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2 parts
- 2 scribes, written ca. 1750-1753, hand A (ff.1r-35v) and hand B (probably Hans Friedrich Wilhelm Raschke) (ff.36r-40r); hand B also made corrections in parts of hand A. While the parts of hand A will be a bit earlier than the parts from hand B, the main difference may be: hand A made copies (Kellner, Baron, ..., Anonymous) and hand B (Raschke) also might have composed/arranged pieces for lute while writing (several corrections) with a pencil or ink. In the 1750ies the Ms will have been owned by Raschke.
- Info: Jan W.J. Burgers: Ernst Gottlieb Baron. Collected works, Vol.1, pp.264,265 Tree Edition
- Partie de Mr. Baron see Burgers, Vol.1, p.269.
- Pol[onaise]. Favorite de Mr de Bronikowsky, s.b. Koczirz, p.271, refers to Alicja Simon: Polnische Elemente in der deutschen Musik bis zur Zeit der Wiener Klassiker, Dissertation, Zürich 1916, p.120, that Bronikowsky's Polonaise D major is beside some small changes a lute arrangement of a composition (No.17) from "Schotte" (who will be Georg Balthasar Schott) for 2 violins and basso continuo, and an Ms was in the library of Werner Wolffheim.
- The items are sometimes matched in a different way, see e.g. Adolf Koczirz: Verschollene neudeutsche Lautenisten, Archiv für Musikwissenschaft, 1921/III.
- Concordances: Peter Steur and Markus Lutz (PL-Kj40633).
Part 1 (scribe A)
- [presto], f.3v
- [adagio], f.4v
- Allemande, f.4v
- Courante, f.5v
- Gavotte, f.6v
- Menuet, f.7r
- La Bassesse, f.7v
- Menuet [Losy], f.8r [or the end of Baron's Partie? -> Burgers, Vol.1, p.269]
- Prelude, f.8v
- Bourée, f.9r
- Ouverture, f.9v
- [presto], f.9v
- adagio, f.10r
- Ouverture, f.12r
- allegro, f.12v
- adagio, f.13v
- Allemande, f.13v
- Courrente, f.14v
- Sarabande, f.15v
- Menuet, f.16r
- Bourrée, f.16v
- Menuet, f.17r
- Echo, f.17v
- Gigue [S.L. Weiss or Weichenberger?], f.18v
- Gigue, f.19r
- Aria [Losy], f.20r
- Courrante, f.20v
- Sarabande, f.21r
- Gigue [S.L. Weiss or Weichenberger?], f.21v
- Gavotte, f.22r
- Sarabande, f.22v
- Aria, f.22v
- Canarie, f.23r
- Prelude, f.23v
- Allemande [Losy?], f.24r
- Courrante [Losy?], f.24v
- Menuet du Comte de Logy [Losy], f.25r
- Gigue [Losy?], f.25v
- Menuet, f.26v
- Trio, f.26v
- Menuet, f.27r
- Bourrée [A. Eckstein or Mr. Anthony?], f.27v
- Air [Losy or Lully], f.28r
- Menuet [crossed out: Bourrée], f.28v
- Gavotte de Mr: Pasch, f.29r
- Courante de Mr: Gautier [Ennemond Gaultier or Denis Gaultier?], f.29v
- Courante de Mr: Mouton (Charles Mouton), f.30r
- Bourrée Angelique, f.30v
- Sarab[ande]:, f.31r
- Allemande, f.31v
- La fière Angélique, Courante de Mr: Mouton (Charles Mouton), f.32v
- Allemande [Ferdinand Ignaz Hinterleithner], f.33v
- Sarabande [Hinterleithner?], f.34r
- Courante [Hinterleithner?], f.34v
- Bourrée [Hinterleithner?], f.35r
- Menuet [Hinterleithner?], f.35v
Part 2 (scribe B, Raschke [Hans Friedrich Wilhelm Raschke])
- Ballet di Raschke, f.36r
- Ballet di R[aschke], f.36v
- Menuet [Mr de Bronikowsky] A.B. N°69, f.37r
- Pol[onaise]. Favorite de [Arr.:] Mr de Bronikowsky [Georg Balthasar Schott], f.37v
- detto [Polonaise. Favorite de Mr de Bronikowsky] N°108 ex B dur, f.38r
- Menuet di R[aschke]. di 26 May 1753, f.38v
- Ballet aus der Opera [Jean-Philippe Rameau, Air pour les Bergers (Zais 1748)], f.39r
- Fantasie di R[aschke]:, f.39v
- [Anglaise], f.39v
- zu einer Fant[asie]., f.40r
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