Mass in D minor, Hob.XXII:11 (Haydn, Joseph)

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Performances

Recordings

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Stenov (2019/5/15)

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

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Stenov (2019/5/15)

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Stenov (2019/5/15)

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Stenov (2019/5/15)

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Stenov (2019/5/15)

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Stenov (2019/5/15)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
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Misc. Notes Live recording from the Karmelitenkirche Linz 2011
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Sheet Music

Full Scores

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Irishmaestro (2019/2/10)

Publisher. Info. Holograph manuscript, 1798.
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BachFan (2022/1/26)

Copyist Christian Benjamin Klein (1754–1825)
Publisher. Info. Manuscript, n.d.(ca.1800-1825).
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Misc. Notes Universitäts- und Landesbibliothek Bonn (D-BNu): Ec 78. 2. 3
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BachFan (2022/1/26)

Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, 1803.
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Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): Mus. 3356-D-511
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Giovanni Tribuzio (2016/8/1)

Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1803].
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Misc. Notes University of Pavia-Cremona, Musicology Dept. (I-CRsp): RISM A/I: H 2499
Fondo Albert Dunning 70
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Ottaviano (2018/7/28)

Editor Wilhelm Weismann (1900-1980), preface
Publisher. Info. Leipzig: C.F. Peters, No.4372, 1932. Plate 10931.
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Misc. Notes 600 dpi. Page size is 9.79 x 12.77 inches. Preface removed due to editor being under copyright.
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Sallen112 (2022/5/2)

Editor Wilhelm Weismann (1900-1980), preface
Publisher. Info. Leipzig: C.F. Peters, No.4372, 1932. Plate 10931.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2651.
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Kcleung (2010/8/5)

Editor Günter Thomas (b. 1932)
Publisher. Info. Munich: G. Henle Verlag, 1965. Plate HN 5583.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Parts

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BachFan (2022/1/26)

Copyist Unknown Scribe
Publisher. Info. Manuscript, 1800.
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Misc. Notes Badische Landesbibliothek, Karlsruhe (D-KA): Don Mus. Ms. 730
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BachFan (2022/1/26)

Copyist Heinrich Ludwig Hartmann (1770–1831)
Publisher. Info. Manuscript, n.d.(ca.1810-1831).
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Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): Mus. 3356-D-511a
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Sallen112 (2022/5/2)

10 more: Oboe 1, 2 • Bassoon • Trumpet 1, 2, 3 (D) • Timpani • Organ • Violins I • Violins II • Violas • Cellos • Basses

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Sallen112 (2022/5/2)

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Sallen112 (2022/5/2)

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Sallen112 (2022/5/2)

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Sallen112 (2022/5/2)

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Sallen112 (2022/5/2)

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Sallen112 (2022/5/2)

Editor Wilhelm Weismann (1900-1980)
Publisher. Info. Leipzig: Edition Peters, 1932.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2651.
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Kcleung (2010/7/8)

15 more: Oboe 1 • Oboe 2 • Clarinet 1 (A) • Clarinet 2 (A) • Bassoon • Horn 1 (D/B♭) • Horn 2 (D/B♭) • Trumpet 1 (D) • Trumpet 2 (D) • Timpani • Organ • Violins I • Violins II • Violas • Cellos/Basses

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

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Kcleung (2010/7/8)

Editor Günter Thomas (b. 1932)
Wolfgang Stockmeier (1931-2015), organ realization
Publisher. Info. Munich: G. Henle, 1965.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Kassel: Bärenreiter, No.4660, 2008.
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Feduol (2024/9/5)

16 more: Oboe 1 • Oboe 2 • Clarinet 1 (A) • Clarinet 2 (A) • Bassoon • Horn 1 (D/B♭/G/F) • Horn 2 (D/B♭/G/F) • Trumpet 1 (D) • Trumpet 2 (D) • Trumpet 3 (D) • Timpani • Organ • Violins I • Violins II • Violas • Cellos/Basses

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Feduol (2024/9/5)

Editor Denis McCaldin (b. 1933)
Publisher. Info. Oxford: Oxford University Press, 1996.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Vocal Scores

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Ralph Theo Misch (2011/1/30)

4 more: 2. Gloria • 3. Credo • 4. Sanctus/5. Benedictus • 6. Agnus Dei

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Ralph Theo Misch (2011/1/30)

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Ralph Theo Misch (2011/1/31)

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Ralph Theo Misch (2011/2/1)

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Ralph Theo Misch (2011/2/1)

