Il pastor fido, Op.13 (Chédeville, Nicolas)

Authorship Note
This work was formerly attributed to Antonio Vivaldi as RV 54-59


Contents

Performances

Sheet Music

Scores and Parts

Complete

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Feduol (2016/2/15)

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Carolus (2018/6/16)

Editor First edition
Publisher. Info. Paris: Mme. Boivin, n.d.[1737].
Copyright
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RTM (2011/5/10)

5 more: Sonata II - Complete score • Sonata III - Complete score • Sonata IV - Complete score • Sonata V - Complete score • Sonata VI - Complete score

PDF scanned by RTM
RTM (2011/5/10)

PDF scanned by RTM
RTM (2011/5/10)

PDF scanned by RTM
RTM (2011/5/10)

PDF scanned by RTM
RTM (2011/5/10)

PDF scanned by RTM
RTM (2011/5/10)

Editor Walter Upmeyer (1876-1961)
Publisher. Info. Hortus Musicus, No.135
Kassel: Bärenreiter Verlag, 1956.
Copyright
Misc. Notes Scanned at 600dpi grayscale, improved, converted to monochrome.
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Editor Denis Bélières (b. 1948)
Publisher. Info. Denis Bélières
Copyright
Misc. Notes New edition from Boivin (1737).
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Sonata No.6

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Feduol (2011/9/24)

Editor First edition
Publisher. Info. Paris: Jean Noël Marchand, 1737.
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General Information

Work Title Il pastor fido
Alternative. Title Il Pastor Fido, Sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe.
Composer Chédeville, Nicolas
Opus/Catalogue NumberOp./Cat. No. Op.13 ; RV 54-59
I-Catalogue NumberI-Cat. No. INC 12
Movements/SectionsMov'ts/Sec's 6 sonatas:
  1. Sonata in G major
  2. Sonata in C major
  3. Sonata in G major
  4. Musette Sonata in A major
  5. Sonata in C major
  6. Sonata in G minor
Year/Date of CompositionY/D of Comp. 1737 or before
First Publication. 1737 - Paris: Mme. Boivin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation musette (or vielle, recorder, flute, oboe, violin), continuo
Extra Information Nicolas Chédeville made a secret agreement in 1737 with Jean-Noël Marchand to publish a collection of his own compositions as Vivaldi's. Chédeville supplied the money and received the profits, all of which was attested to in a notarial act by Marchand in 1749. Long attributed to Vivaldi, the set of sonatas are actually the work of Chédeville.