D'ung aultre amer (Orto, Marbrianus de)

First Publication	1502 in Harmonice Musices Odhecaton (Canti B, 28)
Genre Categories	Chansons; Songs; For 4 voices; For unaccompanied voices; Scores featuring the voice

Sheet Music

Complete Score
*#490320 - 0.05MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 191×⇩ - Agarvin

PDF typeset by editor
Agarvin (2017/8/26)

Complete Parts
*#490321 - 0.36MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 52×⇩ - Agarvin

PDF typeset by editor
Agarvin (2017/8/26)

ZIP typeset by editor
Agarvin (2017/8/26)

Editor	Allen Garvin (b. 1969)
Publisher. Info.	Allen Garvin, 2017.
Copyright	Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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Complete Score
*#740400 - 0.95MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 35×⇩ - Clegoldberg

PDF typeset by editor
Clegoldberg (2021/10/22)

Editor	Clemens Goldberg
Publisher. Info.	Dun autre amer, No.7 Goldberg Stiftung, 2018.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Work Title	D'ung aultre amer
Alternative. Title
Composer	Orto, Marbrianus de
Internal Reference NumberInternal Ref. No.	IMO 2
Key	G Dorian mode
First Publication.	1502 in Harmonice Musices Odhecaton (Canti B, 28)
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	4 voices

The contra and bassus parts are inscribed with the legend obelus quinis sedibus ipse volat, an instruction that the various sections of the piece should be played a fifth higher after initially playing at pitch.
According to Grove Music, most of the contents of the Harmonice Musices Odhecaton are chansons, and although most of them do not have text, the text would have either been known to the people of the time, or available elsewhere. There are a few pieces that may have been instrumental in origin. However, Grove Music does not list any instrumental music for Orto, and classifies this as a chanson. RISM also lists it as a vocal work. Accordingly, this has been tagged as a vocal chanson.