Nouveau Gradus ad Parnassum (Philipp, Isidor)

Movements/SectionsMov'ts/Sec's 100 études
Genre Categories Studies; For piano; Scores featuring the piano; For 1 player

Sheet Music

Scores

 2. Kalkbrenner: Tierces
#240296 - 0.93MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/29 - 267×⇩ - Coulonnus

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Coulonnus (2012/7/4)

Editor Isidor Philipp (1863–1958)
Publisher. Info. Paris: Alphonse Leduc, 1911. Plate A.L. 14793.
Copyright
Public Domain - Non-PD EU [tag/del]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 4. Rudolf Viole: Arpèges
#387848 - 0.19MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/29 - 193×⇩ - Jurabe

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 6. Kalkbrenner: Sixtes
#387849 - 0.23MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/29 - 157×⇩ - Jurabe

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 Covers
#387850 - 0.19MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 58×⇩ - Jurabe

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Jurabe (2015/7/30)

Publisher. Info. Paris: Alphonse Leduc, 1911. Plates A.L. 14795, 14797.
Copyright
Public Domain - Non-PD EU [tag/del/mrg]
Misc. Notes From the uploader's library.
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 12. Bendel: Doubles notes
#394016 - 1.64MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/29 - 164×⇩ - Notenquetser

PDF scanned by RUS-Mrg
Notenquetser (2015/9/22)

Editor Isidor Philipp (1863–1958)
Publisher. Info. Paris: Alphonse Leduc, 1911–1912. Plate A.L. 14803.
Copyright
Public Domain - Non-PD EU [tag/del]
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General Information

