Guitar Sonata in C major, Op.15b (Sor, Fernando)

Movements/SectionsMov'ts/Sec's 1
Genre Categories Sonatas; For guitar; Scores featuring the guitar; For 1 player

Contents

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Performances

Naxos

Sheet Music

Scores

1st version

Publisher. Info. Journal de musique étrangère, pour la Guitare ou Lyre
Paris: chez l'editeur et auteur, n.d.(ca.1813). Plate 47.
Copyright
Public Domain
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Publisher. Info. Paris: Chez Meissonnier, n.d.
Copyright
Public Domain
Misc. Notes In addition to the 1st version, the 2nd version, Les folies d'Espagne (Op.15a) and Thême varié (Op.15c) are included.
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 Complete Score
#866166 - 0.17MB, 5 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 464×⇩ - Stefan Apke

PDF typeset by editor
Stefan Apke (2023/7/23)

Editor Stefan Apke (b. 1963)
Publisher. Info. Vlotho: Stefan Apke, 1993/2023.
Copyright
Creative Commons Attribution-ShareAlike 4.0
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2nd version

Editor 2nd edition, revised by the composer
Publisher. Info. Paris: A. Meissonnier et Heugel, n.d.(ca.1818). Plate 110.
Copyright
Public Domain
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Editor Frederick Noad, collection editor
Publisher. Info. Paris: A. Meissonnier, n.d.(ca.1824). Plate 110.
Reprinted Fernando Sor. Op.1-20. Facsimile Edition
New York: Golden Music Press / Shattinger International Music, 1976.
Copyright
Public Domain
Misc. Notes 600 dpi
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Publisher. Info. Bonn: N. Simrock, n.d. Plate 2310.
Copyright
Public Domain
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Publisher. Info. Berlin: N. Simrock, n.d. Plate 9114.
Copyright
Public Domain
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General Information

Work Title Guitar Sonata in C major
Alternative. Title Original version: Sonata seconda pour la Guitare; 2nd version: Sonate
Composer Sor, Fernando
Opus/Catalogue NumberOp./Cat. No. Op.15b
I-Catalogue NumberI-Cat. No. IFS 35
Key C major
Movements/SectionsMov'ts/Sec's 1
Composer Time PeriodComp. Period Romantic
Piece Style Classical
Instrumentation guitar

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Comparison between 1st and 2nd editions:
"Meissonnier once again simplifies this passage. These changes are not those of a composer changing his conception of the piece, this is confirmed by the fact that it is only as a composer that Sor would have wanted Meissonnier to remedy the faults of the first edition by insisting on re-engraving and re-striking the plates." — K. A. Hartdegen, Fernando Sor's Theory of Harmony Applied to the Guitar: History, Bibliography and Context, PhD Dissertation, pp.672-677, December 2011.

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