Venetian Boat Song (Blumenthal, Jacques)

Movements/SectionsMov'ts/Sec's 1
First Publication 1879?
Genre Categories Barcarolles; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; English language; for soprano, contralto or baritone, violin, cello and piano (arr); For 2 voices, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the soprano voice (arr); Scores featuring the alto voice (arr); Scores featuring the piano (arr)

Sheet Music

Arrangements and Transcriptions

For Soprano, Contralto or Baritone, Violin, Cello and Piano (Patterson)

 Complete Score and Parts
#929358 - 0.20MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 34×⇩ - Gjpatterson49

PDF typeset by arranger
Gjpatterson49 (2024/8/28)

Arranger Graham Patterson (b. 1949)
Publisher. Info. Graham Patterson
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes vocal duet + piano trio
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For Soprano, Contralto and Piano (Magni)

 Complete Score
#188437 - 1.62MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 616×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2012/3/15)

Arranger Unknown
Language English / Italian
Translator A. Magni (fl.1880s?), Italian text
Publisher. Info. New York: G. Schirmer, 1883. Plate 3274.
Copyright
Public Domain [tag/del]
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Lyrics (1)

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General Information

Work Title Venetian Boat Song
Alternative. Title Barcarola veneziana.
Composer Blumenthal, Jacques
Internal Reference NumberInternal Ref. No. IJB 18
Key D major
Movements/SectionsMov'ts/Sec's 1
First Performance. 1879-11 or earlier
First Publication. 1879?
Librettist Herman Charles Merivale (1839–1906)
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information Interestingly, Schirmer offered this in an arrangement for duet, and alternately "arranged for one voice"- which was, it would seem, the original instrumentation. However, it was already being sung as a duet (for soprano and contralto) in 1879 (Oxford & Cambridge Undergraduates Journal, 1879-11-6, page 74), so whether the arrangement is the composer's or another's, it caught on. - Schissel
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