Dear Guifre,
Welcome to the IMSLP! We would like to thank you for contributing.
Please visit our Contributor Portal to learn more about contributing to IMSLP.
The Tutorial provides you a basic introduction to using this site. If you wish to contribute music scores, you will find all the details in the page How to Submit a Score. In addition to that, it is advisable for you to have a basic understanding of copyright law. In case you aren't able to find something you want to know in those pages, you can leave a note on the forums.
Please consider putting the Babel tags on your user page, to tell others which languages you speak. You can also use the Babel system to find users who speak a certain language.
You can communicate with other users by placing a message on their talk page (click on a user's name, and then on Discussion), just like I did on your page. When logging on the next time, this user will get a notification of a new message. Replying to these messages can be done on your own talk page, or on the corresponding user's talk page. Note that there will be no notification for the other user when replying on your own page. It's always a good idea to sign your comments with four tildes (~~~~), which automatically adds your user name and a datestamp.
If you want to discuss something with the whole community, you can post a message in the IMSLP forums. For very important messages, please contact the staff directly via the IMSLP staff contact list.
Frequently asked questions can be found on the FAQ page.
We're looking forward to your next submission!
Cheers, Peter 13:20, 5 January 2007 (EST)
P.S. You submitted a file that is not in public domain, or better, in a gray zone (a CD Sheet Music file). Please note that this file will be deleted.A little addition to Peter's message: regardless of the legal status of the scan itself, the CD Sheet Music logo is protected at least by trademark, and thus not in the public domain; in turn rendering the entire scan not public domain. --Feldmahler 13:27, 5 January 2007 (EST)
Hi! I will have to delete the two pages you created because pages for both Op.10 and 25 already exists. If the file you have is one with both etude sets, it would be a good idea to split them up with at least Op.10 and 25 separate, because I don't think people will really need one single file with both etude sets. Thanks! --Feldmahler 17:06, 1 February 2007 (EST)
Hi Guifre, I moved your submission of Bach transcriptions. The work pages for these works already existed, so even if it's a transcription, you have to add it to the same workpage to prevent redundancies of work pages. The Bach category is also listed by BWV number, in case you couldn't find the work alphabetically. --Peter 14:41, 8 February 2007 (EST)
Hi Guifre! I will have to remove Glenn Gould's arrangement of Wagner's Siegfried-Idyll... the publication was done in 2003, which means that it is not in the public domain. --Feldmahler 16:50, 22 February 2007 (EST)
Hello Guifre, I think that you have not upload the pdf file. Beceause the page is empty. Bye ––Nomis
I deleted this file. There was a clear copyright message on the score! --Peter talk 14:20, 4 June 2007 (EDT)
Hello Guifre, This upload of yours appears to be scanned from a recent edition. Could you please let us know ehat this is scanned from? My guess would be that this edition was published after 1957, which raises potential copyright issues - depending on where it was published, and whether it's an urtext edition or not. Thanks, - Carolus 18:59, 8 June 2007 (EDT)
Heya there Guifre!
I am just leaving you this note to tell you that it would be better if, when uploading scores (and thus creating work pages), you didn't leave a space between Op. and the opus number. That is, you shouldn't do "Op. 6" but you should do "Op.6". This will help make the site look more organised, and save a lot of us from the effort of renaming all these work pages.
Take care! ~ jujimufu 09:24, 11 July 2007 (EDT)
Please tell me: Where can this work be found ?? Thanks ! - Ferruccio
Unless I'm being daft, I think the link to this score is incorrect. It currently takes one to a list of directories, none of them linking in turn to Enescu. Can you fix this? Many thanks for your invaluable contributions!
Hi Guifre, This piece has at least two pages with EveryNote's logo on it. As you no doubt already know, you'll need to remove those and repost it as soon as possible. The fact that EveryNote has it available leads me to wonder if the copyirght has somehow been allowed to lapse in the US. Thanks - Carolus 18:19, 13 July 2007 (EDT).
Hi Guifre
I have been happily downloading the piano parts to these transcriptions which you uploaded, and enjoying the recordings which is available of the Concertos and 40th Symphony. You are doubtless aware that there are also parts for flute, violin and 'cello which go with the piano part. I was wondering where you found the piano parts, and whether you may have any idea if the parts are around somewhere?
--Guifre 08:34, 15 July 2007 (EDT)
Hi Guifre
Thanks for your response. Hummel's transcriptions were actually done for the combination of flute, violin, cello and piano - it is these parts I am looking for. When I first downloaded them I too thought they were for piano solo, and just the piano part works well on its own, but having done some research into them, Hummel made them as part of chamber arrangements of Piano Concertos nos 10, 18, 24, 22, 25 and 26. He also did this for Symphonies 35, 36, 38, 39, 40 and 41. It was common practise to do such arrangements at the time so that people could discover and play large scale works at home (as there were no such things as recordings!). You can find recordings of the chamber versions of the piano concertos and 40th Symphony at iTunes and on Amazon, with the piano part played by Fumiko Shiraga.
Cheers
Hello! Thanks for looking into this for me. I do agree that the piano parts work alone - but the difference with the other instruments is striking - you need more than two hands to play all the notes sometimes! The instrumental parts are not Mozart's originals as they frequently take parts from the missing instruments - this is especially the case for the 10th (double piano) concerto and all the symphonies. If you are interested, emusic.com have all the recordings available as mp3s and you can download all of them for the basic subscription plan costing about $18. If you haven't subscribed before, you get a free trial period to download a number of mp3s (I think it is 25). If you then cancel you get to keep the tracks anyway. Let me know if you have any luck with the parts.
Hey there, Guiffre!
I see that you haven't progressed much in the MIT project.
I am willing to take up the letter R and finish it, because I finished the previous letter I was uploading, and I have free time to work.
I will start uploading from the end of letter R, and please inform me if you wish to take up the letter solely.
Take care! Cheers! ~ jujimufu 20:31, 9 August 2007 (EDT)
Guifre, we need some semblance of publisher information for this piece. Please provide whatever you know. Thanks. Daphnis 19:11, 2 October 2009 (UTC)
Wow, I am sorry!!, I just thought I had already done this. Well, now all is Ok. I am afraid the information Carolus wrote was wrong, and maybe the score will have to be blocked some years... But at least in long term it will not get lost!
--Guifré 15:04, 3 October 2009 (UTC)
I am sorry but I had to tag your contribution N/N/N (PD nowhere) which means that it will be deleted soon. As stated in the notice you included the piece has been largely rewordked by the the editor and one of them died in 1978.--Matthieu 05:57, 7 October 2009 (UTC)
This is actually composed by Efrem Zimbalist (1889-1985). While free in the USA (reprinted by Masters), it is definitely not free in Canada and had to be deleted, sorry. Carolus 19:19, 8 October 2009 (UTC) (IMSLP Copyright Admin)