La fauvette du temple (Messager, André)

Movements/SectionsMov'ts/Sec's 3 acts
First Publication 1885
Genre Categories Operas comiques; Theatrical Works; Operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; French language; For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Contents

Performances

Sheet Music

Vocal Scores

Complete

 Complete Score (monochrome)
#864986 - 11.56MB, 226 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Massenetique

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 Complete Score (grayscale)
#71616 - 16.33MB, 225 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 345×⇩ - Massenetique

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Arranger Composer, piano reduction
Publisher. Info. Paris: Enoch frères & Costallat, n.d.[1885]. Plate E.F.& C.1075.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is based on high-resolution images obtained from BNF using a method explained on this page. Converted to monochrome, cropped, de-skewed and optimized. (#864986)
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Selections

⇒ 14 more: No.3, Rondeau: "Je me nomme Saint Angéron" (Act I, No.3) • No.4, Chanson de la fauvette: "Une gentille fauvette" (Act I, No.4), F major • No.4bis, Chanson de la fauvette: "Une gentille fauvette" (Act I, No.4), D major • No.5, Duo du mariage: "Dans un mois je mets ma robe blanche" (Act I, No.6) • No.8, Couplets militaires: "J'aimerais être voltigeur" (Act I, No.8b) • No.12, Chanson des blés: "Dans un champ de blé d'or" (Act II, No.12) • No.14, Duo: "Ici cet officier doit-être ... Le joli songe" (Act II, No.14) • No.15, Chant de guerre: "Amis, le grand jour est venu" (Act II, No.15) • No.19, Romance: "Hélas! je ne dois plus entendre" (Act III, No.19) • No.20, Couplets: "Je voulais tirer Pierre d'un mauvais pas" (Act III, No.20) • No.21, Couplets: "Pierre est sauvé, l'âme tranquille" (Act III, No.21) • No.22, Duo des chameliers: "A travers le désert immense" (Act III, No.22) • No.23, Chanson: "J'aime la musique militaire" (Act III, No.23) • No.24: Couplets de la casquette: "Un soir le général Bugeaud" (Act III, No.24)

 No.3, Rondeau: "Je me nomme Saint Angéron" (Act I, No.3)
#864966 - 0.80MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Massenetique

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 No.19, Romance: "Hélas! je ne dois plus entendre" (Act III, No.19)
#864974 - 0.35MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4×⇩ - Massenetique

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 No.23, Chanson: "J'aime la musique militaire" (Act III, No.23)
#864978 - 0.44MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4×⇩ - Massenetique

PDF scanned by F-Pn
Massenetique (2023/7/16)

Arranger Composer, piano reduction
Publisher. Info. Paris: Enoch frères & Costallat, n.d.[1885]. Plate E.F.& C.1075, 1166-72.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is based on high-resolution images obtained from BNF using a method explained on this page. Converted to monochrome, cropped, de-skewed and optimized.
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Arrangements and Transcriptions

Selections

For Piano (Arban)
See: Polka sur 'La fauvette du temple' (Arban, Jean-Baptiste)

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General Information

Work Title La fauvette du temple
Alternative. Title Opéra-comique en trois actes
Name Translations 神殿のツグミ; La Fauvette du Temple
Authorities Wikipedia; BNF: 39499701m
Composer Messager, André
I-Catalogue NumberI-Cat. No. IAM 9
Movements/SectionsMov'ts/Sec's 3 acts
First Performance. 1885/11/17
Paris: Folies-Dramatiques
First Publication. 1885
Copyright Information Publication noted in the Bibliographie de la France :
75e année, 2e série, Nº 1, 2 Janvier 1886, p.14, regs.57-58 (v.s. selections).
Librettist Paul Burani (1845–1901)
Eugène Humbert (?–1896)
Language French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation vocal soloists, mixed chorus, orchestra
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