Victimæ Paschali (Victoria, Tomás Luis de)

Movements/SectionsMov'ts/Sec's	5 sections [Victimæ paschali laudes] Dic nobis Maria [Tutti] Sepulchrum Christi viventis [Coro I à 4] Angelicos testes [Coro I à 4] Surrexit Christus spes mea [Coro I à 4] Scimus Christum surrexisse a mortuis [Tutti]
First Publication	1600 in Missae, Magnificat, Motecta, Psalmi (No.7)
Genre Categories	Sequences; Religious works; Masses; For 2 mixed choruses; Scores featuring mixed chorus; For unaccompanied chorus; For 8 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Latin language

Sheet Music

Complete Score
*#411341 - 1.72MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 93×⇩ - PML

PDF scanned by PL-LZu
PML (2016/2/13)

Editor	Felipe Pedrell (1841–1922)
Publisher. Info.	Opera Omnia, Vol.7 (pp.147–150) Leipzig: Breitkopf und Härtel, 1911. Plate V.W.VII.
Copyright	Public Domain [tag/del]
Misc. Notes	Omits the plainsong interspersing polyphony. Includes organ transcription of Victoria’s ad libitum continuo (doubling choir 1).
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Work Title	Victimæ Paschali
Alternative. Title	Victimæ Paschali laudes
Composer	Victoria, Tomás Luis de
I-Catalogue NumberI-Cat. No.	ITV 155
Movements/SectionsMov'ts/Sec's	5 sections [Victimæ paschali laudes] Dic nobis Maria [Tutti] Sepulchrum Christi viventis [Coro I à 4] Angelicos testes [Coro I à 4] Surrexit Christus spes mea [Coro I à 4] Scimus Christum surrexisse a mortuis [Tutti]
First Publication.	1600 in Missae, Magnificat, Motecta, Psalmi (No.7)
Librettist	attrib. Wipo (ca.995–ca.1048)
Language	Latin
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	double choir 8vv (SSAT–SATB), organ ad libitum

Grove Music does not list a continuo or organ part, not even an ad libitum one, for any of Victoria's works.