Cirandinhas, W210 (Villa-Lobos, Heitor)

It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1925 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.

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Movements/SectionsMov'ts/Sec's 12 pieces
Composition Year 1925
Genre Categories Pieces; For piano; Scores featuring the piano; For 1 player

Contents

Performances

Sheet Music

Piano Scores

 Complete Score
#68535 - 2.28MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/30 - 7149×⇩ - KGill

PDF scanned by Kenneth Gill
KGill (2010/6/18)

Publisher. Info. Rio de Janeiro: Editora Arthur Napoleão, n.d. (ca.1926).
Reprinted Boca Raton: Masters Music Publications, 1992. Catalog M 2002.
Copyright
Public Domain - Non-PD EU [tag/del]
Misc. Notes 300dpi B/W. Scanned from a poor-quality source.
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General Information

Work Title Cirandinhas
Alternative. Title
Composer Villa-Lobos, Heitor
Opus/Catalogue NumberOp./Cat. No. W210
I-Catalogue NumberI-Cat. No. IHV 29
Key see below
Movements/SectionsMov'ts/Sec's 12 pieces:
  1. Zangou-se o cravo com a rosa (C major)
  2. Adeus, bela morena (E minor)
  3. Vamos, maninha (C major)
  4. Olha aquela menina (D major)
  5. Senhora pastora (B♭ major)
  6. Cai, cai, balão (D minor)
  7. Todo o mundo passa (G major)
  8. Vamos ver a mulatinha (B major)
  9. Carneirinho, carneirão (G major)
  10. A canoa virou (D major)
  11. Nesta rua tem um bosque (D minor)
  12. Lindos olhos que ela tem (F♯ minor)
Year/Date of CompositionY/D of Comp. 1925
First Publication. 1925?
Average DurationAvg. Duration 26 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation Piano
Extra Information All of the themes in this set are from Brazilian folk music. Many of them found their way into other compositions, such as the String Quartet No.5 (1931) and Cirandas (1926).
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