Piano Sonata, Op.1 (Berg, Alban)

Contents

Performances

Recordings

MP3 file (audio)
Lumineux (2014/12/13)

Performer Pages Peter Bradley-Fulgoni (piano)
Publisher Info. PianOLYPHONY: Music of and around the 20th Century
Peter Bradley-Fulgoni
Copyright
Misc. Notes Recorded 2012, St. Paul's Hall, Huddersfield University. Peter Hill (sound engineer)
Purchase
Javascript is required for this feature.
PianOLYPHONY.jpg

MP3 file (audio)
Carolus (2010/9/8)

Publisher Info. Boston: Isabella Stewart Gardner Museum
Performers Jonathan Biss (piano)
Copyright
Purchase
Javascript is required for this feature.

MP3 file (audio)
Lucas-coelho (2021/6/23)

Performer Pages Glenn Gould (piano)
Publisher Info. Columbia Masterworks, 1959. ML 5336.
Copyright
Misc. Notes Source: Internet Archive
Purchase
Javascript is required for this feature.
Lp sonata-for-piano-op-1-sonata-no-3-for-pia glenn-gould-alban-berg-ernst-krenek-arnold itemimage.png

Naxos

Javascript not enabled.

Sheet Music

Scores

PDF scanned by US-R
Massenetique (2012/6/15)

Editor First edition (reprint)
Publisher. Info. Berlin: Schlesinger, n.d.[1910]. Plate S.9539.
Reprinted New York: Associated Music Publishers, n.d.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase
Javascript is required for this feature.

PDF scanned by Unknown
Geo (2012/10/16)

PDF scanned by Unknown
Albrights (2023/10/12)

PDF scanned by Unknown
Albrights (2023/10/12)

Editor First edition (reprint)
Publisher. Info. Berlin: Schlesinger, n.d.[1910]. Plate S.9539.
Reprinted Vienna: Universal Edition, 1926. (with spurious copyright claim)
Copyright
Purchase
Javascript is required for this feature.

PDF scanned by Unknown
Jujimufu (2006/12/27)

Publisher. Info. Moscow: Muzyka, n.d.(ca.1970). Plate 6250.
Copyright
Misc. Notes from unidentified collection
Purchase
Javascript is required for this feature.

PDF typeset by editor
Antide Otto (2020/10/9)

Editor Antoine Portes (b. 1990)
Publisher. Info. Antoine Portes, 2020.
Copyright
Misc. Notes Made with Musescore 3.5.013199
Purchase
Javascript is required for this feature.

Braille Scores

BRF typeset by editor
Feduol (2024/1/15)

Editor Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2020.
Copyright
Misc. Notes Braille score in bar-over-bar format, 40 cells per line.
See here for additional information on Braille scores.
Purchase
Javascript is required for this feature.

Free Recordings

Javascript is required to submit files.

General Information

Work Title Piano Sonata
Alternative. Title
Composer Berg, Alban
Opus/Catalogue NumberOp./Cat. No. Op.1
I-Catalogue NumberI-Cat. No. IAB 9
Key B minor
Year/Date of CompositionY/D of Comp. 1907–1909?
First Performance. 1911-04-24 in Vienna. Etta Werndorff, piano
First Publication. 1910 – Berlin: Robert Lienau
(Monatsbericht (1910), p.251)
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation piano
External Links Wikipedia article

Navigation etc.

The early sonata sketches of Berg while being a student under Schoenberg eventually culminated in this sonata; while considered to be his "graduating composition", it is one of the most formidable initial works ever written by any composer (Lauder, 1986)

This sonata consists of a single movement centered in the key of B minor, but Berg makes frequent use of chromaticism, whole-tone scales, and wandering key centers, giving the tonality a very unstable feel. The piece is in the typical sonata form, with an Exposition, Development and Recapitulation, but the composition also relies heavily on Arnold Schoenberg's idea of developing variation, a method to ensure the unity of a piece of music by deriving all aspects of a composition from a single idea.

Schoenberg stated that the unity of a piece is dependent on all aspects of the composition being derived from a single basic idea. Berg would then pass this idea down to one of his students, Theodor Adorno, who in turn stated: "The main principle he conveyed was that of variation: everything was supposed to develop out of something else and yet be intrinsically different". The Sonata is a striking example of the execution of this idea — the whole composition can be derived from the opening quartal gesture and from the opening leitmotif.