Musette Sonata in A major, Op.13 No.4 (Chédeville, Nicolas)

Authorship Note
This work was formerly attributed to Antonio Vivaldi as RV 57


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Synthesized/MIDI

For Alto Recorder and Continuo (Harmer)

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DanielHarmer (2018/1/15)

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Sheet Music

Scores

Complete

PDF scanned by Unknown
Carolus (2018/6/16)

Editor First edition
Publisher. Info. Il pastor fido, Op.13 (pp.19-26)
Paris: Mme. Boivin, n.d.[1737].
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PDF scanned by RTM
RTM (2011/5/10)

Editor Walter Upmeyer (1876-1961)
Publisher. Info. Hortus Musicus, No.135
Kassel: Bärenreiter Verlag, 1956.
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Misc. Notes Scanned at 600dpi grayscale, improved, converted to monochrome.
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Pastorale

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Homerdundas (2013/4/7)

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Homerdundas (2013/4/7)

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Homerdundas (2013/4/7)

Editor Walter Upmeyer (1876-1961)
Publisher. Info. Nagel's Musik-Archiv, No.18
Hannover: Adolph Nagel's Verlag, 1931.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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Arrangements and Transcriptions

For 3 Recorders (Wehlte)

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For Alto Recorder and Continuo (Harmer)

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General Information

Work Title Musette Sonata in A major
Alternative. Title Sonate IV
Composer Chédeville, Nicolas
Opus/Catalogue NumberOp./Cat. No. Op.13 No.4 ; RV 57
I-Catalogue NumberI-Cat. No. INC 16
Key A major
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Preludio. Largo
  2. Allegro ma non presto
  3. Pastorale ad libitum
  4. Allegro
Year/Date of CompositionY/D of Comp. 1737
First Publication. 1737 in Il pastor fido, Op.13 (No.4)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation musette (or vielle, recorder, flute, oboe, violin), continuo
Extra Information Chédeville made a secret agreement in 1737 with Jean-Noël Marchand to publish a collection of his own compositions as Vivaldi's. Chédeville supplied the money and received the profits, all of which was attested to in a notarial act by Marchand in 1749. Long attributed to Vivaldi, the set of sonatas are actually the work of Chédeville.