Performances
Sheet Music
Scores
Volume 1: 'Etüden für Anfänger' (Nos.1-167)
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Renningen: C.F. Schmidt, n.d. Plate C. F. S. 457.
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Moscow: Muzgiz, 1929. Plates M. 8923 Г.
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| Editor
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Eric Simon (1907–1994)
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New York: International Music Company, 1957. Plate 1460. URTEXT EDITION
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Jacques Lancelot (1920–2009)
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Paris: Billaudot, 1975. Plate G 1812 B. URTEXT EDITION
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Volume 2: 'Etüden für Fortgeschrittene' (Nos.168-350)
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Moscow: Muzgiz, 1929. Plates M. 9124 Г.
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Eric Simon (1907–1994)
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New York: International Music Company, 1957. Plate 1461. URTEXT EDITION
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Volume 3: 'Etüden (Modulation)' (Nos.351-390)
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Moscow: Muzgiz, 1929. Plates M. 9125 Г.
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Eric Simon (1907–1994)
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New York: International Music Company, 1957. Plate 1462. URTEXT EDITION
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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Jacques Lancelot (1920–2009)
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Paris: Billaudot, 1976. Plate G 1814 B. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Volume 4: 'Etüden für Geübtere' (Nos.391-416)
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Renningen: C.F. Schmidt, n.d. Plate C. F. S. 460.
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| Reprinted
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Renningen: C.F. Schmidt, n.d.(ca.2000).
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Simeon Bellison (1883–1953)
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New York: Carl Fischer, 1946. Plate 6337-29.
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Eric Simon (1907–1994)
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New York: International Music Company, 1957. Plate 1463. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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General Information
| Work Title
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416 Etüden für Klarinette
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| Alternative. Title
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416 Etüden für Klarinette in fortschreitender Ordnung
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| Composer
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Kröpsch, Fritz
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| Internal Reference NumberInternal Ref. No.
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IFK 1
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| Movements/SectionsMov'ts/Sec's
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416 studies (in 4 volumes)
- Etüden für Anfänger
- Etüden für Fortgeschrittene
- Etüden (Modulation)
- Etüden für Geübtere
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| First Publication.
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1881 - Berlin: S. Philipp
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| Composer Time PeriodComp. Period
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Romantic
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| Piece Style
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Romantic
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| Instrumentation
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clarinet
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Navigation etc.
The 1st vol "for beginners " starts at quite a high level. For a real beginner, see books like the first 20 pages of
Langey's Tutor.