Vom ewigen Leben (Schreker, Franz)

Movements/SectionsMov'ts/Sec's	2, played without break
Composition Year	1923 (for soprano and piano); 1927 (orchestral version)
Genre Categories	Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the piano; German language; For voice, orchestra (arr); For voices with orchestra (arr); Scores featuring the voice (arr); Scores featuring the orchestra (arr)

Performances

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Complete score
*#267158 - 12.96MB, 41 (37) pp. - 0.0/10 2 4 6 8 10 (-) - V/24/V - 1567×⇩ - Andrew S. Kohler

PDF scanned by Andrew S. Kohler
Andrew S. Kohler (2013/1/23)

Publisher. Info.	Vienna: Universal Edition, 1928. Plate U.E. 8959.
Copyright	Public Domain [tag/del]
Misc. Notes	Instrumentation: Soprano and Large Orchestra: 2 Flutes (both also on Piccolo), 2 Oboes and English Horn (also 3rd Oboe), 2 Clarinets in A, Tenor saxophone (in both C and B♭, alternating on Alto and Soprano Saxophones), Bass Clarinet, 2 Bassoons - 4 Horns, 2 Trumpets (C), 3 Trombones - Timpani and Percussion Perc (5 or 6, depending on set up: Triangle, Suspended Chinese Cymbal, Snare Drum, Bass Drum, Tambourine, Tam-tam, Antique Cymbals [each pitch is meant to produced by striking together a pair of the cymbals at that pitch; pitches written C5, D5, G♭5, and G5], Glockenspiel, Xylophone, 2 Bells [D4 and F♯4, “Stabglocken”/“Bar bells”], Tubular Bells: B♭4, A♭4, B3, E3) - Harp, Celesta, Harmonium (p. 16 composer specifies a Dominator-Harmonium from Schiedmayer) - Strings)
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Work Title	Vom ewigen Leben
Alternative. Title	Nach Gedichten von Walt Whitman
Composer	Schreker, Franz
Internal Reference NumberInternal Ref. No.	IFS 15
Movements/SectionsMov'ts/Sec's	2, played without break
Year/Date of CompositionY/D of Comp.	1923 (for soprano and piano); 1927 (orchestral version)
Librettist	Walt Whitman (1819-1892)
Language	German
Dedication	None
Composer Time PeriodComp. Period	Romantic
Piece Style	Early 20th century
Instrumentation	Soprano + Piano

This work was initially for soprano and piano (composed 1923); the orchestration dates from 1927.