A
- Abhandlung von der Fuge (Marpurg, Friedrich Wilhelm)
- Abstract of a New Method of Teaching the Principles of Music (Bemetzrieder, Anton)
- Academia Musico-Poetica Bipartita (Murschhauser, Franz Xaver)
- Addresses and Lectures (Macfarren, George Alexander)
- Allgemeine Litteratur der Musik (Forkel, Johann Nikolaus)
- Allgemeine Musiklehre für Lehrende und Lernende (Köhler, Louis)
- An Analysis of Mendelssohn's Organ Works (Hathaway, Joseph William George)
- An Analysis of the First Movement of Mozart's K.465 in Relation to the Idea of Rhetoric and Oration (Guo, Edward)
- An Elementary Treatise on Musical Intervals and Temperament (Bosanquet, Robert Holford Macdowall)
- An Essay on Musical Expression (Avison, Charles)
- An Essay on Practical Music Composition (Kollmann, Augustus Frederic Christopher)
- An Essay Towards a Rational System of Music (Holden, John)
- An Explanation of the Notes, Marks, Words, etc. Used in Music (Callcott, John Wall)
- An Introduction to Harmony (Shield, William)
- An Introduction to the Elementary Principles of Thorough Bass and Classical Music (Danneley, John Feltham)
- An Introduction to the Skill of Musick (Betts, Edward)
- An Introduction to the Skill of Musick (Playford, John)
- Analytical studies for Tchaikovsky's Violin Concerto, Op.19 (Ševčík, Otakar)
- Angelicum ac divinum opus musice (Gaffurius, Franchinus)
- Anleitung zum Generalbass und zur Composition (Sorge, Georg Andreas)
- Anleitung zum Generalbass-Spielen (Riemann, Hugo)
- Anleitung zur Erfindung der Melodie und ihrer Fortsetzung (Daube, Johann Friedrich)
- Anleitung zur Fantasie (Sorge, Georg Andreas)
- Anleitung zur Singcomposition (Marpurg, Friedrich Wilhelm)
- Annotazioni sopral il compendio de’ generi, e de’ modi della musica (Doni, Giovanni Battista)
- L'antica musica ridotta alla moderna prattica (Vicentino, Nicola)
- Anweisung zu vollkommener Erlernung des General-Basses (Heinichen, Johann David)
- Anweisung zum Generalbaßspielen (Türk, Daniel Gottlob)
- Ars musicorum (Podio, Guillermo de)
- L'art de préluder, Op.7 (Hotteterre, Jacques)
- The Art of Accompaniment, Op.11 (Geminiani, Francesco)
- The Art of Composing Music by a Method Entirely New (Hayes, William)
- The Art of Musical Modulation (Frike, Joseph)
- The Art of Musick (Lampe, John Frederick)
- The Art of Preluding, Op.300 (Czerny, Carl)
- Arte breve, y compendiosa de las dificultades que se ofrecen en la musica practica del canto llano (Monserrate, Andrés de)
- Arte de canto llano, órgano, y cifra (Goméz, Tomás)
- Arte de canto llano (Montanos, Francisco de)
- Arte de Cantochão (Talésio, Pedro)
- Arte de música (Fernandez, António)
- Arte de Tañer Fantasia (Santamaría, Tomás)
- Arte mínima (Silva, Manuel Nunes da)
- Arte pratica di contrappunto (Paolucci, Giuseppe)
- Arte pratica latina et volgare di far contrappunto à mente (Chiodino, Giovanni Battista)
- Arte prattica & poëtica (Herbst, Johann Andreas)
B
C
- Cartella Musicale (Banchieri, Adriano)
- Catechism on Double Counterpoint and Fugue (Hamilton, James Alexander)
- Chinese Music (Aalst, J. A. van)
- Choral Orchestration (Forsyth, Cecil)
- Clavier-Schule (Löhlein, Georg Simon)
- A Companion to the Thorough-Bass Primer (Burrowes, John Freckleton)
- Compendio de musica theorica e prática (Varella, Domingos de São José)
- Compendio del trattato de’ generi e de’ modi della musica (Doni, Giovanni Battista)
