Symphony No.4, Op.47/112 (Prokofiev, Sergey)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies. See public domain for details.
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Movements/SectionsMov'ts/Sec's 4 movements
Composition Year 1929–30 A ; 1947 B
Genre Categories Symphonies; For orchestra; Scores featuring the orchestra
Related Works Based on music from the ballet The Prodigal Son, Op.46.

Contents

Performances

Sheet Music

Full Scores

Version A (Op.47)

 Complete Score (EU)
#985723 - 26.41MB, 111 pp. -  0.0/10 2 4 6 8 10 (-) - C*/26/C* - 180×⇩ - Feduol

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Feduol (2025/8/15)

Publisher. Info. London: Boosey & Hawkes, No. 1366, 2002.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes
URTEXT EDITION 

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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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While this work itself should be in the public domain in the United Kingdom, this specific edition is still protected in the UK by the 25-year copyright term on typographical arrangements.
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Version B (Op.112)

 Complete Score (EU)
#104939 - 20.37MB, 249 pp. -  0.0/10 2 4 6 8 10 (-) - V*/43/24* - 9634×⇩ - Daphnis

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Daphnis (2011/6/10)

Publisher. Info. Huntington: Belwin Mills, n.d.(ca.1975). Catalog 5081.
Copyright
Public Domain - Non-PD US [tag/del]
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 Complete Score (EU)
#945500 - 28.32MB, 207 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 542×⇩ - Feduol

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Feduol (2024/12/15)

Publisher. Info. London: Boosey & Hawkes, n.d.[2011]. Plate 09260.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
While this work itself should be in the public domain in the United Kingdom, this specific edition is still protected in the UK by the 25-year copyright term on typographical arrangements.
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Parts

Version B (Op.112)

 Piccolo (EU)
#947744 - 1.15MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 70×⇩ - Feduol

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Feduol (2025/1/1)

⇒ 32 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • English Horn • Piccolo Clarinet (E♭) • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bass Clarinet (B♭) • Bassoon 1 • Bassoon 2 • Contrabassoon • Horn 1 (F) • Horn 2 (F) • Horn 3 (F) • Horn 4 (F) • Trumpet 1 (B♭) • Trumpet 2 (B♭) • Trumpet 3 (B♭) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani • Percussion • Harp • Piano • Violins I • Violins II • Violas • Cellos • Basses

 Flute 1 (EU)
#947745 - 2.03MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 96×⇩ - Feduol

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Feduol (2025/1/1)

 Flute 2 (EU)
#947746 - 1.69MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 56×⇩ - Feduol

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Feduol (2025/1/1)

 Oboe 1 (EU)
#947747 - 2.15MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 63×⇩ - Feduol

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Feduol (2025/1/1)

 Oboe 2 (EU)
#947748 - 1.81MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 44×⇩ - Feduol

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Feduol (2025/1/1)

 English Horn (EU)
#947749 - 1.76MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 47×⇩ - Feduol

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Feduol (2025/1/1)

 Piccolo Clarinet (E♭) (EU)
#947750 - 1.37MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 84×⇩ - Feduol

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Feduol (2025/1/1)

 Clarinet 1 (B♭) (EU)
#947751 - 2.59MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 124×⇩ - Feduol

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Feduol (2025/1/1)

 Clarinet 2 (B♭) (EU)
#947752 - 2.10MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - C/43/C* - 57×⇩ - Feduol

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Feduol (2025/1/1)

 Bass Clarinet (B♭) (EU)
#947753 - 2.16MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 66×⇩ - Feduol

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Feduol (2025/1/1)

 Bassoon 1 (EU)
#947754 - 2.43MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 63×⇩ - Feduol

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Feduol (2025/1/1)

 Bassoon 2 (EU)
#947755 - 2.21MB, 22 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 50×⇩ - Feduol

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Feduol (2025/1/1)

 Contrabassoon (EU)
#947756 - 1.54MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 56×⇩ - Feduol

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Feduol (2025/1/1)

 Horn 1 (F) (EU)
#947757 - 1.61MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 104×⇩ - Feduol

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Feduol (2025/1/1)

 Horn 2 (F) (EU)
#947758 - 1.54MB, 17 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 45×⇩ - Feduol

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Feduol (2025/1/1)

 Horn 3 (F) (EU)
#947759 - 1.33MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 43×⇩ - Feduol

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Feduol (2025/1/1)

