Symphony No.6, Op.74 (Tchaikovsky, Pyotr)
For Orchestra (Composer)
For Recorders (Papalin)
Papalin (recorder ensemble)
For Orchestra (Mason)
Quinn Mason ()
What I Make of It Publications, 2014
Moscow: P. Jurgenson, n.d.(ca.1901). Plate 26600.
Arrangements and Transcriptions
For 2 Pianos 8 hands (Langer)
For 2 Pianos 4 hands (Schaefer)
For Piano 4 hands (Tchaikovsky)
Irina Iordan (1910–1976)
P.I. Tchaikovsky: Complete Collected Works, vol.48 (Полное собрание сочинений).
Moscow: Muzyka, 1964. Plate 950.
New York: Edwin F. Kalmus, n.d.(after 1965). Piano Series No.4053
Includes footnotes in Russian (Cyrillic).
Original title page and plate numbers omitted in reprint.
For Piano solo (Klengel)
For Piano solo (Niemann)
For Piano solo (Pachulski)
I. Adagio - Allegro non troppo
For Piano 4 hands
The Etude Magazine
The Etude Magazine, April 1918.
Philadelphia: Theodore Presser Co.
"Theme" from the 1st movement
II. Allegro con grazia
For Cello and Piano (Lier)
III. Allegro molto vivace
For Brass Ensemble (Beardwood)
For Piano solo (Feinberg)
|Work Title||Symphony No.6|
|Alternative Title||Pathétique / Патетическая (Pateticheskaya)|
|Opus/Catalogue Number||Op.74 ; TH 30 ; ČW 27|
|Year/Date of Composition||1893|
|First Performance||1893-10-28 — St. Petersburg, Russian Musical Society: Pyotr Tchaikovsky (conductor)|
|First Publication||1893 — Moscow: P. Jurgenson. Piano 4 hands arr.|
1894 — Moscow: P. Jurgenson. Full score, 227 pages. Plate 19097.
|Dedication||Vladimir Davydov (1871–1906)|
|Average Duration||46 minutes|
|Extra Information||Also arranged for piano 4 hands by Tchaikovsky, 1893|
- It has become tradition in this Symphony for the 2nd clarinet to double on bass clarinet and play 4 notes for the bassoon, at a point where the bassoon takes over a descending line from the clarinet. Apart from the fact that the "hand over" is smoother when the timbres match, the passage goes to pppppp, which is easier on bass clarinet than on bassoon.
|Symphonies by Pyotr Tchaikovsky|