3 Pièces caractéristiques, Op.12 (Hollander, Benoit)

Sheet Music

Scores and Parts

PDF scanned by B-Br
Pnorcks (2025/12/29)

PDF scanned by B-Br
Pnorcks (2025/12/29)

PDF scanned by B-Br
Pnorcks (2025/12/29)

Editor First edition
Publisher. Info. Mainz: Schott, n.d.[1895]. Plate 25845.
Copyright
Misc. Notes The incomplete viola part is a consolidated PDF of single issues for Nos.1-2. A single issue of the viola part for No.3 has not been digitized by the source library.
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Schissel (2015/10/21)

PDF typeset by editor
Schissel (2015/10/17)

Editor Eric Schissel (b. 1969)
Publisher. Info. Eric Schissel, 2015.
Copyright
Misc. Notes Typeset using Lilypond 2.18.2, from a copy of the parts provided (interloan) by Cornell University, published by Schott, plate number 25845.
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Schissel (2015/8/25)

Editor Eric Schissel (b. 1969)
Publisher. Info. Eric Schissel, 2015.
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General Information

Work Title 3 Pièces caractéristiques
Alternative. Title Trois Pièces caractéristiques pour deux violons et alto (viola) ou violoncelle
3 Characteristic Pieces
Composer Hollander, Benoit
Opus/Catalogue NumberOp./Cat. No. Op.12
Internal Reference NumberInternal Ref. No. IBH 1
Key see below
Movements/SectionsMov'ts/Sec's 3 pieces:
  1. Zingara. Molto Allegro (C major, 357 bars in 3/8)
  2. Rhapsodie. Lento — Poco più animato (C minor, 102 bars in 4/4)
  3. Scherzo. Molto vivace leggiero (A minor, 488? bars in 3/8)
First Publication. 1895 – Mainz: Schott, plate 25845
Dedication Pablo de Sarasate (1844–1908) (No.1)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 2 violins, viola (or 2 violins, cello)
Extra Information The first violin part in the Rhapsodie seems reasonably virtuosic. Fortunately the most difficult-looking parts, for example the several bars of tuplet 16ths (and one bar ending with a 9:8 tuplet arpeggiated A major scale of 32nd notes) take place after tempo primo is regained. That said, the viola part in the Rhapsodie is extraordinary for its time. Forsyth, in the section on Viola in his book Orchestration, would have looked at Hollander's demands on the viola in the Rhapsodie and wondered if he had mistaken it for a third violin with extended lower range.