Fantasias and In Nomines, Z.732-747 (Purcell, Henry)

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Contents

Performances

Recordings

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Phillipwserna (2020/7/3)

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Performer Pages Phillip Serna (Viola da Gamba)
Publisher Info. Chicago: Dr. Phillip W. Serna, 2020.
Performers Phillip W. Serna, Treble, Tenor & Bass Viols
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Misc. Notes Recorded, mixed & mastered August 2020 by Phillip W. Serna for the Midweſt415 release Brownings, In Nomines & Hexachords at Dwarf Star Audio, Plainfield, IL. For more information, visit here.
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Sheet Music

Scores and Parts

Complete

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Editor Herbert Just (fl.1930-60)
Publisher. Info. Nagel's Musik-Archiv, No.58
Hannover: Adolph Nagel's Verlag, 1930.
URTEXT EDITION 

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Reprinted Kassel: Bärenreiter, 1960.
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Misc. Notes From the uploader's library. The covers display on 3 sides the collection items from Nos.1 to 203. Herbert Just's English-German Preface (pp.2 & 4) dated April 1930 is omitted. Possibly First Edition (the Nagel that is) for most of the Fantasias.
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6 more: Violin 1 • Violin 2/3 • Viola 1 • Viola 2 • Cello 1/2 • Covers & Title Page

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Editor Herbert Just (fl.1930-60)
Publisher. Info. Nagel's Musik-Archiv, No.113
Hannover: Adolph Nagel's Verlag, 1935.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Kassel: Baerenreiter, 1957.
Copyright
Misc. Notes From the uploader's library. In his 1935 Preface (German only, removed), the editor declares his edition is based on Purcell's own barely legible (in places) manuscript held in the British Museum (Add. MS.30930). In fact, the manuscript is quite legible and is online at http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_30930_f030r
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Selections

No's.1-12

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Editor Peter Warlock (1894-1930)
André Mangeot (1883-1970)
Publisher. Info. London: J. Curwen & Sons, 1927.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7609.
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Misc. Notes Full Score and Parts are 10 x 13 scan.
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Editor Albert Folop
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Folop Viol Music Collection.
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Arrangements and Transcriptions

Complete

For 5 Recorders (Kompy)

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General Information

Work Title Fantazias and In Nomines
Alternative. Title
Composer Purcell, Henry
Opus/Catalogue NumberOp./Cat. No. Z.732–747
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 16 fantasias:
  1. Fantasia in D minor, Z.732, 3 viols
  2. Fantasia in F major, Z.733, 3 viols
  3. Fantasia in G minor, Z.734, 3 viols
  4. Fantasia in G minor, Z.735, 4 viols
  5. Fantasia in B-flat major, Z.736, 4 viols
  6. Fantasia in F major, Z.737, 4 viols
  7. Fantasia in C minor, Z.738, 4 viols
  8. Fantasia in D minor, Z.739, 4 viols
  9. Fantasia in A minor, Z.740, 4 viols
  10. Fantasia in E minor, Z.741, 4 viols
  11. Fantasia in G major, Z.742, 4 viols
  12. Fantasia in D minor, Z.743, 4 viols
  13. Fantasia in A minor, Z.744, 4 viols (incomplete)
  14. Fantasia upon One Note, Z.745, 5 viols
  15. In Nomine of Six Parts, Z.746, 6 viols
  16. In Nomine of Seven Parts, Z.747, 7 viols
Year/Date of CompositionY/D of Comp. 1680 ca. in London. GB-Lbl, Add.Ms.30930
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 3 to 7 viols

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According to Grove Music, "Although the fantasias are cornerstones of the modern viol consort repertory, it is not certain that Purcell would have been able to assemble a complete viol consort at that time; though the bass viol remained in use as a solo instrument and for continuo, treble and tenor viols were dropping out of use before he was born." This page is thus also tagged for open instrumentation.