Gründliche Anweisung zur Composition (Albrechtsberger, Johann Georg)

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German

 Complete Book
#273864 - 37.70MB, 452 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 542x

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Fynnjamin (2013/3/19)

Language:

German

Publisher Info.:

Leipzig: Johann Gottlob Immanuel Breitkopf, 1790

Copyright:

Public Domain [tag/del]

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 Title, Contents,
1.-5. Kap.

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 6.-10. Kap.
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 11. Kap.
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 12.-16. Kap.
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 17.-20. Kap.
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 21. Kap.
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 22. Kap.
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 23.-27. Kap.
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 28. Kap.
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 29. Kap.
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 30. Kap.
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 31.-32. Kap.
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 33. Kap.
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 34. Kap.
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 35. Kap.
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 Anhang (Appendix)
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TN-Albrechtsberger, Gründliche Anweisung zurComposition.jpg
Language:

German

Publisher Info.:

Leipzig: Johann Gottlob Immanuel Breitkopf, 1790

Copyright:

Public Domain [tag/del]

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English

 Volumes I-III
#236643 - 15.95MB, 258 pp. -  10.0/10 2 4 6 8 10 (1) - V/V/V - 427x

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 Volume I
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 Volume II
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 Volume III
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TN-Albrechtsberger, Thorough-Bass, Harmony and Composition.jpg
Editor:

Ignaz Seyfried* (1776-1841)
Vincent Novello (1781-1861)

Language:

English

Translator:

Mary Sabilla Novello (1789-1854), English text

Publisher Info.:

London: J. Alfred Novello, 1855

Copyright:

Public Domain [tag/del]

Misc. Notes:

*Referred to as "Ignaz Chevalier von Seyfried" in this edition.
This file is part of the Sibley Mirroring Project.

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General Information

Work Title Gründliche Anweisung zur Composition
Alternative Title Collected Writings on Thorough-Bass, Harmony and Composition for self-instruction.
Gründliche Anweisung zur Composition mit deutlichen und ausführlichen Exempeln, zum Selbstunterrichte, erläutert; und mit einem Anhange: Von der Beschaffenheit und Anwendung aller jetzt üblichen musikalischen Instrumente.
Composer Albrechtsberger, Johann Georg
Movements/Sections 3
First Publication 1790
Language German
Piece Style Classical


Misc. Comments

The German appendix is a description of instruments. In the Novello translation it is considerably expanded (presumably by Ignaz Chevalier von Seyfried) and joined by two other appendices, on Chamber, Dramatic and Church Composition, and on Playing From Full Score .

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