- Il compendio della musica (Tigrini, Orazio)
- Compendio musico (Pedroso, Manuel de Moraes)
- Compendiolum musicae (Faber, Heinrich)
- Compendium Harmonicum (Sorge, Georg Andreas)
- Compendium musices latino-germanicum (Erhard, Larentius)
- Compendium Musices (Coclico, Adrianus Petit)
- Compendium musices (Lampadius, Auctor)
- Compendium Musicum Instrumentale (Gleich, Andreas)
- A Complete System of Harmony (Heck, Johann Caspar)
- A Complete Treatise on Music (Bemetzrieder, Anton)
- Conclusioni nel suono dell’organo, Op.20 (Banchieri, Adriano)
- Counterpoint, A Practical Course of Study (Macfarren, George Alexander)
- Cours de Composition Musicale (Indy, Vincent d')
- Cours de composition musicale (Reicha, Anton)
- Cours de contrepoint et de fugue (Cherubini, Luigi)
- Cours de Mélodie Théorique et Pratique (Wautier, Edouard)
- Curiosidades del canto llano (Guzman, Jorge de)
D
- De arte canendi (Heyden, Sebald)
- De arte cantandi micrologus (Ornithoparchus, Andreas)
- De Institutione musica (Boëthius, Anicius Manlius Severinus)
- De musica libri septem (Salinas, Francisco de)
- De praestantia musicae veteris libri tres (Doni, Giovanni Battista)
- De tutte l’opere (Zarlino, Gioseffo)
- Defensa de la musica moderna contra la errada opinion del obispo Cyrilo Franco (João IV, Dom)
- Del Sonare sopra'l basso con tutti li stromenti (Agazzari, Agostino)
- Della scienza teorica e pratica della moderna musica (Vallotti, Francesco Antonio)
- Démonstration du principe de l'harmonie (Rameau, Jean-Philippe)
- Dialogo della musica (Galilei, Vincenzo)
- Dialogo quarto de musica (Lieto Panhormitano, Bartolomeo)
- Le Dimostrationi Harmoniche (Zarlino, Gioseffo)
- Direttorio del canto fermo (Penna, Lorenzo)
- Direttorio monastico di canto fermo (Banchieri, Adriano)
- Dodecachordon (Glareanus, Henricus)
- Le droict chemin de musique (Bourgeois, Loys)
E
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E cont.
- The Elements of Musick Display'd (Tans'ur, William)
- Enchiridion musicae mensuralis (Rhau, Georg)
- Enchiridion utriusque musicae practicae (Rhau, Georg)
- Entwurfeiner neuen Aesthetik der Tonkunst (Busoni, Ferruccio)
- Esemplare, o sia Saggio fondamentale pratico di contrappunto (Martini, Giovanni Battista)
- Essays (Psimikakis-Chalkokondylis, Nikolaos-Laonikos)
- Étude sur les notes de passage (Koechlin, Charles)
- Exame instructivo sobre a musica multiforme, metrica e rythmica (Solano, Francisco Inácio)
- 1000 Examples of Musical Dictation (Ladukhin, Nikolay)
- Exercises in Figured Bass and Melody Harmonisation (Lyon, James)
F
G
- Gedanken über die verschiedenen Lehrarten in der Komposition (Kirnberger, Johann Philipp)
- Der General-Bass in der Composition (Heinichen, Johann David)
- General-Bass in drey Accorden (Daube, Johann Friedrich)
- Generation harmonique, ou traité de musique theorique et practique (Rameau, Jean-Philippe)
- Gradus ad Parnassum (Fux, Johann Joseph)
- Grand traité d'instrumentation et d'orchestration modernes, Op.10 (Berlioz, Hector)
- Gründliche Anweisung zur Composition (Albrechtsberger, Johann Georg)
- Grundregeln der Harmonie (Schicht, Johann Gottfried)
- Grundsätze des Generalbasses (Kirnberger, Johann Philipp)
- Guida Armonica, Op.10 (Geminiani, Francesco)
- Le guide du compositeur (Gianotti, Pietro)
- A Guide in Harmony (Frike, Joseph)
- Guide to the Practical Study of Harmony (Tchaikovsky, Pyotr)
H
