Naderman

cover 1797
cover 1795

Contents

History

Naderman was a major Parisian publisher of the classical era, active for 50 years from 1774.

Jean-Henri Naderman was born in Freiburg in 1734. He arrived in France and then married his first wife Marie-Elisabeth Maheux on November 25, 1764 (she died in 1776). His advertisements from 1773 indicate he was a luthier, and by 1774 he is listed as a music merchant. His first privilege was granted on November 7, 1777. On June 20, 1780, he married his second wife Barbe-Rose Courtois. In 1796, Naderman purchased the stock of the publisher Boyer and occupied his store at "rue de la Loi passage de l'Ancien cafe de Foi." For slightly over a year Naderman had two stores, finally turning his original store at Rue d'Argenteuil into his home.

After his death on Feb. 4, 1799, his wife Barbe-Rose assumed control of the business. Due to financial difficulties, she sold the remaining Boyer stock. She continued the business relationship Boyer had set up with his mother-in-law, Mme. Lemenu (widow of the composer Christophe Le Menu de Saint-Hilbert) - their names are often listed together on imprints between 1796 and 1802. In 1801, Mme. Naderman purchased 901 plates from Alexandre-Louis de La Chevardiere, and in 1802, she purchased the stock of Mme. Lobry. Until 1801, Mme. Naderman continued to use just the surname for imprints. Beginning in April 1801, she used a variety of names preceding the surname: Madame, Madame Veuve, Veuve, and sometimes "Naderman, éditeur de musique et facteur de harpes."

Jean-Henri Naderman and his second wife Barbe-Rose had two sons, Jean-François-Joseph (1781-Apr. 3, 1835) and Henri-Pascal (Feb. 2, 1783-Aug. 1, 1841), who were somewhat involved in the publishing business but who was primarily active in the part of the firm that sold harps. Naderman was involved in composition; upon obtaining a position at the Conservatoire in 1825, he ceased involvement with publishing altogether. No new publications appeared after 1825, and the last registration in the firm's name appeared in October 1828.

Imprints, Addresses, Agencies

  • rue d'Argenteuil Saint-Honoré, butte Saint-Roch (June 21, 1773)
  • rue d'Argenteuil Saint-Honoré, butte Saint-Roch, no. 16 (Nov. 7, 1790)
  • rue d' Argenteuil, no 209, butte des Moulins (Jan. 5, 1794)
  • rue d'Argenteuil, no 209, butte des Moulins et rue de la Loi passage de l'Ancien cafe de Foi, "Successeur de Boyer" (Aug. 2, 1796-Nov. 9, 1797)
  • rue de la Loi, passage de l'ancien café de Foy (Nov.20, 1797)
  • rue de la Loi, passage de I'ancien café de Foy, no 1263 (June 9, 1798-April 29, 1801)
  • rue de la Loi, passage de l'ancien café de Foy, no 1263 et *rue du Roule Dec. 12, 1802-July 30, 1803)
  • rue de la Loi, passage de l'ancien café de Foy, no 1263 (July 18, 1803-Jan. 14, 1807)
  • rue de Richelieu, passage de l'ancien café de Foy, no 1263 (Apr. 20, 1807)
  • rue de Richelieu, passage de l'ancien café de Foy, n° 46 (Sept. 23, 1812)
  • rue de Richelieu, passage de l'ancien café de Foy, n° 46 et (occasionaly) 45, *rue d'Argenteuil (residence) (1814-Sept. 1828)

Plate Numbers

Naderman's earliest publications lack plate numbers. They begin to appear with irregular ordering until 1798-1799 when they begin to follow order.

Plate Composer Work Year
0001 Pleyel 3 Sonatas (arr. Blattman for violin and harp)
0005 Dezède La fête de la cinquantaine 1796
0006 Le Sueur Télémaque dans l'île de Calypso 1796
0014 Krumpholz 6 Harp Sonatas, Opp.13-14 (Sonatas 5 & 6 (Op.14))
0090 Petrini Duo No.2 for 2 Harps, Op.30
0093 Pleyel 3 Flute Quartets, B.384-386 (3 Trios concertants for 2 clarinets and bassoon) 1796
0126 Pollet Harp Sonata No.1 1797
0134 Went Pièces en harmonie (Suite No.2)
0142 Ragué 3 Harp Sonatas, Op.18
0149 Mestrino Violin Concerto in B-flat major (arr. Mozin for keyboard and orchestra)
0170 Mestrino Violin Concerto in B-flat major (parts)
0182 Naderman 3 Sonatas for Harp, Violin and Cello, Op.5 (Sonata No.3)
0199 Cartier Pot-Pourri patriote No.4 for Violin and Viola
0225 Gros 3 Grands Duos pour Harpe et Piano, Op.11
0516 Martini 7 Romances (arr. Blattman for voice and harp) 1798
0519 Martini Petits airs de chant, Recueil 6 1798
0557 Zucchinetti 3 Sonatas, Op.1 1798
0563 Steibelt 3 Sonatas (arr. Naderman for violin and harp) 1799
0564 Lamparelli Nouvelles Romances
0680 Ozi Bassoon Concerto No.2 in C major, Op.4
0699 Le Sueur La caverne
0724 Hampel Méthode pour Cor
0906 Vandenbroek Méthode nouvelle et raisonnée pour apprendre à donner du Cor
1501 Dussek Duo concertant, Op.74
1531 Dussek Fantaisie, Op.76
1535 Libon Violin Concerto No.6 1812
1558 Naderman Les regrets, Op.30 1812
1563 Naderman 3 Nocturnes for Harp and Horn, Op.32 1812
1572 Kalkbrenner Piano Sonata, Op.13 1813
1574 Naderman Duo for Harp and Piano, Op.34
1585 Naderman Recueil d'airs connus variés, Op.37
1608 Onslow 3 String Quartets, Op.8 1816
1615 Naderman Suites for Harp, Op.45
1618 Drechsler Variations sur l'air tirolien 1817
1628 Naderman 3 Harp Sonatas, Op.47
1648 Ries 3 Violin Sonatas, Op.86 1819
1649 Naderman 3 Duos for Harp and Piano, Op.51
1650 Bohrer Cello Concerto No.1, Op.1
1684 Naderman Fantaisie pour sur l'air 'Ô Pescator', Op.52 No.1
1687 Naderman Fantaisie et variations sur la romance d'Otello, Op.59
1703 Naderman 3 Serenades for Harp and Horn, Op.64 (Serenade No.1)
1709 Naderman Le Départ du Grenadier, Op.65 1823

References

  • Devriès, Anik, and François Lesure. Dictionnaire des éditeurs de musique français. Vol. 1. Genève: Editions Minkoff, 1979, p. 122-124.
  • BNF data

Authority control

  • VIAF (Naderman Paris (Firme))
  • VIAF (Naderman, J. H. (Jean Henri), 1734-1899)
  • VIAF (Naderman, F. J. (François Joseph), 1781-1835)