Historical Publication Info
History
Founded 1867 by Charles Albert White (1832–1892), William Francis Smith (1840–1891) and John Frank Perry (of New Bedford). Perry withdrew in 1874 to start his own firm.
The firm was involved in a very famous case decided by the US Supreme Court in 1908, White-Smith vs. Apollo which ultimately resulted in the introduction of the provision for a compulsory license for the manufacture and distribution of recordings in the major revision of the copyright law enacted in 1909. Though one of the most successful music publishers in the United States at the time of the famous court case - boasting 9 branch offices, the firm declined over the ensuing decades and was utimately sold to Edwin H. Morris & Co. of New York in 1944, who continued to use the imprint until 1973.
See also their Wikipedia article.
Editions
- Periodicals
Imprints, Agencies, Addresses
Imprints
- White, Smith & Perry (1867-1874)
- White, Smith & Co. (1874-ca.1888)
- White-Smith Music Publishing Co. (1889-ca.1980)
Addresses
- 298, 300 Washington Street, Boston
- 516 Washington Street, Boston
- 188 & 190 State Street, Chicago (1882)
Changed address by 1875.
Plate Numbers
Plate |
Composer |
Work |
Year
|
10 |
Howe, T.H. |
Sorrow |
1868
|
138 |
Studley |
3 Waverley Waltzes |
1869
|
202 |
Williams |
Kully! Vere's Your Cat? (arr.Braham) |
1870
|
357 |
Ryder |
Little Footsteps, Op.52 |
1870
|
369 |
Thayer |
3 Offertoires, Op.8 |
1870
|
623 |
Buck |
6 Short Choral Preludes, Op.49 |
1871
|
867–69 |
Murray |
Musical Hour (Nos.1 to 3) |
1878
|
872 |
Murray |
Musical Hour (No.6) |
1880
|
883 |
Studley |
The Grand Duke |
1873
|
985 |
Turner |
The Swallow's Home, Op.318 |
1872
|
996 |
Ryder |
Mountain Echoes, Op.57 |
1872
|
1053 |
Studley |
Fly To The Mountains |
1872
|
1152 |
Ryder |
Sounds from the Glen, Op.61 |
1872
|
1231 |
Ryder |
On the Lake, Op.66 |
1873
|
1361 |
Blake |
The Shepherd's Evening Song, Op.26 |
1874
|
1711 |
Wilson |
Sounds From The Palisades, Op.48 |
1874
|
1862 |
Blake |
Chiming Bells, Op.129 |
1878
|
1893 |
Blake |
Golden Clouds, Op.166 |
1878
|
2059 |
Ryder |
Niagara, Op.74 |
1878
|
2101 |
Studley |
The Grand Duke (arr. pf 4h) |
1874
|
2138 |
Blake |
Clayton's Grand Waltz |
1878
|
2198 |
Ryder |
Danse Des Demons, Op.78 |
1878
|
2247 |
Ryder |
Sunset Shadows, Op.80 |
1875
|
2357 |
Blake |
Grand potpourri de concert sur 'Giroflé-Girofla' |
1878
|
2409 |
Blake |
Heavenward Bound, Op.211 |
1878
|
2473 |
White |
The Old Log Cabin in the Dell. |
1875
|
2485 |
Ryder |
Wilson's Funeral March |
1875
|
2538 |
Blake |
Ivanhoe Commandery Grand March |
1878
|
2648 |
Blake |
Hercules |
1877
|
2717 |
Blake |
Whispering Waves |
1876
|
3056 |
Blake |
Hercules (pf 4 hds) |
1878
|
3189 |
Ryder |
Festive Dance, Op.95 |
1877
|
3190 |
Blake |
Clayton's Grand Waltz |
1878
|
3232 |
Clayton |
Come Back to Me, Darling Eileen |
1877
|
3295 |
Blake |
Ivanhoe Commandery Grand Waltz |
1878
|
3326 |
Lucas |
The Day I Was Sot Free! |
1878
|
3330 |
Ryder |
Clustering Memories, Op.98 |
1878
|
3395 |
Müller |
Smiling Through Tears, Op.192 |
1879
|
3882 |
Strauss Jr. |
Die Fledermaus (Waltz, arr. piano Alfred Warren) |
1880
|
3906 |
Danks |
Beautiful Dreams |
1880
|
3969 |
Ryder |
The Thunder Storm, Op.108 |
1880
|
3982 |
Ryder |
Ever Longing, Op.109 |
1880
|
4027 |
Read |
Offertoire in A-flat major |
1880
|
4244 |
Blake |
Beautiful Brides' March |
1882
|
4249 |
Danks |
Crown of Jewels (No.3) |
1882
|
4351 |
Ryder |
Blooming Meadow, Op.110 |
1881
|
4477-78 |
Satter |
3 Morceaux de Concert (Nos.2, 1) |
1881
|
4551 |
Satter |
3 Morceaux de Concert (No.3) |
1881
|
4612 |
Blake |
Potpourri de Concert on 'Patience' |
1881
|
4630 |
Ryder |
Annie Laurie, Op.112 |
1882
|
4636 |
Blake |
Beautiful Brides' March (pf 4 hds) |
1882
|
4661 |
Eilenberg |
Schmeichelkätzchen, Op.25 (simp.pf. Riche) |
1882
|
4689-90 |
Schubert |
Les roses (pf 4 hds, Riche) |
1882
|
4700, 4712 |
Danks |
Crown of Jewels (Nos.1, 7) |
1882
|
4878 |
Maas |
Lulu's Own Polka |
1882
|
4973 |
Vannah |
Sunbeam |
1883
|
5000 |
Danks |
Crown of Jewels (No.8) |
1882
|
5221 |
Lavallée |
Tu es Petrus (vs) |
1883
|
5425 |
Studley |
Oh! These Men |
1884
|
5448 |
Blake |
A Trip to Africa |
1884
|
5518 |
Blake |
Hon. Grover Cleveland's March Brillante |
1884
|
5562, 5586 |
Vieuxtemps |
3 Feuilles d’album, Op.40 (No.1, ed. Eichberg) |
1884
|
5624 |
Gabriel |
The Boat of My Laddie |
1884
|
5657–58 |
Batiste |
2 Pieces, Op.19 |
1884
|
5780 |
Maas |
Rooster Polka |
1885
|
5801 |
Whiting |
Henry of Navarre, Op.48 (vocal score) |
1885
|
5809 |
Jonas |
Capriccio, Op.55 |
1885
|
5931 |
Danks |
Crown of Jewels (No.12) |
1885
|
5954 |
Benedict |
Polonaise No.1, Op.2 |
1885
|
5982 |
Danks |
Crown of Jewels (No.13) |
1885
|
5984 |
Ryder |
Love's Message, Op.116 |
1885
|
White-Smith Publishing Company
Plate # | Full Plate | Composer | Work | IMSLP # | Full Year | Year |
---|
Sources Consulted
- Scores from White, Smith, as often for legal reasons in the 19th century United States, generally have their own copyright either taken out by the composer or by the company - they rarely lack any copyright date at all, as more often with contemporary European scores. So constructing a plate table is somewhat easier.
- The first page of "The Folio, of White, Smith and Company" by H. Earle Johnson, from American Music, Spring 1984 issue, vol.2 no.1, pp.88–104. That Perry withdrew in 1874 is also from this article.
Authority control
- VIAF (White-Smith Music Pub. Co.)