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It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1925 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Performances
Naxos
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Sheet Music
Scores
| Publisher. Info.
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Holograph manuscript, 1916-17.
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| Copyright
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| Misc. Notes
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Original manuscript
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| Editor
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Anatoly Aleksandrov (1888-1982)
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| Publisher. Info.
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Sotschinjenija dlja fortepiano, Tom 1.
Moscow: Sovietski Kompozitor, 1974. Plate c 3008 к.URTEXT EDITION
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1995 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Editor
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Anatoly Aleksandrov (1888-1982)
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| Publisher. Info.
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Sotschinjenija dlja fortepiano, Tom 1.
Moscow: Sovietski Kompositor, 1974. Plate c 3008 к.URTEXT EDITION
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1995 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Misc. Notes
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Better quality than #266562
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| Copyist
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Anatoly Aleksandrov (1888-1982)
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| Publisher. Info.
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Manuscript, n.d.(ca.1916-17).
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| Copyright
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| Editor
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Zhengyi Zhou
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| Publisher. Info.
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Edition GYIZ
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General Information
| Work Title
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Piano Sonata No.3
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| Alternative. Title
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| Composer
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Feinberg, Samuil
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| Opus/Catalogue NumberOp./Cat. No.
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Op.3
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| I-Catalogue NumberI-Cat. No.
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ISF 14
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| Movements/SectionsMov'ts/Sec's
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3 movements:
- I. Prelude: Misure diverse. Lento assai, ma sempre inquieto e rubato molto
- II. Funeral March: Lugubre e maestoso
- III. Sonata: Allegro appassionato
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| Year/Date of CompositionY/D of Comp.
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1916-17
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| First Publication.
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1974
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| Copyright Information
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Most likely public domain in the USA, despite publication date.
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In the USA this work is most likely in the public domain because it was published without a compliant copyright notice, no renewal was found after a thorough search of the Catalog of Copyright Entries, or it was either ineligible for "restoration" under GATT/TRIPs and/or no record of an NIE filing was found in the online records of the US Copyright Office.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Average DurationAvg. Duration
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24 minutes
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| Composer Time PeriodComp. Period
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Early 20th century
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| Piece Style
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Early 20th century
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| Instrumentation
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piano
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Navigation etc.
Published after composer's death thanks to efforts of Anatoly Alexandrov
