Performances
Sheet Music
Full Scores
| Publisher. Info.
|
Paris: Auguste Leduc, n.d.(ca.1820). Plate 1222.
|
| Copyright
|
|
| Misc. Notes
|
The score incorporates a piano reduction. Auguste Leduc's firm was acquired from his widow by Alphonse Leduc ca.1847.
|
| Purchase
|
Javascript is required for this feature.
|
| |
Javascript is required to submit files.
General Information
| Work Title
|
Messe de Requiem
|
| Alternative. Title
|
Messe de requiem : à quatre voix, choeurs, et grand orchestre avec accompagnement de piano à défaut d'orchestre : Ouvrage consacré à la mémoire de Camões
|
| Composer
|
Bomtempo, João Domingos
|
| Opus/Catalogue NumberOp./Cat. No.
|
Op.23
|
| Internal Reference NumberInternal Ref. No.
|
IJB 6
|
| Key
|
C minor
|
| Movements/SectionsMov'ts/Sec's
|
6 main sections (with subdivisions):
- Introit (Requiem æternam - Kyrie eleison). Larghetto
- Sequentia: Dies Iræ. Allegro con fuoco -
- Judex ergo: Allegro moderato
- Ingemisco: Andante commodo -
- Confutatis: Allegro spiritoso
- Lacrymosa: Moderato espressivo assai
- Offertorium: Domine Jesu Christe Rex gloriæ. Larghetto - Allegro moderato
- Sanctus: Allegro maestoso assai
- Benedictus: Larghetto - Allegro moderato
- Agnus Dei: Andante sostenuto - Allegro moderato - Allegro assai - Larghetto
|
| Year/Date of CompositionY/D of Comp.
|
1819-1820
|
| First Publication.
|
1820
|
| Librettist
|
Traditional mass plus Sequentia and Offertorium
|
| Language
|
Latin
|
| Dedication
|
A là mémoire de Camões / À Memória de Camões (Luís de Camões, poet, died 1580)
|
| Average DurationAvg. Duration
|
50-60 minutes
|
| Composer Time PeriodComp. Period
|
Classical
|
| Piece Style
|
Classical
|
| Instrumentation
|
Voices: soprano, alto, tenor, bass; mixed chorus (SATB) Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons + 2 horns, 2 trumpets, trombone + timpani + strings
|
| Discography
|
All Music Guide
|
Navigation etc.
The Sequentia (from Dies iræ to the Lacrymosa) takes 21 minutes in Michel Corboz' recording, almost a third of the piece's duration. (Also, this being a Requiem, the finale's progression from minor -through- major back to minor is not entirely unexpected in general outline.)