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It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1928 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.
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Performances
Naxos
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Sheet Music
Scores
Version A, Op.38
| Editor
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Albert Spalding (1888-1953), supposed editor
First edition (reprint)
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| Publisher. Info.
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Moscow: A. Gutheil, 1925. Plate A. 10372 G.
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| Reprinted
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London: Boosey & Hawkes, n.d.(after 1947).
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| Copyright
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| Misc. Notes
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600 dpi
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Version B, Op.135
| Editor
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Levon Atovmyan (1901-1973)
First edition (reprint)
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| Publisher. Info.
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Collected Works (Собрание сочинений), Vol.2 (pp.100-28)
Moscow: Muzgiz, 1955. Plate M. 23818 Г.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Reprinted
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New York: E.F. Kalmus, n.d.(ca.1960). (later Belwin-Mills, Alfred)
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| Copyright
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| Misc. Notes
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600 dpi
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| Editor
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Levon Atovmyan (1901-1973)
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| Publisher. Info.
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Соиаты для фортепиано (pp.96-124)
Moscow: Muzyka, 1964. Plate 906.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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General Information
| Work Title
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Piano Sonata No.5
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| Alternative. Title
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Пятая соната для фортепиано
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| Composer
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Prokofiev, Sergey
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| Opus/Catalogue NumberOp./Cat. No.
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Op.38 ; Op.135
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| I-Catalogue NumberI-Cat. No.
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ISP 33
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| Key
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C major
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| Movements/SectionsMov'ts/Sec's
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3 movements:
- Allegro tranquillo
- Andantino
- Un poco allegretto
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| Year/Date of CompositionY/D of Comp.
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1923 A ; 1952–53 B
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| First Performance.
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1924-03-09 in Paris, Sergey Prokofiev (piano) A
1954-02-02 in Alma Ata, Aleksandr Vedernikov (piano) B
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| First Publication.
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1925 - Moscow: A. Gutheil A
1955 - Moscow: Muzgiz. Plate M. 23818 Г. B
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| Average DurationAvg. Duration
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16 minutes
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| Composer Time PeriodComp. Period
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Early 20th century
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| Piece Style
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Early 20th century
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| Instrumentation
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piano
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| External Links
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Wikipedia article
Prokofiev Catalogue A ; Prokofiev Catalogue B
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Navigation etc.
The 2 versions differ substantially.
| Sonatas and Sonatinas by Sergey Prokofiev
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- Piano Sonata (B-flat minor, 1904)
- Piano Sonata (1907-08?, lost)
- Piano Sonata (1908–09?, lost)
- Piano Sonata No.1, Op.1 (F minor, 1907-09)
- Piano Sonata No.2, Op.14 (D minor, 1912)
- Piano Sonata No.3, Op.28 (A minor, 1907-17)
- Piano Sonata No.4, Op.29 (C minor, 1908-17)
- Piano Sonata No.5, Op.38/135 (C major, 1923, rev.1952-53)
- 2 Sonatinas, Op.54 (1931-32):
- Sonatina No.1 in E minor
- Sonatina No.2 in G major
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- Violin Sonata (C minor, 1903 unpublished)
- Sonata for 2 Violins, Op.56 (C major, 1932)
- Violin Sonata No.1, Op.80 (F minor, 1938-46)
- Flute Sonata, Op.94 (D major, 1943)
- Sonata for Solo Violin, Op.115 (D major, 1947)
- Cello Sonata, Op.119 (C major, 1949)
- Cello Solo Sonata, Op.134 (C sharp minor, incomplete)
ed. W. Blok, published 1974
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