Historical Publication Info
History
Casimiro Martín (1811-1888) establised a music publishing house in Madrid ca.1840s. His son Pablo changed the imprint from Casimiro to Pablo in mid-1870s.
Imprints, Addresses, Agencies
Imprints
- Casimiro Martín, Editor
- Pablo Martín, Editor, hijo de Casimir Martín
- Almacen de música y pianos de Pablo Martín, Editor
- Música y pianos de Pablo Martín, Editor
Addresses
- Calle del Correo, 4, Madrid
Plate Numbers
Casimiro's plate numbers were C.M. ####. Pablo's plate style: P.M. #### or P. #### M. (rarely). Publication dates in italics are estimated.
###
The plate number (actually if this is one) is placed in the right lower corner of each page.
C.M. ####
| Plate |
Composer |
Work |
Year
|
| |
Cabrero y Martínez de Ahumada |
Temores de la inocencia |
1845
|
| |
Forgues |
L'Alhambra, Op.7 (under a different title) |
1850
|
| |
Passuti |
La gratitud |
1859
|
| |
Passuti |
El Dominicano |
1861
|
| |
Passuti |
Santo Domingo |
1861
|
| |
Gaztambide |
El estreno de una artista (No.3 arr. for flute/violin/clarinet) |
1857
|
| 2 |
Passuti |
El Adda |
1859
|
| 3 |
Passuti |
Milán |
1859
|
| 4 |
Passuti |
Napoleón III |
1859
|
| 5 |
Passuti E. |
Palestro |
1859
|
| 6 |
Passuti |
El Sesia |
1859
|
| 7 |
Passuti |
Garibaldi |
1859
|
| 8 |
Passuti |
Montebello |
1859
|
| 9 |
Passuti |
Los cazadores de los Alpes |
1859
|
| 10 |
Passuti |
Magenta |
1859
|
| 11 |
Passuti |
El Tessino |
1859
|
| 12 |
Passuti |
Los zuavos |
1859
|
| 32 |
Lanner J. |
Die Romantiker (guitar arr.) |
1852
|
| 32 |
Auber |
El dominó negro (vocal score, No.8) |
1852
|
| 33 |
Borrero V. |
Variedades valses arreglados para guitarra |
1852
|
| 110 |
Beck |
Nena Perea |
1852
|
| 129 |
Kontski |
La brise du soir, Op.92 |
1852
|
| 166 |
Adalid M. del |
Un recuerdo, Op.16 |
1852
|
| 189 |
Gottschalk L. |
La danse ossianique, Op.12 |
1852
|
| 203 |
Sánchez Allú M. |
Un souvenir de bonheur, Op.32 |
1852
|
| 449 |
Langlois |
Cho-che-a! |
1855
|
| 450 |
Kontski |
Las elegantes de Madrid (arr. for guitar) |
1855
|
| 502 |
Barbieri |
Los diamantes de la corona (piano arr., No.3) |
|
| 794-812 (?) |
Gaztambide |
Los magyares (piano solo score) |
1857
|
| 813-835 (?) |
Gaztambide |
Los magyares (vocal score) |
1857
|
| 956 |
Gaztambide |
Un pleito (piano arr., No.2) |
1858
|
| 986-87 |
Gaztambide |
El juramento (vocal score, Nos.3-3b) |
1858-59
|
| 1047 |
Passuti |
El boquete de Anghera |
1860
|
| 1048 |
Passuti |
La mezquita |
1860
|
| 1049 |
Passuti |
Sierra Bullones |
1860
|
| 1063-65 |
Croisez |
Grelots, clochettes et tambours, Op.59 |
1860
|
| 1155-58 |
Gaztambide |
Una vieja (piano arr.) |
1861
|
| 1160-61 |
Gaztambide |
Una vieja (piano arr.) |
1861
|
| 1162-67 |
Gaztambide |
Una vieja (vocal score) |
1861
|
| 1347 |
Zabala |
Una lágrima |
|
| 1433-39 |
Gaztambide |
Un pleito (vocal score) |
1863
|
| 1633-34 |
Gaztambide |
El estreno de una artista (piano arr., Nos.1-2) |
|
| 1636-38 |
Gaztambide |
El estreno de una artista (piano arr., Nos. 1, 4-5) |
|
| 1692-98 |
Mazza |
Campanone (vocal score, separate numbers) |
1865
|
| 1771 |
Corbeiller |
Rêve d'azur, Op.27 |
1867
|
| 2200-01 |
Oudrid |
El molinero de Subiza (guitar arr., No.14) |
1871
|
| 2244-45 |
Monfort |
Flor de Aragon (vocal score, Nos. 3-4) |
1871
|
| 2247 |
Monfort |
Flor de Aragon (vocal score, No. 6) |
1871
|
| 2249-52 |
Monfort |
Flor de Aragon (various arrangements of No.6) |
1871
|
| 2315 |
Gaztambide |
Un pleito (Nos. 2 & 5 arr. for flute/violin/clarinet) |
1872
|
| 2367-69 |
Gaztambide |
El juramento (Nos.3, 3b, 8 arr. for flute/violin/clarinet) |
1872
|
| 2371 |
Gaztambide |
Una vieja (No.4bis arr. for flute/violin/clarinet) |
1872
|
| 2377-79 |
Gaztambide |
Los magyares (Nos.1bis, 4, 8 arr. for flute/violin/clarinet) |
1872
|
P.M. ####, P. #### M.
Others
Casimir Martín
Pablo Martín
Authority Control
Sources Consulted