 Horn 4 (F) (EU)
#947760 - 1.36MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 46×⇩ - Feduol

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Feduol (2025/1/1)

 Trumpet 1 (B♭) (EU)
#947761 - 1.45MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 136×⇩ - Feduol

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Feduol (2025/1/1)

 Trumpet 2 (B♭) (EU)
#947762 - 1.04MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 71×⇩ - Feduol

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Feduol (2025/1/1)

 Trumpet 3 (B♭) (EU)
#947763 - 0.94MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 62×⇩ - Feduol

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Feduol (2025/1/1)

 Trombone 1 (EU)
#947764 - 1.05MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 96×⇩ - Feduol

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Feduol (2025/1/1)

 Trombone 2 (EU)
#947765 - 0.95MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 64×⇩ - Feduol

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Feduol (2025/1/1)

 Trombone 3 (EU)
#947766 - 1.15MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 95×⇩ - Feduol

PDF scanned by Unknown
Feduol (2025/1/1)

 Tuba (EU)
#947767 - 1.36MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 113×⇩ - Feduol

PDF scanned by Unknown
Feduol (2025/1/1)

 Timpani (EU)
#947768 - 1.15MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 81×⇩ - Feduol

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Feduol (2025/1/1)

 Percussion (EU)
#947769 - 1.55MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 95×⇩ - Feduol

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Feduol (2025/1/1)

 Harp (EU)
#947770 - 2.79MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 55×⇩ - Feduol

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Feduol (2025/1/1)

 Piano (EU)
#947771 - 3.63MB, 34 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 78×⇩ - Feduol

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Feduol (2025/1/1)

 Violins I (EU)
#947772 - 2.83MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 110×⇩ - Feduol

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Feduol (2025/1/1)

 Violins II (EU)
#947773 - 2.61MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 51×⇩ - Feduol

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Feduol (2025/1/1)

 Violas (EU)
#947774 - 2.91MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 78×⇩ - Feduol

PDF scanned by Unknown
Feduol (2025/1/1)

 Cellos (EU)
#947775 - 3.02MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 63×⇩ - Feduol

PDF scanned by Unknown
Feduol (2025/1/1)

 Basses (EU)
#947776 - 2.59MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - C*/43/C* - 80×⇩ - Feduol

PDF scanned by Unknown
Feduol (2025/1/1)

Publisher. Info. London: Boosey & Hawkes, n.d.[2011]. Plate 09260.
Copyright
Public Domain - Non-PD US [tag/del/mrg]
Misc. Notes
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
While this work itself should be in the public domain in the United Kingdom, this specific edition is still protected in the UK by the 25-year copyright term on typographical arrangements.
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Free Recordings

Andrew Litton conducts the New England Conservatory Philharmonia. Recorded live December 12, 2012. (Version B/Op.112.)

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General Information

Work Title Symphony No.4
Alternative. Title
Composer Prokofiev, Sergey
Opus/Catalogue NumberOp./Cat. No. Op.47 A ; Op.112 B
Internal Reference NumberInternal Ref. No. ISP 70
Key C major
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Andante—Allegro eroico
  2. Andante tranquillo
  3. Moderato quasi allegretto
  4. Allegro risoluto
Year/Date of CompositionY/D of Comp. 1929–30 A ; 1947 B
First Performance. 1930/11/14 A in Boston, Symphony Hall
Serge Koussevitzky (conductor)

1950/03/11 B in London (radio broadcast)

BBC Symphony Orchestra, Sir Adrian Boult (conductor)
First Publication. 1930 A ; 1947 B
Average DurationAvg. Duration 37 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation orchestra
Version A
piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets,
bass clarinet, 2 bassoons, contrabassoon
4 horns, 2 trumpets, 3 trombones, tuba
timpani, percussion (snare drum, cymbals, bass drum), strings
Version B
piccolo, 2 flutes, 2 oboes, English horn, clarinet in E♭, 2 clarinets
bass clarinet, 2 bassoons, contrabassoon
4 horns, 3 trumpets, 3 trombones, tuba
timpani, percussion (wood blocks, tambourine, triangle, snare drum, cymbals, bass drum)
piano, harp, strings
Related Works Based on music from the ballet The Prodigal Son, Op.46.
External Links Wikipedia article
Prokofiev Catalogue
Extra Information Revision of Op.47 (Unpublished; material itself taken from the ballet The Prodigal Son)

Navigation etc.

Symphonies by Sergey Prokofiev
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