Movements/SectionsMov'ts/Sec's | 2 acts |
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Composition Year | 1894 |
Genre Categories | Operas; Theatrical Works; For voices, mixed chorus, orchestra; [13 more...]Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language; For orchestra (arr); Scores featuring the orchestra (arr); For wind band (arr); For orchestra without strings (arr); Scores featuring wind band (arr); For piano (arr); For 1 player (arr); Scores featuring the piano (arr) |
Contents[hide] |
Complete performance
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⇒ 9 more: Clarinet 1/2 • Cornet 1/2 • Trombone • Timpani/Percussion • Violins I (Overture only) • Violins II • Violas • Cellos • Basses
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⇒ 13 more: Piccolo/Flute • Oboe • Clarinet 1, 2 (A/B♭) • Bassoon • Horn 1/2 (F) • Cornet 1, 2 (B♭/A) • Trombone • Timpani/Drums: (Snare Drum, Bass Drum/Cymbals) • Violins I • Violins II • Violas • Cellos • Basses
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⇒ 13 more: Piccolo/Flute • Oboe • Clarinet 1, 2 (B♭) • Bassoon • Horn 1/2 (F) • Trumpet 1, 2 (B♭) • Trombone • Snare Drum/Bass Drum • Violins I • Violins II • Violas • Cellos • Basses
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⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses
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⇒ 13 more: Flute 1/2 • Oboe • Clarinet 1, 2 (A) • Bassoon • Horn 1/2 (F) • Cornet 1, 2 (A) (2. ad.lib.) • Trombone (ad.lib.) • Bells • Violins I • Violins II • Violas • Cellos • Basses
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Work Title | Tabasco |
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Alternative. Title | Burlesque Opera in 2 Acts |
Composer | Chadwick, George Whitefield |
Opus/Catalogue NumberOp./Cat. No. | F.74 |
Internal Reference NumberInternal Ref. No. | IGC 89 |
Movements/SectionsMov'ts/Sec's | 2 acts |
Year/Date of CompositionY/D of Comp. | 1894 |
First Performance. | 1894-01-29 in Boston, Tremont Theatre
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First Publication. | 1894 |
Librettist | Robert Ayres Barnet (ca.1850-1933) |
Language | English |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Romantic |
Instrumentation | Voices, Chorus, Orchestra |
Extra Information | According to at least one source, a review by Philip Hale in the Musical Courier dated February 7, 1894, the work was orchestrated by Chadwick's student Lucius Hosmer (1870-1935) |