Movements/SectionsMov'ts/Sec's | 1 act (13 numbers in final version) |
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Composition Year | 1914-15, rev.1916-20 |
Genre Categories | Ballets; Theatrical Works; For voice, orchestra; |
Contents
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8. Dança ritual do fogo
*#746310 - 9.15MB - 4:00 - -) ( - V/67/45 - 219×⇩ - MP3 - Lucas-coelho
MP3 file (audio)
Lucas-coelho (2021/11/21)
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Danse rituelle du feu
*#716327 - 5.99MB - 3:47 - -) ( - V/30/45 - 460×⇩ - MP3 - Lucas-coelho
MP3 file (audio)
Lucas-coelho (2021/7/15)
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PDF scanned by Unknown
PianoTunerValdi... (2022/12/25)
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Work Title | El Amor Brujo |
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Alternative. Title | |
Composer | Falla, Manuel de |
I-Catalogue NumberI-Cat. No. | IMF 1 |
Movements/SectionsMov'ts/Sec's | 1 act (13 numbers in final version):
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Year/Date of CompositionY/D of Comp. | 1914-15, rev.1916-20 |
First Performance. | 1915-04-15 in Madrid, Teatro Lara (original version)
1925-05-22 in Paris, Théâtre du Trianon-Lyrique (revised version)
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First Publication. | 1921 (piano red.) 1924 (full score) |
Copyright Information | Although purely instrumental selections and arrangements are permitted for this piece items containing any text by the author(s) listed below cannot be added to the main server (located in Canada) until 70 years after the death of the author(s). Items with text first published before 1928 or otherwise confirmed as public domain in the United States can be uploaded to the US server only. |
Librettist | Gregorio Martínez Sierra (1881-1947) María de la O Lejárraga (1874-1974) |
Language | Spanish |
Dedication | Pastora Imperio |
Average DurationAvg. Duration | 34 minutes (original version) 23 minutes (revised version) |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | voice, chamber orchestra (original) ; voice, orchestra (revised) |
InstrDetail | |
External Links | Wikipedia article Original Version |
Extra Information | María Martínez Sierra (1874-1974) is supposedly the co-author of her husband Gregorio's libretto, first published in 1915. This seems to be a favorite stunt of publishers lately. No credit of any kind for María appears on the printed scores, naturally. |