Kammersymphonie No.1, Op.9 (Schoenberg, Arnold)

Movements/SectionsMov'ts/Sec's 1 movement (in 5 sections)
Composition Year 1906
Genre Categories Symphonies; For flute, oboe, English horn, 2 clarinets, bass clarinet, bassoon, contrabassoon, 2 horns, 2 violins, viola, cello, double bass; Scores featuring the flute; [20 more...]Scores featuring the oboe; Scores featuring the English horn; Scores featuring the clarinet; Scores featuring the bass clarinet; Scores featuring the bassoon; Scores featuring the contrabassoon; Scores featuring the horn; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; Scores featuring the double bass; For 15 players; For orchestra (arr); Scores featuring the orchestra (arr); For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr); For piano (arr); For 1 player (arr)

Contents

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Performances [show]

Sheet Music

Scores

Publisher. Info. Vienna: Universal Edition, 1912. Plate U.E. 3667.
Copyright
Public Domain
Misc. Notes Fixed upload #14110, pages were out of order. (#414361)
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 Complete Score
#14108 - 10.30MB, 73 pp. -  3.7058823529412/10 2 4 6 8 10 (17) - V/V/V - 5746×⇩ - Pelleas

PDF scanned by Pelleas
Pelleas (2007/9/18)

Publisher. Info. Vienna: Universal Edition, 1912. Plate U.E. 7147.
Re-issue — Philharmonia Series, 1924. Plate W.Ph.V. 225
Copyright
Public Domain
Misc. Notes Missing pages 10, 11, 24, 25, 84, 85.
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Editor Christian Martin Schmidt (b. 1942)
Publisher. Info. Vienna: Universal Edition, 1922.
Sämtliche Werke, IV. Orchesterwerke, Reihe A, Bd.11, Teil 1 (pp.3-146)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 1976.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Public Domain
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 Complete Score
#811311 - 9.96MB, 144 pp. -  5.3333333333333/10 2 4 6 8 10 (3) - C*/V*/V* - 195×⇩ - Madcapellan

PDF scanned by Unknown
Madcapellan (2022/9/19)

Editor Christian Martin Schmidt (b. 1942)
Publisher. Info. Vienna: Universal Edition, 1922.
Sämtliche Werke, IV., Reihe B, Bd.11, Teil 1 (pp.3-146)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 1976.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Copyright
Public Domain
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Parts

⇒ 13 more: Oboe • English Horn • Piccolo Clarinet (D/E♭) / Piccolo Clarinet (E♭, transposed) • Clarinet (A/B♭) • Bass Clarinet (B♭) • Bassoon • Contrabassoon • Horn 1, 2 (F) • Violin 1 • Violin 2 • Viola • Cello • Double Bass

Publisher. Info. Vienna: Universal Edition, 1912.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1988).
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
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Publisher. Info. Vienna: Universal Edition, 1922. Plate U.E. 3668.
Reissue - 1984 (from Gesamtausgabe)
Copyright
Public Domain
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 Cello Part (for auditions)
#379056 - 0.08MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 473×⇩ - Cellofan

PDF typeset by editor
Cellofan (2015/5/24)

Editor Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi 2015
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
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Arrangements and Transcriptions

For Orchestra

 Complete Score (Op.9b) (EU)
#568848 - 13.64MB, 154 pp. -  0/10 2 4 6 8 10 (0) - V/32/V - 531×⇩ - Geniusboy98

PDF scanned by Geniusboy98
Geniusboy98 (2019/4/17)

Arranger Composer
Engraver Vienna: Waldheim-Eberle.
Publisher. Info. New York: Schirmer, 1935. Plate 37402.
Copyright
Public Domain - Non-PD US
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Arranger Composer
Editor Nikos Kokkinis
Publisher. Info. New York: G. Schirmer, Inc., 1936.
Sämtliche Werke, IV. Orchesterwerke, Reihe A, Bd.12, Teil 1 (pp.73-226)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 1980.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
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For Piano 4 hands

 Complete Score (EU)
#891916 - 4.06MB, 73 pp. -  0/10 2 4 6 8 10 (0) - C*/69*/V* - 237×⇩ - Madcapellan

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Madcapellan (2024/1/2)

Arranger Composer
Editor Christian Martin Schmidt (b. 1942)
Publisher. Info. Sämtliche Werke, II. Klavier- und Orgelmusik, Reihe A, Bd.5, Teil 1 (pp.95-167)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 1973.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
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For Piano (Steuermann)

 Complete Score
#316784 - 3.30MB, 45 pp. -  5.3333333333333/10 2 4 6 8 10 (3) - V/V/35 - 905×⇩ - Homerdundas

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Homerdundas (2014/2/23)

Arranger Edward Steuermann (1892–1964)
Publisher. Info. Vienna: Universal Edition, 1922. Plate U.E. 7146.
Reprinted Twentieth-Century Piano Classics (pp.73-117)
Mineola: Dover Publications, 1999.
Copyright
Public Domain - Non-PD EU
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General Information

Work Title Kammersymphonie
Alternative. Title Chamber Symphony [No.1]
Name Translations Symphonie de chambre nº 1; Chamber Symphony No. 1; 1. Kammersinfonie; 室内交響曲第1番; Simfonia de cambra núm. 1; [5 more...]Sinfonía de cámara n.º 1; Ĉambra Simfonio n-ro 1; 실내 교향곡 1번; Prima Sinfonia da camera (Schönberg); 第1號交響曲
Name Aliases Erste Kammersymphonie
Authorities Wikipedia; BNF: 139188741
Composer Schoenberg, Arnold
Opus/Catalogue NumberOp./Cat. No. Op.9
Internal Reference NumberInternal Ref. No. IAS 11
Movements/SectionsMov'ts/Sec's 1 movement (in 5 sections):
  1. Sonata. Allegro (beginning to No.38)
  2. Scherzo (Nos.38–60)
  3. Development (Nos.60–77)
  4. Adagio (Nos.77–90)
  5. Recapitulation and finale (Nos.90–100)
Year/Date of CompositionY/D of Comp. 1906
First Performance. 1907/02/08
First Publication. 1912
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation 15 solo instruments
InstrDetail [more...]
flute (also piccolo), oboe, English horn, piccolo clarinet, clarinet,
bass clarinet, bassoon, contrabassoon, 2 horns, 2 violins, viola, cello, double bass
External Links Wikipedia article
Schoenberg Center
Extra Information Arranged twice for full orchestra (1923 and 1935) by the composer.
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