Bonjour mon cuer (Paix, Jakob)

First Publication 1583, Lauingen, in Ein Schön Nutz unnd Gebreüchlich Orgel Tabulaturbüch (Paix, Jakob) (no.46, though that book seems to credit Lassus rather than Paix)
Genre Categories Songs; For organ; Scores featuring the organ; For 1 player; For harpsichord; Scores featuring the harpsichord; For 2 lutes (arr); Scores featuring the lute (arr); For 2 players (arr); For 2 guitars (arr); Scores featuring the guitar (arr)
Related Works Based upon Bonjour mon coeur by Orlande de Lassus

Contents

Performances

Recordings

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Synthesized/MIDI

For Harpsichord (Gouin)

 Synthesized Performance (harpsichord)
#501750 - 0.01MB - 1:47 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 60×⇩ - MID - Keanur

MID file (audio/video)
Keanur (2017/11/23)

Publisher Info. Montréal: Les Éditions Outremontaises, 2017
Performers MIDI file by Pierre Gouin
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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For 2 Guitars (Höger)

 Computer Synthesized Audio
#330359 - 0.94MB - 2:03 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 61×⇩ - MP3 - Hoeger

MP3 file (audio)
Hoeger (2014/6/20)

Publisher Info. Anton Höger
Performers Computer
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Because most of my transcriptions are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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For 2 Lutes (Höger)

 Synthesized Performance
#539270 - 2.16MB - 1:53 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 21×⇩ - MP3 - Hoeger

MP3 file (audio)
Hoeger (2018/9/1)

Publisher Info. Anton Hoeger
Performers Computer
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Because most of my Intabulations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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Sheet Music

Scores

 Complete Score
#501749 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 670×⇩ - editor

PDF typeset by editor
editor (2017/11/23)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2017
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Urtext edition after a facsimile of the original publication.
From measure 17 (beat 3) to measure 20 included, the editor has filled the missing passage in the tablature with the original harmonization by Lassus.
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Arrangements and Transcriptions

For 2 Lutes (Höger)

 Complete Score (Tablature & Staff)
#307981 - 0.47MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 200×⇩ - Anton Höger

PDF typeset by arranger
Anton Höger (2013/12/23)

 Lute 1
#307982 - 0.47MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 101×⇩ - Anton Höger

PDF typeset by arranger
Anton Höger (2013/12/23)

 Lute 2
#307983 - 0.46MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 73×⇩ - Anton Höger

PDF typeset by arranger
Anton Höger (2013/12/23)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution Non-commercial 3.0 [tag/del/mrg]
Misc. Notes In French Lute-tablature (Ad Secundam). If performed I would look forward about a small reference to my efforts.
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For 2 Guitars (Höger)

 Complete Score
#330358 - 0.10MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 164×⇩ - Anton Höger

PDF typeset by arranger
Anton Höger (2014/6/20)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes If performed I would look forward about a small reference to my efforts.
Purchase
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General Information

Work Title Bon jour mon cuer
Alternative. Title Bonjour mon cœur
Composer Paix, Jakob
Internal Reference NumberInternal Ref. No. IJP 1
Key G
First Publication. 1583, Lauingen, in Ein Schön Nutz unnd Gebreüchlich Orgel Tabulaturbüch (Paix, Jakob) (no.46, though that book seems to credit Lassus rather than Paix)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation organ, keyboard, harpsichord
Related Works Based upon Bonjour mon coeur by Orlande de Lassus

Navigation etc.

  • It seems the copyist for the tablature edition of 1583 stopped at the bottom of folio 131b just before an A over an A major chord, and when he came back for the rest of the song, beginning a new page (fol. 132), he inadvertendly jumped 14 beats to a similar A (superius) note but over a D major chord; so this whole passage («-temps, ma douce fleur nouvelle, mon doux plaisir, ma...») is missing.
  • As with the dances in the Ein Schön Nutz . . . collection, there is the possibility that Paix simply arranged the chanson, and that this should be listed as an arrangement, which would also leave tagging as subject to correction. See Comments for Ungarescha and Saltarello (Paix, Jakob), for the equivalent notes to the dances from this collection.
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