- Handbuch bey dem Generalbasse und der Composition (Marpurg, Friedrich Wilhelm)
- Handbuch bey dem Studium der Harmonie (Koch, Heinrich Christoph)
- Harmonics, or The Philosophy of Musical Sounds (Smith, Robert)
- Harmonie universelle (Mersenne, Marin)
- Harmonie- und Compositionslehre (Silcher, Friedrich)
- Harmonielehre (Jadassohn, Salomon)
- Harmonielehre (Schenker, Heinrich)
- Harmonielehre (Schoenberg, Arnold)
- Der Harmonieschüler (Rischbieter, Wilhelm)
- Harmony Book for Beginners (Orem, Preston Ware)
- Harmony Simplified (Shepard, Frank Hartson)
- Harmony: A Course of Study (Chadwick, George Whitefield)
- Harmony: Chordal & Contrapuntal (Hiles, Henry)
- Harmony: Its Theory and Practice (Prout, Ebenezer)
I
- La illuminata de tutti i tuoni di canto fermo (Aiguino, Illuminato)
- In enchiridion de principiis musicae (Podio, Guillermo de)
- Inleiding tot de Muzykkunde (Lustig, Jacob Wilhelm)
- Institution harmonique (Caus, Salomon de)
- Instrucción de Música (Sanz, Gaspar)
- Instruction fort facile pour apprendre la musique pratique (Blockland, Cornelius)
- Integrative Musikwahrnehmung (Peters-Rey, Gregor)
- Introduction to the Art of Playing the Pianoforte, Op.42 (Clementi, Muzio)
- Introduttione facilissima, et novissima, di canto fermo, figurato, contraponto semplice, et in concerto (Lusitano, Vicente)
- Isagoge in musicen (Glareanus, Henricus)
- Le Istitutioni Harmoniche (Zarlino, Gioseffo)
J
K
L
- The Lancashire Sol-Fa (Greenwood, James)
- The Larger Forms of Musical Composition (Goetschius, Percy)
- Leçons de clavecin, et principes d’harmonie (Bemetzrieder, Anton)
- 6 Lectures on Harmony (Macfarren, George Alexander)
- Lectures on the Theory and Practice of Music (Nathan, Isaac)
- Lehrbuch der Harmonie (Loewengard, Max)
- Lehrbuch der Harmonie (Richter, Ernst Friedrich)
- Lehrbuch der Instrumentation (Jadassohn, Salomon)
- Lehrbuch der musikalischen Komposition (Lobe, Johann Christian)
- Lehrbuch der Tonsetzkunst (André, Johann Anton)
- Die Lehre von den Tonempfindungen (Helmholtz, Hermann von)
- Die Lehre von der Harmonia (Draeseke, Felix)
- Lehrkurs des Contrapuncts (Rheinberger, Josef Gabriel)
- Li primi albori musicali per li principianti della musica figurata (Penna, Lorenzo)
- Libro de cifra nueva (Venegas de Henestrosa, Luis)
- El libro llamado declaración de instrumentos musicales (Bermudo, Juan)
- El libro primero de la declaración de instrumentos (Bermudo, Juan)
- Llave de la modulacion y antiguedades de la musica (Soler, Antonio)
- L’art musical ramené à ses vrais principes (Borghese, Antonio D. R.)
M
- Il maestro di composizione (Asioli, Bonifazio)
- Le Maitre de clavecin (Corrette, Michel)
- A Manual for the Practical Study of Harmony (Konyus, Georgy)
- El melopeo y maestro (Cerone, Pietro)
- Méthode simple pour apprendre à préluder (Grétry, André Ernest Modeste)
- Metodo di Violoncello (Quarenghi, Guglielmo)
- Micrologus (D'Arezzo, Guido)
- Music Theory (Scott, Douglas Walter)
- Musica libris quatuor demonstrata (Lefèvre d'Étaples, Jacques)
- Musica poëtica (Herbst, Johann Andreas)
- Musica practica (Herbst, Johann Andreas)
- Musica practica (Ramos de Pareja, Bartolomeo)
- La Musica (Munier, Carlo)
- Musicae activae micrologus (Ornithoparchus, Andreas)
- Musicae compendium (Descartes, René)
- Musicae Epitome ex Glareani Dodecachordo (Glareanus, Henricus)
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