Ach edler Hort (Ammerbach, Elias Nikolaus)

First Publication 1571
Genre Categories Pieces; For organ; Scores featuring the organ; For 1 player; For keyboard; Scores featuring keyboard soloists; For 2 lutes (arr); Scores featuring the lute (arr); For 2 players (arr); For 2 guitars (arr); Scores featuring the guitar (arr)

Contents

Performances

Recordings

No files submitted.

Synthesized/MIDI

For 2 Lutes (Höger)

 Synthesized performance
#303785 - 0.89MB - 0:37 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 233×⇩ - MP3 - Hoeger

MP3 file (audio)
Hoeger (2013/11/19)

Publisher Info. Anton Höger
Performers Computer
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Misc. Notes Because most of my Intabulations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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Sheet Music

Arrangements and Transcriptions

For 2 Lutes (Höger)

 Lute score (tablature)
#303774 - 0.45MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 632×⇩ - Hoeger

PDF typeset by arranger
Hoeger (2013/11/19)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Misc. Notes In French lute-tablature (Unisono). If performed I would look forward about a small reference to my efforts.
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For 2 Guitars (Höger)

 Complete Score
#330602 - 0.06MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 693×⇩ - Anton Höger

PDF typeset by arranger
Anton Höger (2014/6/22)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes If performed I would look forward about a small reference to my efforts.
Purchase
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General Information

Work Title Ach edler Hort
Alternative. Title Orgel oder Instrument Tabulaturbuch
Composer Ammerbach, Elias Nikolaus
Internal Reference NumberInternal Ref. No. IEA 1
First Publication. 1571
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation Organ

Navigation etc.

According to Grove Music, "‘Instrument’ in the title, according to Ammerbach, includes ‘positive, regal, virginal, clavichord, clavicembalo, harpsichord and the like’". After a chanson by Paul Hofhaimer.

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