32 Narodnych hłosow za štyrihłósny mužski khor (Various)

Movements/SectionsMov'ts/Sec's 32 songs

Sheet Music

Scores

 Complete Score
#922423 - 12.92MB, 63 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 0×⇩ - Jsmus555

PDF scanned by D-Dl
Jsmus555 (2024/7/11)

Publisher. Info. Budyšin: Maćica Serbska, 1899.
Copyright
Public Domain [tag/del]
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General Information

Work Title 32 Narodnych hłosow za štyrihłósny mužski khor
Alternative. Title Dwajatřicyći narodnych hłosow za štyrihłósny mužski khor
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 32 songs:
  1. Folk Songs: Muž je preč
  2. Folk Songs: Džiwny sónčk
  3. Folk Songs: Zašła je lubosć
  4. Folk Songs: Wudaj so, Maruška!
  5. Folk Songs: Złe žorty
  6. Folk Songs: Žabjaca pólka
  7. Folk Songs: Zemjan a młyńkowa dźowka
  8. Folk Songs: Dźěd a wowka
  9. Folk Songs: Wopytanje
  10. Folk Songs: Trawaŕka
  11. Folk Songs: Maruška
  12. Folk Songs: Ćeleŕka a hajnik
  13. Folk Songs: Mandźelstwo
  14. Folk Songs: Swěrna luba
  15. Folk Songs: Burowa skóržba
  16. Folk Songs: Njepowalna lubosć
  17. Folk Songs: Hańžka njesmě z Juŕkom preč
  18. Folk Songs: Što woni činja?
  19. Folk Songs: Lubosć po nowej modźe (2 versions of libretto)
  20. Folk Songs: Holiča dobre zmyslenje
  21. Folk Songs: Hdźeha póńdźemy?
  22. Folk Songs: Zymske róže
  23. Folk Songs: Kajke ma swět holcy
  24. Folk Songs: Lubosć jenička
  25. Folk Songs: Zeḿska zachodnosć
  26. Folk Songs: Zbóžny čas
  27. Folk Songs: Khwalba khójny
  28. Folk Songs: Kwas na kerchowje
  29. Folk Songs: Što sej khwalu
  30. Folk Songs: Swěta přećelstwo
  31. Folk Songs: Rubjene holčo - młoda pani
  32. Folk Songs: Wuznaće wěrjaceho křesćijana
Librettist Various
Anonymous
Arnošt Muka (1854-1932): #8, #26, #28, #29, #30, #31, #32
E. Wosyčanski: #21, #23
Handrij Zejler (1804-1872): #6, #9, #25, #27, #29, #30, #32
Language Upper Sorbian
Piece Style Traditional (folk)
Instrumentation male chorus (arranged), oboe (or clarinet)
Extra Information Melodies arranged by Jurij Pilk (1858-1926). It's not exactly explained if the librettists translated non-Sorbian libretti or created their own ones using the melodies.
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