Venetian Boat Song (Blumenthal, Jacques)

Movements/SectionsMov'ts/Sec's 1
First Publication 1879?
Genre Categories Barcarolles; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; English language; for soprano, contralto or baritone, violin, cello and piano (arr); For 2 voices, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the soprano voice (arr); Scores featuring the alto voice (arr); Scores featuring the piano (arr)

Sheet Music

Arrangements and Transcriptions

For Soprano, Contralto or Baritone, Violin, Cello and Piano (Patterson)

 Complete Score and Parts
#929358 - 0.20MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Gjpatterson49

PDF typeset by arranger
Gjpatterson49 (2024/8/28)

Arranger Graham Patterson (b. 1949)
Publisher. Info. Graham Patterson
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes vocal duet + piano trio
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For Soprano, Contralto and Piano (Magni)

 Complete Score
#188437 - 1.62MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 615×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2012/3/15)

Arranger Unknown
Language English / Italian
Translator A. Magni (fl.1880s?), Italian text
Publisher. Info. New York: G. Schirmer, 1883. Plate 3274.
Copyright
Public Domain [tag/del]
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General Information

Work Title Venetian Boat Song
Alternative. Title Barcarola veneziana.
Composer Blumenthal, Jacques
I-Catalogue NumberI-Cat. No. IJB 18
Key D major
Movements/SectionsMov'ts/Sec's 1
First Performance. 1879-11 or earlier
First Publication. 1879?
Librettist Herman Charles Merivale (1839-1906)
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information Interestingly, Schirmer offered this in an arrangement for duet, and alternately "arranged for one voice"- which was, it would seem, the original instrumentation. However, it was already being sung as a duet (for soprano and contralto) in 1879 (Oxford & Cambridge Undergraduates Journal, 1879-11-6, page 74), so whether the arrangement is the composer's or another's, it caught on. - Schissel
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