Tabasco (Chadwick, George Whitefield)

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Sheet Music

Full Scores

Publisher. Info. Holograph manuscript, 1894.
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Parts

Complete

9 more: Clarinet 1/2 • Cornet 1/2 • Trombone • Timpani/Percussion • Violins I (Overture only) • Violins II • Violas • Cellos • Basses

Publisher. Info. Manuscript, 1894.
Copyright
Misc. Notes Incomplete set of parts to the complete operetta:
Oboe, Bassoon, Horn 1/2 are missing.
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Overture

13 more: Piccolo/Flute • Oboe • Clarinet 1, 2 (A/B♭) • Bassoon • Horn 1/2 (F) • Cornet 1, 2 (B♭/A) • Trombone • Timpani/Drums: (Snare Drum, Bass Drum/Cymbals) • Violins I • Violins II • Violas • Cellos • Basses

Editor First edition
Publisher. Info. Boston: Jean White, 1894. Plate 1453-43.
Copyright
Misc. Notes Original images: ca.350dpi, color jp2 files approx. 2300 by 3500 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Blank and title pages inserted to facilitate duplex printing. Disregard the Peachnote viewer that probably still shows color images. Removed title pages from individual parts and only parts that had music with a page number on the 2nd page had title pages, the title pages are not needed for those. PDF split of Cypressdome's "Complete Parts" file (#289894) by Sallen112.
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March of the Pasha's Guard (Act II, No.8)

13 more: Piccolo/Flute • Oboe • Clarinet 1, 2 (B♭) • Bassoon • Horn 1/2 (F) • Trumpet 1, 2 (B♭) • Trombone • Snare Drum/Bass Drum • Violins I • Violins II • Violas • Cellos • Basses

Editor First edition
Publisher. Info. Boston: Jean White, 1894. Plate 254A.
Copyright
Misc. Notes Original images: ca.350dpi, color jp2 files approx. 2300 by 3500 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. PDF split of Cypressdome's "Complete Parts" file (#358922) by Sallen112.
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5 more: Violins I • Violins II • Violas • Cellos • Basses

Engraver Leipzig: C.G. Röder.
Publisher. Info. Boston: B.F. Wood, 1899. Plate B.F.W. 818.
Copyright
Misc. Notes Original images: ca.350dpi, color jp2 files approx. 2300 by 3500 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. PDF split of Cypressdome's "String Parts" file (#359031) by Sallen112.
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Vocal Scores

Complete

Editor First edition
Publisher. Info. Boston: B.F. Wood, 1894. Plate B.F.W. 12.
Copyright
Misc. Notes #3 Includes color cover
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Selections

Arrangements and Transcriptions

Interludium (Entr'acte)

For Orchestra (Claus)

13 more: Flute 1/2 • Oboe • Clarinet 1, 2 (A) • Bassoon • Horn 1/2 (F) • Cornet 1, 2 (A) (2. ad.lib.) • Trombone (ad.lib.) • Bells • Violins I • Violins II • Violas • Cellos • Basses

Arranger Joseph Bernard Claus (1833–1905)
Publisher. Info. Boston: Jean White, 1894. Plate 1454-33-3/2.
Copyright
Misc. Notes Original images: ca.350dpi, color jp2 files approx. 2300 by 3500 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. The instrumentation used appears to match that which Chadwick used. PDF split of Cypressdome's "Complete Parts" file (#358947) by Sallen112.
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March of the Pasha's Guard (Act II, No.8)

For Military Band (Claus)
Arranger Joseph Bernard Claus (1833–1905)
Publisher. Info. Boston: Jean White, 1894. Plate 538.
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For Piano solo
Editor First edition (offprint)
Publisher. Info. Boston: B.F. Wood, 1894. Plate B.F.W. 103 E1.
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General Information

Work Title Tabasco
Alternative. Title Burlesque Opera in 2 Acts
Composer Chadwick, George Whitefield
Opus/Catalogue NumberOp./Cat. No. F.74
Internal Reference NumberInternal Ref. No. IGC 89
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 1894
First Performance. 1894-01-29 in Boston, Tremont Theatre
First Corps Cadets (amateur production)
First Publication. 1894
Librettist Robert Ayres Barnet (ca.1850-1933)
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices, Chorus, Orchestra
Extra Information According to at least one source, a review by Philip Hale in the Musical Courier dated February 7, 1894, the work was orchestrated by Chadwick's student Lucius Hosmer (1870-1935)