Arranger Vincent Novello (1781-1861), piano reduction
Editor Berthold Tours (1838-1897), revisions
Publisher. Info. London: Novello & Co., n.d.(ca.1890). Plate 8100.
Reprinted London: Novello & Co., n.d.(ca.1950).
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Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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Carolus (2015/9/8)

Arranger Vincent Novello (1781-1861), piano reduction
Editor Berthold Tours (1838-1897), revisions
Publisher. Info. New York: G. Schirmer, n.d. Plate 12175.
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Misc. Notes Schirmer re-engraved the Novello vocal score above.
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General Information

Work Title Mass
Alternative. Title Missa in Angustiis ; Nelsonmesse ; Nelson Mass ; Imperial Mass ; Coronation Mass
Name Translations Missa in Angustiis; Missa in angustiis; Nelsonmis; ネルソン・ミサ; 紧缩时期的弥撒
Name Aliases 困苦の時のミサ; Messe Nelson; Lord Nelson mass; Messe No. 11 en ré mineur; Lord Nelson Mass; Mass No. 11 (Haydn); Mass in D minor (No. 11); Nelson Mass; Nelson-Messe; Nelsonmesse; 11. Messe in d-Moll; Nelson-mis
Authorities WorldCat; Wikipedia; VIAF: 186703440; LCCN: n81028034; GND: 300069693; BNF: 13913512f
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.XXII:11
I-Catalogue NumberI-Cat. No. IJH 304
Key D minor
Movements/SectionsMov'ts/Sec's 7 movements:
  1. Kyrie. Allegro moderato (D minor)
  2. Gloria. Allegro (D major)
  3. Credo. Allegro con spirito (D major)
  4. Sanctus. Adagio (D major)
  5. Benedictus. Allegretto (D minor)
  6. Agnus Dei. Adagio (G major) - Vivace (D major)
  7. Dona nobis. Allegro vivace (D major)
Year/Date of CompositionY/D of Comp. 1798
First Publication. 1803 – Leipzig: Breitkopf & Härtel
Librettist Catholic Liturgy
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation soprano, alto, tenor, bass, mixed chorus (SATB), orchestra
InstrDetail
flute*, 2 oboes*, bassoon*
3 trumpets, timpani, organ, strings
Extra Information Haydn added the flute, oboes and bassoon for a later performance (before 1st ed.) The 2 clarinets and 2 horns found in some editions were added by another unknown hand, long after the first publication.

Navigation etc.

Sacred Choral Works by Joseph Haydn (Hob. XX-XXIII)
Hob.XX (The Seven Last Words of Christ) Hob.XXIII (Small Sacred Works)
  • Animae Deo gratae in C major, Hob.XXIIIa:2
  • Hymne (Offertorium): Ens aeternum attende votis in G major, Hob.XXIIIa:3
  • Motet di Saneta Thecla: Quis stella radius in C major, Hob.XXIIIa:4
  • Offertorium: Ad aras eonvolate in G major, Hob.XXIIIa:5
  • Motet: Salus et Gloria in C major, Hob.XXIIIa:6
  • Motet de Tempore: Super flumina Babylonis in C major, Hob.XXIIIa:7
  • Offertorium: Ardentes seraphini in A major, Hob.XXIIIa:8
  • Salve Regina in E major, Hob.XXIIIb:1
  • Ave Regina in A major, Hob.XXIIIb:3
  • Salve Regina in E major, Hob.XXIIIb:4
  • Salve Regina in G major, Hob.XXIIIb:5
  • Ave Regina in F major, Hob.XXIIIb:6
  • Alleluia in G major, Hob.XXIIIc:3
  • 4 Responsoria de Venerabili, Hob.XXIIIc:4a-d
  • 4 Hymnen de Venerabili, Hob.XXIIId:5a-d
  • Aria de Venera: Lauda Sion, Hob.XXIIId:6
  • Cantilena pro Adventu: Ein' Magd, ein' Dienerin, Hob.XXIIId:1
  • Aria de Adventu: Mutter Gottes mir erlaube, Hob.XXIIId:2
Hob.XXI (Oratorios)
Hob.XXII (Masses)
  • Missa brevis in F major, Hob.XXII:1
  • Missa brevis in D minor, Hob.XXII:2 (Sunt bona mixta malis)
  • Missa brevis in G major, Hob.XXII:3 ( Rorate cœli desuper)
  • Mass in E major, Hob.XXII:4 (Grosse Orgelmesse)
  • Mass in D minor, Hob.XXII:11 (Nelsonmesse)
  • Libera me in F major, Hob.XXIIb:1