Violin Concerto, Op.80 (Coleridge-Taylor, Samuel)

Movements/SectionsMov'ts/Sec's 3 movements
First Publication 1912
Genre Categories Concertos; For violin, orchestra; Scores featuring the violin; Scores featuring the orchestra; For orchestra with soloists; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)

Contents

Performances

Sheet Music

Arrangements and Transcriptions

For Violin and Piano (Composer)

 Complete Score
#740302 - 70.89MB, 66 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 174×⇩ - Feduol

PDF scanned by US-NYpm
Feduol (2021/10/21)

Publisher. Info. Holograph manuscript, n.d.[1912].
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Submission Project.
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 Complete Score
#19390 - 3.59MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 1493×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2008/7/25)

 Violin Part
#19391 - 1.24MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 2762×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2008/7/25)

Editor William John Read (1877-1962)
Publisher. Info. London: Metzler & Co., 1912. Plate 221.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Violin Concerto
Alternative. Title
Composer Coleridge-Taylor, Samuel
Opus/Catalogue NumberOp./Cat. No. Op.80 (posthumous)
I-Catalogue NumberI-Cat. No. ISC 65
Key G minor
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Allegro maestoso
  2. Andante semplice - Andantino
  3. Allegro molto - Moderato
First Performance. 1912-06-04, Norfolk Festival, Music Shed
Maud Powell (violin), Festival Orchestra, Arthur Mees (conductor)
First Publication. 1912
Dedication Maud Powell
Average DurationAvg. Duration 30-35 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin, orchestra
Discography MusicBrainz
Manuscript Sources Manuscript of Piano Reduction @ Morgan Library
External Links Wikipedia article (in Dutch)
Hyperion Records
Extra Information Also performed on June 4 1912 in Croydon by William J. Read, not in public but in part for the purpose of establishing British copyright (see Hyperion notes). Read also premiered works by Hurlstone (eg his piano quartet) and is noted in Coleridge-Taylor biographies as having rescued a work or two of the composer from the wastepaper-basket (one of which he passed on to Rutland Boughton and which eventually only got published in 1985).
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