Donne, la pura luce (Giovannelli, Ruggiero)

First Publication 1586 in Il primo libro de madrigali à 5 voci (Venice: Angelo Gardano press)
Genre Categories Madrigals; For 8 voices; For unaccompanied voices; Scores featuring the voice; For 2 mixed choruses; Scores featuring mixed chorus; For unaccompanied chorus; Italian language

Contents

Performances

Recordings

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Synthesized/MIDI

For 2 Flutes, 2 Clarinets, 2 Bassoons and 2 Horns

 Synthesized Performance
#976797 - 4.21MB - 2:18 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 0×⇩ - MP3 - Balithag

MP3 file (audio)
Balithag (2025/6/19)

Publisher Info. Thad Balivet
Performers virtual performers (individual notes sampled from live performance by unnamed musicians for The Lord of the Rings Online)
Copyright
Creative Commons Zero 1.0 [tag/del]
Misc. Notes Created by hand in ABC notation for The Lord of the Rings Online instruments, then exported and converted to MP3.
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Sheet Music

Scores and Parts

 Complete Score
#773974 - 0.11MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 74×⇩ - Agarvin

PDF typeset by editor
Agarvin (2022/4/4)

 Complete Parts
#773975 - 1.47MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 29×⇩ - Agarvin

PDF typeset by editor
Agarvin (2022/4/4)

 Engraving Files (Lilypond)
#773976 - 0.11MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - Agarvin

ZIP typeset by editor
Agarvin (2022/4/4)

Editor Allen Garvin (b. 1969)
Publisher. Info. Hawthorne Early Music, 2022.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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General Information

Work Title Donne, la pura luce
Alternative. Title
Composer Giovannelli, Ruggiero
Internal Reference NumberInternal Ref. No. IRG 28
Key F Ionian mode
First Publication. 1586 in Il primo libro de madrigali à 5 voci (Venice: Angelo Gardano press)
Librettist Cristoforo Castelletti (d. 1596)
Language Italian
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 8 voices (in 2 choruses)
Extra Information Music for the first intermedio of Castelletti's play Le Stravaganze d'Amore (1584). Marenzio also contributed a piece which was later published. All other incidental music to the play is presumed lost.
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