Grand traité d'instrumentation et d'orchestration modernes, Op.10 (Berlioz, Hector)

Contents

Sheet Music

Original Language

Original version (1843)

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Carolus (2010/12/31)

Editor First edition
Language French
Publisher. Info. Paris: Schonenberger, n.d.[1844]. Plate S. 996.
Copyright
Misc. Notes Color scan
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Revised version (1855), with Le Chef d'Orchestre

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Carolus (2010/12/31)

Language French
Publisher. Info. Paris: Schonenberger, n.d.(1855). Plate S. 996.
Reprinted Paris: Lemoine, n.d.(after 1860), Plate 14518 HL.
Copyright
Misc. Notes Color scan
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Translations

Revised version (1855), with Le Chef d'Orchestre

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Jujimufu (2009/10/22)

Editor 2nd edition
Language English
Translator Mary Cowden Clarke (1809–1898)
Publisher. Info. London: Novello & Co., 1858
Copyright
Misc. Notes Clarke's translation was made directly from Berlioz's French edition of 1855.
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Carolus (2010/4/27)

Editor Joseph Bennett (1831-1911)
Language English
Translator Mary Cowden Clarke (1809–1898)
Publisher. Info. London: Novello, Ewer & Co., 1882.
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PMLP28373-Berlioz-TreatiseClarke1882.pdf

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Carolus (2010/4/27)

Language German
Translator Alfred Dörffel (1821-1905)
Publisher. Info. Leipzig: Gustav Heinze, 1864. Plate G. 73 H.
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Carolus (2010/4/27)

Language German
Translator Alfred Dörffel (1821-1905)
Publisher. Info. Leipzig: C.F. Peters, 1903.
Copyright
Misc. Notes From the personal library of American composer Charles Tomlinson Griffes (1884-1920)
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PMLP28373-Berlioz-Instrumentationslehre1903.pdf

Enlarged and revised by Richard Strauss

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Carolus (2010/4/27)

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Carolus (2010/4/27)

Editor Richard Strauss (1864-1949), revision and additions
Language German
Translator Richard Strauss (1864-1949)
Publisher. Info. Leipzig: C.F. Peters, Ed.3120, 1905. Plate 9039
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NachoBA (2007/8/12)

Editor Richard Strauss (1864-1949), revision and additions
Language English
Translator Theodore Front (1909–2003)
Publisher. Info. New York: Edwin F. Kalmus, 1948, Plate BS1
Copyright
Misc. Notes This was a (very rare for the time) Kalmus original publication. The copyright was not renewed and the work fell into the US public domain in 1977. It was therefore reprinted by Dover in 1993.
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General Information

Work Title Grand Traité d’Instrumentation et d’Orchestration Modernes
Alternative. Title Treatise on Instrumentation and Modern Orchestration
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. Œuvre 10
Year/Date of CompositionY/D of Comp. 1843-44, enlarged 1855
First Publication. 1843-44, enlarged 1855
Language French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Book
External Links Wikipedia article
On-line scores (Scorch format) of excerpts at the Berlioz website

Misc. Comments

Publication History

  • Paris: 1843–44 (serialised)
  • Paris: 1844, Œuvre 10 (Publication noted in the Bibliographie de la France 2e série, 33e année (47e de la collection), Nº 25, 22 Juin 1844, p.324, r.65.)
Reissue – 1855, enlarged and revised, with new chapter on the orchestral conductor and the theory of the art (Le Chef d’orchestre – théorie de son art)
  • 1904
  • Kassel: Bärenreiter, 2003, BA 5464, as part of New Berlioz Edition (1967–2005), Volume 24, edited by Peter Bloom


Compositions and Literary Works by Hector Berlioz
Operas

Les francs-juges, H 23 · Benvenuto Cellini, H 76 · Les Troyens, H 133 · Béatrice et Bénédict, H 138

Symphonies

Symphonie fantastique, H 48 · Harold en Italie, H 68 · Roméo et Juliette, H 79 · Grande symphonie funèbre et triomphale, H 80

Concert Overtures

Grande ouverture de Waverley, H 26 · Grande ouverture du Roi Lear, H 53 · Intrata di Rob-Roy MacGregor, H 54 · Le carnaval romain, H 95 · Le Corsaire, H 101

