Ombra adorata aspetta (Crescentini, Girolamo)

Genre Categories Arias; For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the orchestra; Italian language; German language
Related Works insert aria for Giulietta e Romeo by Niccolò Antonio Zingarelli

Contents

Performances

Recordings

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Synthesized/MIDI

 Aria: "Giulietta, Ombra adorata aspetta"
#446384 - 4.53MB - 3:14 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 30×⇩ - MP3 - Free Pianist

MP3 file (audio)
Free Pianist (2016/11/7)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes This aria is actually from the opera Giulietta e Romeo of Zingarelli.
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Sheet Music

Scores

 Complete Score
#113365 - 25.05MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 596×⇩ - Bassani

PDF scanned by D-B
Bassani (2011/8/13)

Publisher. Info. Manuscript, n.d.
Copyright
Public Domain [tag/del]
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Vocal Scores

 Complete Score
#844728 - 1.92MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Fynnjamin

PDF scanned by F-Pn
Fynnjamin (2023/3/13)

Language Italian / German
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate 1806b.
Copyright
Public Domain [tag/del]
Misc. Notes includes preceding Cavatina: "Idolo del mio cor" and Recitative "Ma che vale il mio duol"
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 Complete Score
#675154 - 0.43MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 230×⇩ - Goldberg988

PDF typeset by editor
Goldberg988 (2021/2/11)

Editor Lyndon Meyer (b. 1985)
Publisher. Info. Lyndon Meyer, 2012.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Based on the full score.
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General Information

Work Title Ombra adorata aspetta
Alternative. Title
Composer Crescentini, Girolamo
Internal Reference NumberInternal Ref. No. IGC 4
Language Italian
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation Voice: soprano
Orchestra: flute, oboe, bassoon, horn, strings
Related Works insert aria for Giulietta e Romeo by Niccolò Antonio Zingarelli
External Links Article from The Opera Quarterly, Autumn 2005 (subscription or library access required)
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