| Movements/SectionsMov'ts/Sec's | 7 songs |
|---|---|
| First Publication | 1907-8 |
| Genre Categories | Songs; For voice, piano; For voices with keyboard; |
1. Die Schale des Glücks (high)
*#990341 - 2.33MB, 4 pp. - (-) - C/V/C - 11×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
⇒ 8 more: 1. Die Schale des Glücks (low) • 2. Mein Lieb ist schlafen gegangen (medium) • 2. Mein Lieb ist schlafen gegangen (high) • 3. Symbol (high) • 3. Symbol (low) • 4. Empor! (high) • 4. Empor! (medium) • 4. Empor! (low)
1. Die Schale des Glücks (low)
*#990342 - 2.45MB, 4 pp. - (-) - C/V/C - 7×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
2. Mein Lieb ist schlafen gegangen (medium)
*#990343 - 1.27MB, 2 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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2. Mein Lieb ist schlafen gegangen (high)
*#990344 - 1.97MB, 2 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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3. Symbol (high)
*#990345 - 1.57MB, 2 pp. - (-) - C/V/C - 7×⇩ - AlkanLiszt
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3. Symbol (low)
*#990346 - 1.62MB, 2 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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4. Empor! (high)
*#990347 - 2.94MB, 4 pp. - (-) - C/V/C - 7×⇩ - AlkanLiszt
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4. Empor! (medium)
*#990348 - 2.76MB, 4 pp. - (-) - C/V/C - 6×⇩ - AlkanLiszt
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4. Empor! (low)
*#990349 - 2.98MB, 4 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
|
5. Mondschein (medium)
*#990350 - 3.12MB, 4 pp. - (-) - C/V/C - 6×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
6. Tagespracht (medium)
*#990351 - 3.83MB, 6 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
7. Auf dem Meeresgrunde (medium)
*#990352 - 2.43MB, 3 pp. - (-) - C/V/C - 5×⇩ - AlkanLiszt
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AlkanLiszt (2025/9/11)
|
| Work Title | 7 Gedichte |
|---|---|
| Alternative. Title | 4 Gedichte von Melanie Barth – 3 Nixenlieder von Melanie Barth |
| Composer | Karg-Elert, Sigfrid |
| Opus/Catalogue NumberOp./Cat. No. | Op.62 |
| Internal Reference NumberInternal Ref. No. | ISK 109 |
| Movements/SectionsMov'ts/Sec's | 7 songs:
|
| First Publication. | 1907-8 |
| Librettist | Melanie Barth |
| Language | German |
| Dedication | Fäulein Ottilie und Helene Barth – Leipzig in Dankbarkeit zu eigen (Nos. 5-7) |
| Composer Time PeriodComp. Period | Early 20th century |
| Piece Style | Early 20th century |
| Instrumentation | voice, piano |