Misera, dove son!, K.369 (Mozart, Wolfgang Amadeus)

Movements/SectionsMov'ts/Sec's	2 movements
Composition Year	1781 March 8, Munich
Genre Categories	Arias; Recitatives; For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the orchestra; Italian language

1 Performances
- 1.1 Recordings
  - 1.1.1 For Voice and Piano
- 1.2 Naxos
2 Sheet Music
- 2.1 Full Scores
3 General Information
4 Misc. Comments

Performances

Recordings

For Voice and Piano

Complete Recording
*#322719 - 6.52MB - 7:07 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 409×⇩ - MP3 - Schissel

MP3 file (audio)
Schissel (2014/4/21)

Performers	Jeanine De Bique, soprano, Warren Jones, piano
Publisher Info.	Boston: Isabella Stewart Gardner Museum
Copyright	Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
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Naxos

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Sheet Music

Full Scores

Complete Score (Preview)
*#67123 - 1.45MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 2437×⇩ - piupianissimo

PDF scanned by PL-LZu
piupianissimo (2010/6/10)

Editor	Gustav Nottebohm (1817–1882)
Publisher. Info.	Wolfgang Amadeus Mozarts Werke, Serie VI: Arien, Duette, Terzette und Quartette, Bd.1, No.21 (pp.2-9 (198-205)) Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 369.
Copyright	Public Domain [tag/del]
Misc. Notes	Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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General Information

Work Title	Misera, dove son!
Alternative. Title	Ah! non son io che parlo. Recitative and Aria for soprano and orchestra
Composer	Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No.	K.369
I-Catalogue NumberI-Cat. No.	IWM 323
Key	E-flat major
Movements/SectionsMov'ts/Sec's	2 movements
Year/Date of CompositionY/D of Comp.	1781 March 8, Munich
First Publication.	1805 (Breitkopf und Härtel)
Librettist	Pietro Metastasio (1698-1782) (from his Ezio)
Language	Italian
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	voice and orchestra Voice - soprano Orchestra 2 flutes, 2 horns, strings
External Links	NMA score NMA report (German) The Lied, Art Song, and Choral Texts Archive

Misc. Comments

Partially modeled after/"leaped off from" (as Alfred Einstein might have put it) Myslivecek's setting of the same text in his 1775 operatic setting of "Ezio", according to Daniel E. Freeman (as mentioned here.)

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