Work Title Nouveau Gradus ad Parnassum
Alternative. Title 100 Études instructives et variées de moyenne force, difficiles et très difficiles, revues et doigtées avec addition de notes pour le travail technique
Composer Philipp, Isidor
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 100 études:
  1. Karl August Krebs: Vélocité (Op.150 in A minor)
  2. Friedrich Wilhelm Kalkbrenner: Tierces (4 Toccatas, Op.182 No.2 in C major)
  3. Charles Mayer: Vélocité (12 Studien, Op.119 No.6 in G minor)
  4. Rudolf Viole: Arpèges (Op.100 in C minor)
  5. Charles Mayer: Vélocité
  6. Friedrich Wilhelm Kalkbrenner: Sixtes (24 Etudes, Op.20 No.21 in B♭ major)
  7. Jean Henri Ravina: Deux mains
  8. Hans Seeling: Doubles notes
  9. Theodor Döhler: Doubles notes (12 Etudes de concert, Op.30 No.1 in C major)
  10. Francesco Sangalli: Accords
  11. Charles Mayer: Doubles notes
  12. Franz Bendel: Doubles notes/extension (6 Etüden, Op.138 No.1 D minor)
  13. Joseph Christoph Kessler: Accords
  14. Ignaz Moscheles: Vélocité
  15. Theodor Döhler: Doubles notes
  16. Eduard Pirkhert: Octaves
  17. Charles Mayer: Doubles notes (Ecole de la velocité, Op.200 No.24 in D♭ major)
  18. William Sterndale Bennett: Vélocité
  19. Rudolf Viole: Trilles
  20. Charles Mayer: Légèreté
  21. Theodor Döhler: Doubles notes
  22. Joseph Christoph Kessler: Arpèges (main gauche)
  23. Friedrich Wilhelm Kalkbrenner: Octaves (25 Grandes Etudes, Op.143 No.3 in B♭ minor)
  24. Józef Nowakowski: Doubles notes (12 Etudes, Op.25 No.7 in C major)
  25. Joseph Christoph Kessler: Mains croisées
  26. Rudolf Viole: Poignet (F♯ minor)
  27. Rudolf Willmers: Trilles
  28. Hélène Montgeroult: Doubles notes
  29. Stefano Golinelli: Poignet
  30. Charles Voss: Octaves (Grande étude à l'exercice des octaves, Op.54 in A minor)
  31. Sigmund Goldschmidt: Sixtes
  32. Joachim Raff: Main gauche (poignet)
  33. Sigmund Goldschmidt: Quartes
  34. Hans Seeling: Doubles notes (12 Concert-Etudes, Op.10 No.12 in E♭ minor)
  35. Rudolf Willmers: Notes répétés
  36. Sigmund Goldschmidt: Poignet
  37. Sigismond Thalberg: Trilles
  38. Charles Mayer: Deux mains
  39. Sigismond Thalberg: Tremolo
  40. Friedrich Wilhelm Kalkbrenner: Vélocité
  41. Friedrich Wilhelm Grund: Accords
  42. Friedrich Wilhelm Kalkbrenner: Tierces
  43. Theodor Kullak: Octaves
  44. Alexander Dreyschock: Poignet
  45. Theodor Kullak: Étude chromatique
  46. Johann Carl Eschmann: Légèreté
  47. Joachim Raff: Vélocité (mouvement perpétuel)
  48. Hélène Montgeroult: Deux mains
  49. Theodor Kullak: Octaves
  50. Charles Mayer: Vélocité
  51. Sigismond Thalberg: Trilles
  52. Joseph Christoph Kessler: Gamme chromatique
  53. Ferdinand Ries: Rythme
  54. Francesco Sangalli: Extension
  55. Luigi Cherubini: Fugue
  56. Joseph Christoph Kessler: Arpèges
  57. Charles Mayer: Poignet
  58. Rudolf Willmers: Doubles notes
  59. Ferdinand Ries: Vélocité
  60. Carl Evers: Octaves (probably Octaven-Etude, Op.8 in G major)
  61. Charles Mayer: Doubles notes
  62. Theodor Kullak: Gamme chromatique
  63. Carl Czerny: Vélocité (mouvement perpetuel)
  64. Theodor Kullak: Doubles notes
  65. Joseph Christoph Kessler: Main gauche
  66. Stefano Golinelli: Deux mains (12 Studi, Op.15 No.3 in F minor)
  67. Charles Mayer: Octaves brisées
  68. Theodor Döhler: Notes répétés
  69. Sigismond Thalberg: Poignet
  70. Theodor Kullak: Accords (2 Études de Concert, Op.2 No.2 in E♭ minor)
  71. Charles Mayer: Vélocité
  72. Stefano Golinelli: Octaves
  73. Johann Carl Eschmann: Légèreté
  74. Theodor Döhler: Trilles
  75. Theodor Kullak: Bravoure
  76. Hans Seeling: Doubles notes
  77. Carl Czerny: Canon
  78. Hélène Montgeroult: Main gauche
  79. Theodor Döhler: Vélocité
  80. Rodolphe Kreutzer: Doubles notes
  81. Stefano Golinelli: Octaves répétés
  82. Theodor Kullak: Gammes en octaves
  83. Rudolf Hasert: Tierces chromatiques
  84. Giuseppe Martucci: Extension
  85. Joachim Raff: Trilles
  86. Alexander Dreyschock: Main gauche seule
  87. Rudolf Willmers: Doubles notes
  88. Rudolf Hasert: Octaves
  89. Theodor Döhler: Vélocité
  90. Franz Bendel: Doubles notes
  91. Sigismond Thalberg: Sauts [de] bravoure
  92. Karl August Krebs: Gammes
  93. Charles Mayer: Deux mains
  94. Rudolf Willmers: Octaves
  95. Karl August Krebs: Tierces
  96. A. Parent (Armand Parent?): Doubles notes
  97. Consolini (Angelo Consolini?): Accords
  98. Aloys Schmitt: Trilles (main droite)
  99. Aloys Schmitt: Trilles (main gauche)
  100. Joseph Christoph Kessler: Vélocité
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

Navigation etc.

Unlike on the covers of the 12- and 15-étude publications, the cover of the 100-étude publication does not contain a note stating "Cette collection sera continuée". Also, on the back of this same publication, the subtitle of the work is given as "100 études instructives ...", so the work definitively stops at 100 pieces.

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