Liturgical works

Messe solennelle, H 20 · Grande messe des morts, H 75 · Te Deum, H 118

Other choral works

Lélio, ou le retour à la vie, H 55 · La damnation de Faust, H 111 · Tristia, H 119 · Vox populi, H 120 · L’enfance du Christ, H 130

Songs and cantatas

Herminie, H 29 · Cléopâtre, H 36 · Irlande, H 38 · Les nuits d’été, H 81 · Feuillets d’album, H 121 · Fleurs des landes, H 124

Writings

Grand traité d’instrumentation et d’orchestration modernes · Les Soirées de l’Orchestre · Les Grotesques de la Musique · À Travers Chants · Mémoires


Scores illustrated by Berlioz (initial version of the Grand Traité)

Beethoven

  • Fidelio, Act II ‘Nur hurtig fort, nur frisch gegraben’ (double bass), ‘Und spür’ich nicht linde’ (oboe)
  • Symphony No.3, 3rd movement, Trio, bars 166–260 (horn); *4th movement, bars 348–372 (oboe)
  • Symphony No.4, 2nd movement, bars 26–34 (violin), 96–104 (timpani)
  • Symphony No.5, 1st movement, bars 398–423 (violin); 2nd movement, bars 1–11 (viola); 3rd movement, bars 281–302 (bassoon), 302–316 (violin pizzicato), 317–373 and bars 1–4 of 4th movement (timpani)
  • Symphony No.6, 3rd movement, bars 87–122 (oboe); 4th movement [storm], bars 45–70 (double bass), 93–108 (piccolo)
  • Symphony No.7, 1st movement, bars 300–310 (oboe); 2nd movement, bars 147–183 (trumpet); 3rd movement, bars 181–208 (horn)
  • Piano Concerto No.5, 2nd movement, bars 64–82 (piano)

Gluck

  • Alceste, Act I (flute), ‘Apollon est sensible à nos gémissements’ (violin tremolo), ‘Divinités du Styx’ (trombone); Act II ‘Caron t’appelle’ (horn)
  • Alceste italienne, Act II ‘Chi mi parla!’ (violin, con sordino)
  • Armide, Act III ‘Venez, venez, haine implacable’ (oboe), ‘Suis l’amour puisque tu le veux’ (voices)
  • Iphigénie en Aulide, Act I ‘Peuvent-ils ordonner qu’un père’ (oboe); Act II ‘Vengeons et la nature’ (trombone)
  • Iphigénie en Tauride, Act I Prelude (trumpet; piccolo); Act I Ballet (triangle), Act I ‘O songe affreux’ (voices), Act I ‘Les dieux apaisent leur courroux’ (cymbals); Act II ‘Le calme rentre dans mon cœur’ (viola); Act IV ‘Chaste fille de Latone’ (voices)
  • Orphée, Act II Ballet 2 (Pantomime) (flute), Act II ‘Que la peur, la terreur’ (double bass)

Halévy

Meyerbeer

  • Les Huguenots, Act I ‘Ah, quel spectacle enchanteur’ (viola d’amore solo); Act II ‘Jeunes beautés sous ce feuillage’ (bassoon); Act IV ‘Tu l’as dit’ (cor anglais), ‘Entends tu ces sons funèbres’ (bells); Act V ‘Savez vous qu’en joignant vos mains’ (bass clarinet)
  • Robert le Diable, Act III (gong; bassoon); Act V ‘O mon fils’ (cornet)

Méhul

  • Phrosine et Mélidore ‘Jules, tu seras mon vengeur’ (horn)

Mozart

Rossini

  • Guillaume Tell, Act III ‘Sois immobile’ (voices), ‘A nos chants viens mêler’ (voices)

Spontini

  • La Vestale, Act II ‘Toi que j’implore avec effroi’ (voices); Act III ‘Périsse la Vestale impie’ (trombone)

Weber

  • Der Freischütz overture, bars 87–129 (clarinet); Act II ‘Leise, leise, fromme Weise’ (cello)
  • Oberon overture, bars 14–22 (cello)

Scores cited by Strauss (revised version of the Grand Traité)

Wagner

To be added