT 137
|
| Movements/SectionsMov'ts/Sec's
|
3 acts, of which the following extracts from Act 1 have survived:
- Introduction (Интродукция). Moderato assai (107 bars)
- Undina's Song (Песнь Ундины). Moderato (149 bars)
- Finale (Финал). Allegro (164 bars)
|
| Year/Date of CompositionY/D of Comp.
|
1869
|
| First Performance.
|
1870/03/28 in Moscow, Bolshoy Theatre (Introduction, Undina's Song and Finale from Act 1 only)
- Aleksandra Aleksandrova-Kochetova (Undina)
Aleksandr Dodonov (Huldbrand) Eduard Merten (conductor)
|
| First Publication.
|
1950 – Moscow: Muzyka. Undina's Song and Finale from Act 1 (in vol.2 of Pyotr Tchaikovsky: Complete Collected Works)
- Full scores (pp.3–90)
- Vocal scores (pp.161–187).
|
| Librettist
|
Vladimir Sollogub (1813–1882)
- after Vasily Zhukovsky (1783–1852) and {Friedrich de la Motte Fouqué (1777–1843)
|
| Language
|
Russian
|
| Average DurationAvg. Duration
|
15 minutes (surviving fragments)
|
| Composer Time PeriodComp. Period
|
Romantic
|
| Piece Style
|
Romantic
|
| Instrumentation
|
Voices, Chorus and Orchestra
- Roles
- Undina (Ундина) (soprano)
Huldbrandt (Гульбранд) (tenor) Goldmann (Гольдман) (bass) Berthe (Берта) (mezzo-soprano) Berthalda (Бертальда) (mezzo-soprano) Duke (Герцог) (bass)
- Mixed chorus (SATB)
- Orchestra
- piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons
4 horns, 3 trumpets, 3 trombones, tuba timpani, triangle, cymbals, bass drum, piano, harp, strings
|
| External Links
|
Tchaikovsky Research Wikipedia article
|
| Extra Information
|
After the opera was rejected for performance, Tchaikovsky destroyed the score during the 1870s. The Introduction was re-used without change in The Snow Maiden, Op.12, where Undina's Aria from Act 1 also became "Lel's First Song".
|